HOWA EP129 - Taylor Deupree & Joseph Branciforte
Release Date: 10/06/2024
hanging out with audiophiles
Was a mighty pleasure to chat with the alchemical Lucrecia Dalt. She's playing with THOSE forces. Sculpting the slippery into sound. Both primal and refined. This is not free noise by any means, it's a crafted and highly tuned set of worlds that all feel both intimate and deliberate at the same time. Wonderful music. Wonderful art. In your face and unapologetic. Bravo!!! Her new album is called "A Danger to Ourselves" Out Sept 5th Here's a Bandcamp link. Hightly recommend you check it out. It cuts deep. ** Shout out to Dana Wachs for the intro here. She's doing sound for Lucrecia during her...
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Lovely to catch up with Kaitlyn to get a behind the scenes breakdown of the process that went into creating her latest LP "Gush" I was not expecting it to be made this way. Nope. I had no clue. I loved being so utter wrong about it! I challenge you to listen fist to the music and then guess how she pulled it off. Utterly wild. Love it. She tells me of the sonic coffee (what resets her ear palette) The inspiration of Lex ishimoto the dancer and reveals a secret as to who she'd like to sound like when singing. Again I was shocked! This was recorded in Feb 2025.. err.. sorry! took me ages If you...
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Welcome Philip Weinrobe the optimist. It’s downright infectious to hang with this chap. His bright-eyed, freewheeling attitude is not something that can be put on. Well at least, I feel you know when it's an act. In Philip's case it's interwoven into his worldview. What I'm saying is. He’s really that guy and it’s a wonderful thing! I was happy to learn of his wigglesome ride through this thing called life that led him work with some of the modern greats like Adrianne Lenker (Big Thief), Tomberlin, and Theo Katzman (Vulfpeck) ______________ Dipping into the Phil links: Don ellis...
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My new album PLACES OF UNKNOWING has arrived link to LP (release date July 18th 2025) WOO!! Let's get on with the show! Meet Pascal :) What a treat it has been to welcome this man into my life Not only did he give me confidence and skills to play the piano for the first time in my life, he toiled to transcribe my vocal multitracks and save them from dying on the hard drive. He sat with me and the recording crew in the studio for 5 hours to assist our cellist as this same song took shape With patience and encouragement that’s very rare and deeply contagious. Speaking my language just...
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He lives across the street and happens to be one of my fave musicians ever. Sometimes life is just like that right? He's played in so many rolls over the years both as a solo artist and film composer and as a player backing the heaviest like Laurie Anderson, Lou Reed, Marianne Faithfull, John Zorn and this bloke Jamie Lidell Yep, he's opened me up to so much great music and is one of the best improvisers I've ever heard. Just flowing with the music. He sits at the piano and he's away. With the muses that circle him. Great to present this audiobook length chronology for the archives. Rob has...
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ITS OUT!!! YES!!! It’s hard to believe tbh after all this time but indeed the first song from my long talked about LP “Places of Unknowning” is OUT There’s a vinyl pre-order (and digi pre-thing) for the full album and links to stream this early track the “The Center” here: Video from the live performance of The Center here! You might be curious how it all came to be.... Where are these wild and powerful words coming from for example? Well I’m glad you asked since I got to sit down and record a chat with my delightful wife Lindsey Rome who wrote this record with me. ...
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I got hip to Cristobal’s work thanks to my recent TV addiction. I inhaled all 3 seasons of the white lotus and I think I was only able to get so greedy because of the EXCELLENT music. I usually get repelled by TV scores tnh. I feel like I know the tricks and the tones and the emotional devices and I end up paying attention to them in a bad way. My agitation stops me from getting swept up and carried away. Not so with this man’s work. I just felt like it was so deeply connected to the lands and the mystery and power of our animalistic shadows that ride in the narrative. I...
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Took me a while this one. Sadly, as many of you may know, I lost my Dad. It was a very long time coming and I was "prepared" but of course death has a power that yields a unique power and the grief has hit in waves. The first week was a kind of exhaustion, then I got to feel the sadness and the reality hit me in a new and more profound way. I talk about it here in the pod so I'll not linger too long in text form. Needless to say, it's been an intensely emotional time. Shortly after this news I was thrown into full preparation for the first live show for the LP that is going to be announced...
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I met Matt Ross-Spang thanks to Mark Rubel. Mark was an amazing knowledge and super generous chap who sadly died not so long ago. RIP to that legend. I'll never forget that trip to visit some of America's most amazing studios. We toured most of the iconic rooms in Memphis which is the city where Matt Ross-Spang has always resided. We went to Sun where Elvis, Johnny Cash, Howlin’ Wolf all recorded and then on to Sam Philips recording service which Matt helped restore to its former glory. What a place! Just full of history and so beautiful both aesthetically and sonically. Matt has...
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What a treat it was to speak with the absolutely wonderful Suzanne Ciani who’s really a unique and outstanding woman in the world of electronic music. We get into her early use of psychedelics and chat about spirituality and the inner “little voice” which is her guide in all things. We discuss eternal sounds, how her LP “Seven Waves” was constructed from a huge manuscript. We listen to her snoring cat and chat tennis. In fact there’s a lot of tennis talk here which is definitely a first and an area Suzanne is very passionate about. Of course we talk about the exceptional Don Buchla...
info_outlineA fascinating and frankly bonkers translation has taken place
Taylor Deupree’s original album Stil., released in 2002 was made with 100% digital techniques with a heavy dose of microsound, layering and looping.
It now exists as something wildly different and yet painstakingly based on that work.
This new iteration is a 100% acoustic version which takes it from Stil. to Sti.ll
This is a rare form of digital to analog conversion and should only be attempted by festidious and slightly insane people!
Sti.ll, released in 2024, is a complete reimagining of Stil., recorded entirely with acoustic instruments, such as clarinets, vibraphones, and cellos, played by live musicians. This new version abandons digital sound manipulation in favor of human performance, where sounds previously made with software are recreated through physical instruments and microphones. The transformations go beyond just switching mediums; the acoustic textures bring warmth and depth, making it an entirely new and distinct experience, while retaining the essence of the original.
Who would attempt such madness?
Taylor Deupree (wiki-ish) is a prolific electronic musician, sound artist, and founder of the record label 12k. Known for his contributions to the microsound and minimalist electronic music movements, Taylor’s work often blends digital and acoustic elements. His music is characterized by its delicate, detailed textures and use of repetition to create slowly evolving soundscapes.
Joe Branciforte (wiki-ish) is a multi-instrumentalist, composer, and Grammy award-winning recording engineer and producer based in New York. He is the founder of the record label Greyfade, which focuses on process-based composition, electronic and acoustic minimalism, and alternative tuning systems. Joe’s expertise spans both electronic and acoustic music, making him adept at bridging these worlds in innovative ways. His work often involves live electronic processing of acoustic instruments, and he has collaborated with renowned artists like Kenneth Kirschner and Theo Bleckmann.
His technical mastery and creative vision were key to bringing Taylor Deupree’s acoustic reimagining of Stil. to life in Sti.ll, where he played an integral role in transcribing and arranging the complex digital compositions for live instrumentation.
So good to chat with these masters about a project of such huge scope.
We discuss this album at length and also Taylor’s collaboration with the late, great Ryuichi Sakamoto
links:
MUSIC from the show:
from the email I received:
Last year Miet Warlop and me (Micha Volders) went to Dhaka, Bangladesh to make a visceral musical performance with young students. It opened the Dhaka Art Summit and we played for a curious Bengali crowd of thousands.
This city is a whole other universe, it’s loud, it’s overcrowded, it’s vibrant. I work on a daily basis with young artists but I rarely experienced this kind of hunger, joy and motivation from these young students.
We rehearsed 3 weeks in a row on this huge ghetto sound system placed middle on the road in the city, to a point where local residents were fed up and sabotaged our (already super shabby) P;A system by cutting all the wires,
It was challenging, it was exciting and it was touching.
So one year later we made a record out of the recordings of this venture : it’s called ICCHĀ ——> check it out here