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190. The Little Girl Who Lives Down The Lane (1976)

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Release Date: 05/30/2024

218. 'Butch Cassidy & The Sundance Kid' (1969) show art 218. 'Butch Cassidy & The Sundance Kid' (1969)

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My deep dive into the films of Director George Roy Hill continues with the most iconic Western ever made: "Butch Cassidy & The Sundance Kid".

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217. 'The Sting' (1973) show art 217. 'The Sting' (1973)

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George Roy Hill's 1973 masterpiece 'The Sting' (released December 1974) grossed in 1974 what would be over 900 million dollars today. It's a deceptively simple, stealthily subversive and counter-cultural film wrapped in the meticulous trappings of a 1930's Warner Bros gangster picture, and re-teaming Butch Cassidy & The Sundance Kid with that film's director. In this episode: How Peter Boyle, Jack Nicholson, Richard Boone, and Warren Beatty almost got cast in 'The Sting', the brilliant Marvin Hamlisch Scott Joplin songs used on the soundtrack, the fantastic supporting cast of...

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216. 'An American Werewolf In London' (1981) show art 216. 'An American Werewolf In London' (1981)

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In Hollywood, the story beats of werewolf movies were codified in 1941 by a German-Jewish emigrant to Hollywood via London named Curt Siodmak, who wrote the seminal film 'The Wolf Man', starring Lon Chaney, Jr. 40 years later, John Landis made the most important and enduring and influential werewolf film ever made in 'An American Werewolf in London'. It was his follow-up to the one-two punch of 'Animal House' and 'The Blues Brothers'.  He could make any film he wanted, with anyone he wanted. So he made a script he'd begun when he was 18 years old. A script he'd first discussed with an...

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215. 'No Country For Old Men' (2007) show art 215. 'No Country For Old Men' (2007)

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Sparse. Laconic. Expansive. Languid. Wry. The Coen Brother's 2007 Neo-Noir Western 'No Country For Old Men' moves to the fatefully ticking beat of it's own Grandfather Clock.  It's a film that rewards close viewing and is astoundingly faithful to Cormac McCarthy's novel while also being so completely a "Coen Brothers film" even as it's their (only?) adaptation of an existing book. Featuring an iconic performance by Javier Bardem as the philosophical killer Anton Chigur, brilliant cinematography from frequent Coen collaborator Roger Deakins, and perfectly wrought twangily-Texas turns by...

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214. 'Liquid Sky' (1983) show art 214. 'Liquid Sky' (1983)

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'Liquid Sky' was a $500,000 largely experimental film by the Russian expat director Slava Tsukerman that sprung from a group of friends and colleagues surrounding School of Visual Arts acting teacher Bob Brady.  What's it about?  Heroin, Cocaine, Aliens, Art, Fashion, Dancing, Nightclubs, Science, Sex, Lesbian Knife Fights, Androgyny, Shrimp, Berlin...and that's just the first 45 minutes.  Much more than just a so-bad-it's-good b-movie, 'Liquid Sky' has endured and is best appreciated for its fantastic design, cinemotography, and score and the period specificity of it's troupe...

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213. 'Raising Arizona' (1987) show art 213. 'Raising Arizona' (1987)

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'Raising Arizona' was the 2nd film written and directed by The Coen Brothers, and it's one of my most foundational movies; a movie that spoke to who I was at 18, when I first saw it in 1987 and continues to be one of my favorites today. In this episode I revisit the film, tell some anecdotes about the making-of, and revel in the wonderful, nuanced performances, Carter Burwell's brilliantly distinctive and pitch-perfect score, and more! I must not tarry.   Some of My Foundational Movies:

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212. 'Casino' (1995) show art 212. 'Casino' (1995)

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Our episodic roll of the Scorceseverse dice comes up a winner here with a look at 'Casino', Marty's unofficial "sequel" to 'Goodfellas' and a treatise on the inevitable end of mob controlled Vegas casinos. If you're interested in how we got here, check out my episodes about Goodfellas and 'Mean Streets':

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211. 'Mean Streets' (1973) show art 211. 'Mean Streets' (1973)

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The Full Cast and Crew MartyVerse run continues with the first of Scorcese's unofficial trilogy of gangster films, 'Mean Streets'. In this episode: Marty's Little Italy, Family, High School, NYU, Los Angeles, and early directorial experiences and how they influence and inspired 'Mean Streets'. How 'Mean Streets' was very nearly a blaxploitation film funded by Roger Corman.  John Cassavetes seeing 'Boxcar Bertha', an exploitation film Scorcese directed for Corman, and telling Marty "You just spent a year of your life making a piece of shit. Don't you have something more personal to do?"...

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210. 'Goodfellas' Part 4: All of DeNiro's Scenes show art 210. 'Goodfellas' Part 4: All of DeNiro's Scenes

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OK, so I wasn't quite done with Goodfellas, try as I did...one more bridge episode here before we get into 'Mean Streets' and 'Raging Bull'... In this episode, we consider Marty's Oscar frenemyship, DeNiro's screen qualities, his most famous and best onscreen performances, and, finally...FINALLY...all of his scenes from "Goodfellas" considered from a DeNiro/Jimmy Conway perspective.

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209. 'Goodfellas' Part 3 show art 209. 'Goodfellas' Part 3

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In part 3 of my three-episode take on Martin Scorcese and Nicholas Pileggi's masterpiece 'Goodfellas', we pick the film up just after the halfway point, which is Tommy's killing of Spider.  Test audiences and studio executives were completely discombobulated by the loss they felt of the breezy, funny, enjoyable glamorization of the gangster life that the first half of the film represents.  And the descent into depraved, violent madness was a truthfulness that not every audience...or cast member... could embrace immediately.

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One of the stranger and most poorly-marketed films of the 70's is Nicholas Gessner's adaptation of Laird Koenig's 1974 novel 'The Little Girl Who Lives Down The Lane'.  Far from the horror film the poster and trailer tried to sell audiences on, it's instead an unsettling but realistic portrait of a young girl in an uncertain situation, and a film that I find particularly resonates with people who themselves were 10 or 12 years old in the late 70's.