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171. 'The Friends of Eddie Coyle' (1973)

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Release Date: 11/09/2023

185. The Women of 'Blade Runner 2049' show art 185. The Women of 'Blade Runner 2049'

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184. 'Dune 2'  show art 184. 'Dune 2'

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183. 'Get Shorty' (1995) show art 183. 'Get Shorty' (1995)

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182. 'Sunset Boulevard' (1950) with Special Guest Brad Caleb Kane show art 182. 'Sunset Boulevard' (1950) with Special Guest Brad Caleb Kane

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I'm joined again by multi-hyphenate for a discussion about Billy Wilder and Charles Brackett's iconic 1950 satirical noir Hollywood cautionary tale 'Sunset Boulevard' and various other digressions!       

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181. All of Brad Pitt's Cliff Booth Scenes from 'Once Upon a Time in Hollywood' show art 181. All of Brad Pitt's Cliff Booth Scenes from 'Once Upon a Time in Hollywood'

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The second in my growing collection of episodes devoted to 'Once Upon a Time in Hollywood'...this time it's an episode celebrating all the brilliant Cliff Booth scenes...scenes representing some of Brad Pitt's finest acting to date and the heart and soul of Tarantino's greatest homage to the Hollywood of his youth.

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180. Oscars 2024 Recap show art 180. Oscars 2024 Recap

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It's my annual Oscar Recap. And Killers of the Flower Moon wuz robbed!

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179. All of Leonardo Dicaprio's Rick Dalton Scenes from 'Once Upon a Time in Hollywood' show art 179. All of Leonardo Dicaprio's Rick Dalton Scenes from 'Once Upon a Time in Hollywood'

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178.  'Klute' (1971) show art 178. 'Klute' (1971)

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Alan J. Pakula deserves more attention and respect as one of the grestest American film directors of any era.  His run of films in the 70's, from 'Klute' to 'The Parallax View' to 'All The President's Men'...all brilliantly shot by Cinematographer Gordon Willis (The Godfather films)...are as impressive and of their moment as any films made in this thrilling period of American filmmaking. In this episode, I dive into Pakula's understated persona and genius for working with actors, the period details and psychological explorations that result in a layered, non-showy film that rewards repeat...

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177. 'The Third Man' (1949) show art 177. 'The Third Man' (1949)

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176. 'The Long Good Friday' (1980) show art 176. 'The Long Good Friday' (1980)

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In which my evolving, complicated relationship with the crowd-pleasing John 'Frenzy' MacKenzie's exuberant, vibe-y classic 'The Long Good Friday' is flayed open and nailed to the floor for your auditory enjoyment.

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Peter Yates was quietly one of the most interesting film directors of his time. His seminal 1967 British train-robbery film 'Robbery' got him noticed for the job directing Steve McQueen in 1968's 'Bullitt'.  In that film, Yates turned in a car chase frequently mentioned as second only to the iconic one filmed by Billy Friedkin in 'The French Connection'.

By 1973,  Yates was in Hollywood, working under a three-picture deal with Peter Bart and Robert Evans at Paramount.  Two of those didn't work out. The third turned out to be 'The Friends of Eddie Coyle', which is one of the very best 70's crime films, one of the very best Boston-set films ever made, and features Robert Mitchum's very best performance amid a wonderfully constructed neo-noir shot entirely on location in a series of blue-collar and working class Boston spots.

In this episode, I talk about 'Robbery', 'Bullitt' and 'The French Connection' and how they compare and contrast to 'The Friends of Eddie Coyle', an underappreciated little masterpiece of the sort Peter Yates specialized in throughout his career.