ARC Ensemble's Simon Wynberg on their Music in Exile series for Chandos
Gramophone Classical Music Podcast
Release Date: 01/23/2026
Gramophone Classical Music Podcast
Today we launch a new edition to the Gramophone Podcasts, The Gramophone Listening Room, in which Charlotte Gardner invites two of today’s finest young artists into the studio to explore some of the treasures of the recording archive, both recent and historic. Each chooses two recordings to share and discuss, after which Charlotte suggests a choice of her own for them to discover. Her inaugural guests are guitarist Plínio Fernandes and cellist Anastasia Kobekina, and after listening you can visit Gramophone's website to hear all the featured recordings for yourself.
info_outlineGramophone Classical Music Podcast
Jack Pepper meets Festival Academy Budapest co-founder and Artistic Director Barnabás Kelemen to explore his upcoming concerto marathon, the gypsy violin tradition and a packed 2026 Summerfest This podcast has been produced in association with the Festival Academy Budapest. The World Should Know’, The Festival Academy's Marathon Concert Series, takes place from May 1-3 at the Grand Hall of the Liszt Ferenc Academy of Music in Budapest: The Ilona Fehér International Violin Competition will be held from June 24 to July 5, while the Festival Academy Budapest’s XI Summerfest runs from...
info_outlineGramophone Classical Music Podcast
Kirill Karabits and the orchestra whose Principal Conductor he was for 15 years, the Bournemouth Symphony, have recorded the opera Esther by Thomas de Hartmann (1885-1956). Written in Paris during the last years of the Second World War, and completed in 1946, Esther is based on the play by Racine which in turn draws on the biblical Book of Esther and tells of Esther’s intercession to her husband King Ahasuerus on behalf her fellow Jews living in Persia. The episode is celebrated in the Jewish holiday of Purim every spring. Released by Pentatone, the opera...
info_outlineGramophone Classical Music Podcast
In this week’s episode of the Gramophone podcast, Georgia Keeley speaks with composer Rachel Portman, marking 30 years since her Oscar-winning soundtrack for Emma (1996), and discussing her approach to writing music for film. Today's podcast is sponsored by Kirker Holidays, creators of short breaks and tailor-made holidays for curious, discerning travellers to cultural destinations throughout Europe and beyond. For more information or to speak to one of Kirker's expert human beings, call 020 7593 2283 or visit.
info_outlineGramophone Classical Music Podcast
In this week's episode of the Gramophone Podcast, Editor Martin Cullingford is joined by one of the most acclaimed figures of today's musical world, Jordi Savall, to talk about his new recording of Bach's St John Passion, recorded with La Capella Reial de Catalunya and Le Concert Des Nations, and released on the Alia Vox label. Today’s podcast is sponsored by Kirker Holidays, creators of short breaks and tailor-made holidays for curious, discerning travellers to cultural destinations throughout Europe and beyond. For more information or to speak to one of Kirker’s expert human beings, call...
info_outlineGramophone Classical Music Podcast
The soprano, Elsa Dreisig, has just released a new Erato album, ‘Invocation’. Joined by the Orchestra e Coro dell'Opera Carlo Felice Genova conducted by Massimo Zanetti, it gathers together arias by Dvořák, Janáček, Puccini, Verdi, Gounod, Wagner, Rossini, Flotow, Peter Heise, and Carolina Uccelli, as well as songs by Grieg, Amy Beach and Bizet, all with a unifying theme. James Jolly talked to Elsa Dreisig in Naples, where she was in rehearsals for Puccini’s La bohème in which she was singing the role of Mimì. Today’s podcast is sponsored by Kirker...
info_outlineGramophone Classical Music Podcast
Editor Martin Cullingford is joined by Peter Whelan, the Artistic Director of the Irish Baroque Orchestra, to talk about his new recording on the Linn label of one of the great masterpieces of all choral music - Handel's Messiah. The world-famous oratorio was premiered in Dublin, where the ensemble is based, and so on this wonderful recording they've set out to recreate the atmosphere and experience of that very first occasion. Listen now to find out more about the story behind – and about Peter Whelan's lifelong relationship to – this remarkable work.
info_outlineGramophone Classical Music Podcast
For this week's episode, the composer Nico Muhly and the founder of the Tallis Scholars Peter Phillips join the Gramophone Podcast to talk to Editor Martin Cullingford about their beautiful new release 'No Resting Place', released on Linn Records and an Editor's Choice in the April edition of Gramophone. Reflecting on more than a decade of collaboration, they talk about how they developed a remarkable understanding of each other's creativity, and also recount the story behind the album's powerful works. This podcast is in association with
info_outlineGramophone Classical Music Podcast
In this week's edition of the Gramophone Podcast Editor Martin Cullingford was joined by conductor Sir Mark Elder and composer Huw Watkins to talk about the Hallé's new recording of Watkins's orchestral music, featuring his Symphony No 2, Concerto for Orchestra and Fanfare, all written specially for the Manchester ensemble. This podcast is in association with
info_outlineGramophone Classical Music Podcast
For this episode, we're joined by conductor Edward Gardner, who talks to Gramophone Editor Martin Cullingford about his new recording of Richard Strauss's opera Elektra, which is newly released on the Chandos label. Recorded by the Bergen Philharmonic Orchestra and Choir, and with an impressive cast led by Iréne Theorin in the title role, Gardner talks us through what it takes to bring this extraordinarily dramatic work to the stage - and to life. This podcast is in association with
info_outlineToronto’s ARC Ensemble have been exploring the music of composers forced to flee their homeland by the Nazis. The most recent release in Chandos’s Music in Exile series – of music by Ernest Kanitz (1894-1978) – drew an enthusiastic welcome by Gramophone’s critic Richard Bratby, a review that closed with the hope that ‘there’s more Kanitz to come’.
James Jolly spoke by Zoom to the ARC Ensemble’s Artistic Director Simon Wynberg about the musicians of the Ensemble and the music that animates this important recording project, bringing this often totally forgotten music back to life – and also about their forthcoming visit to London’s Wigmore Hall for a day of concerts on February 1.