Episode 44: Heavy Metal Horror, feat. Justin Clark of Slant Magazine
Release Date: 04/10/2024
49. Animation/Live-Action Hybrids, feat. Tyler Foster
Genre Grinder
IT’S SEQUENTIAL DRAWINGS VERSUS FLESH & BLOOD ACTORS IN A SHOWDOWN OF MULTIMEDIA PROPORTIONS! Since the advent of filmmaking, people have been combining live-action photography with hand-drawn animation and now we’re talking about it. But this is a podcast and we don’t have time to cover a century of motion pictures, so Gabe and returning guest Tyler Foster are covering a smaller collection of movies released in the wake of Robert Zemeckis’ Who Framed Roger Rabbit? (1988), some inspired by its success, others that would have existed without it. This month’s diverse...
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48: The Hammer Horror Trans Allegory Special, feat. Luana Saitta of Defend Your Trash Movie
Genre Grinder
A DEAD WOMAN WITH THE SOUL OF A MAN! A MURDEROUS MAN WHO CAN TRANSFORM INTO A WOMAN! PROBABLY JUST A COINCIDENCE! Have you ever noticed that Hammer Studios made two horror films that work as trans allegories? Well, technically three, but I forgot about one of them. Anyway, I’ve been curious for a while as to what an actual trans person might think of Terence Fisher’s Frankenstein Created Woman (1967) and Roy Ward Baker’s Dr. Jekyll and Sister Hyde (1971), so I invited back my friend and the co-host of the , Luana Saitta, in order to pick her brain (Frankenstein-related wordplay...
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46.3 The Giant Monster Movies of 1957, feat. Patrick Ripoll of 96 Greers (3 of 3)
Genre Grinder
TAKE ONE LAST TRIP INTO THE UNKNOWN FOR THE ULTIMATE GIANT INSECT MOVIE, THE ULTIMATE GIANT MAN IN A DIAPER MOVIE, AND THE ULTIMATE KILLER, UM, ROCK MOVIE… Welcome to the final part of Gabe and Patrick’s look back at the biggest year in giant monster movie history. This episode features the most eclectic collection of movies, including a shoestring ‘lost world’ epic in Virgil W. Vogel’s The Land Unknown, Edward Ludwig’s absolutely incredible Black Scorpion, Bert I. Gordon’s second giant bald guy movie of the year, The Amazing Colossal Man, John Sherwood’s uniquely eerie The...
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Episode 47: Jaws, Minus the Shark Movies, feat. Ann-Marie Taylor
Genre Grinder
YOU DON’T NEED TO GO TO AMITY ISLAND FOR A SHARK MASSACRE!! IN FACT, YOU DON’T EVEN NEED A SHARK!! It’s easy to recognize a Jaws knock-off when it revolves around a shark eating people, but what about all of those movies without sharks that lift scenes and ideas from Steven Spielberg’s film and Peter Benchley’s novel? Well, around here we call those movies “Jaws, Minus the Shark” movies and they make up a surprisingly versatile and eclectic little subgenre, one full of Brodys, Quints, and inordinately sexy Hoopers. Join Gabe and Ann-Marie Taylor – returning to...
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46.2 The Giant Monster Movies of 1957, feat. Patrick Ripoll of 96 Greers (2 of 3)
Genre Grinder
FROM THE FROZEN WASTES OF THE ARCTIC TO THE DEPTHS OF THE AFRICAN JUNGLE, THE ARID DESERTS OF MEXICO, AND THE AMERICAN MIDWEST THEY CAME… Welcome to part two of Gabe and Patrick’s look back at the biggest year in giant monster movie history. We’ve got a lot of big bugs this time, including Nathan H. Juran’s The Deadly Mantis, the wasps of Kenneth G. Crane’s The Monster from Green Hell, ocean mollusks of Arnold Laven’s The Monster that Challenged the World, and locusts of Bert I. Gordon’s The Beginning of the End. For good measure, we also talk about the really big bird from the...
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46.1 The Giant Monster Movies of 1957, feat. Patrick Ripoll of 96 Greers (1 of 3)
Genre Grinder
FROM THE FURTHEST REACHES OF SPACE AND THE DEEPEST DEPTHS OF THE SEA CAME ALIENS, MUTATED CREATURES, AND OTHER LARGE, SCARY ALLEGORIES! Welcome to another patented Genre Grinder deep dive into a specific year where a specific genre peaked. This time, Patrick and Gabe are looking at 15 of 17 movies about gigantic monsters released in some capacity during the year 1957 (festival, roll-out, wide, et cetera). The other two are a lost film (Tokyo 1960) and one already covered on a different episode of Genre Grinder (Quatermass II). Not unexpectedly, the conversation carried on for some time, so...
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Episode 45: Meta Horror Movies, feat. Jim Laczkowski of Director’s Club
Genre Grinder
THE FIRST PODCAST ABOUT MOVIES THAT ACKNOWLEDGES THAT IT’S A PODCAST ABOUT MOVIES!! Gabe (looks directly into camera): This is a podcast about making podcasts. The podcasters are also acknowledging you, the listener, directly. Yeah, you, Derek. Oh, and the fabric of the podcast is also haunting us and maybe killing you. And by you, I mean Derek. Anyway, join me and returning guest Jim Laczkowski as we look at the phenomenon of meta horror movies. We initially planned on covering José Mojica Marins' Hallucinations in a Deranged Mind (1978), Lucio Fulci's Cat in the Brain (1990),...
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Episode 44: Heavy Metal Horror, feat. Justin Clark of Slant Magazine
Genre Grinder
WELCOME TO THE HEADBANGERS’ BALL …FROM HELL!! Can hard rock music really corrupt the youth? Will the lyrics raise the dead and turn innocent children into perverts and murderers? Is that a literal demon on lead guitar? Join Gabe and returning guest Justin Clark as they enter the pit to answer these questions and more. While Gabe spent the month watching several heavy metal and hard rock horror movies, the discussion this week pertains largely to four films – Krishna Shah’s Hard Rock Zombies (1984), John Fasano’s Black Roses (1988), Álex de la Iglesia’s Day of the Beast...
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Episode 43: Killer Animal Movies, feat. Arianny Pilarte of Not All Podcasts Wear Capes
Genre Grinder
LIONS AND TIGERS AND BEARS AND RATS AND…DUGONGS?! OH GOD!! They’re cute, they’re cuddly, they’re out for blood. Join Gabe and returning guest Arianny Pilarte as they traipse into the sunbaked Australian outback, the darkest corners of Italy’s subway system, and dank Canadian sewers in search of the scariest and most insane killer animal movies released in a 11 year period between 1978 and 1989. This month’s batch of trash and treasures includes Colin Eggleston’s Long Weekend (1978), Russell Mulcahy’s Razorback (1984), Franco Prosperi’s Wild Beasts (Italian: Belve...
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Episode 42.5: Alternative 1970s American Horror – THE SEQUEL, feat. Bill Ackerman of Supporting Characters (2 of 2)
Genre Grinder
THE GREATEST HITS OF A DECADE: VIETNAM, WATERGATE, ATTICA, MAN-EATING PIGS, SEEDY HOLLYWOOD, KILLER BRIDES, HOME INVASION, GANGSTERS, AXE MURDERERS, AND DEADLY GAMES… After Night of the Living Dead (1968) and before the slasher boom of the early ‘80s, American horror went through one of its most creative and influential eras. But, for every Texas Chain Saw Massacre (1974), Carrie (1976), and Halloween (1978), there were dozens of under-the-radar oddities that took years – sometimes decades – to be recognized by cult audiences for their unique contributions to American horror....
info_outlineWELCOME TO THE HEADBANGERS’ BALL …FROM HELL!!
Can hard rock music really corrupt the youth? Will the lyrics raise the dead and turn innocent children into perverts and murderers? Is that a literal demon on lead guitar? Join Gabe and returning guest Justin Clark as they enter the pit to answer these questions and more. While Gabe spent the month watching several heavy metal and hard rock horror movies, the discussion this week pertains largely to four films – Krishna Shah’s Hard Rock Zombies (1984), John Fasano’s Black Roses (1988), Álex de la Iglesia’s Day of the Beast (Spanish: El día de la bestia, 1995), and Tetsuro Takeuchi’s Wild Zero (1999).
00:00 – Intro
08:38 – Hard Rock Zombies (and other ‘80s Heavy Metal Horror)
27:58 – Black Roses
45:21 – Day of the Beast
1:11:05 – Wild Zero
1:36:47 – Outro
Check out Justin’s review of Monkey Man here: https://www.slantmagazine.com/film/monkey-man-review-dev-patel/
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