loader from loading.io

Practicing Contentment: How to Balance Progress and Pleasure - PHH 167

Practicing Harp Happiness

Release Date: 07/29/2024

Taking a Lesson from Chopin: Legato and Rubato - PHH 184 show art Taking a Lesson from Chopin: Legato and Rubato - PHH 184

Practicing Harp Happiness

There are three ways we learn how to play the harp. The first and most obvious one is by doing.  Playing and practicing is our “go to” method for learning. You can’t actually learn to play the harp without playing it.  When my son was about 12 or 13, he fell madly in love with football. There weren’t any teams he could play on at his school or in our community, so he had to be content with playing football video games. Not the same thing, of course. Even so, when he got to high school and finally had the opportunity to play on a real team, he was actually surprised to find...

info_outline
How to Focus on Doing Less to Get More Done - PHH 183 show art How to Focus on Doing Less to Get More Done - PHH 183

Practicing Harp Happiness

Are you feeling a little bit scattered or unsettled at the moment? It’s no wonder. Chaos is all around us in this crazy world, and there’s precious little we can do to fix it. But the chaos in our own personal harp world is something completely different. If you’re feeling any chaos or overwhelm about your harp playing, I have good news for you; this kind of chaos is something you can fix. Absolutely. Even in a year when we aren’t bombarded on every side by messages of gloom and doom, these last few weeks of the year are hectic. In the midst of the holiday festive preparations and the...

info_outline
More Than Dynamics: Uncovering the Real Secret to Musical Expression - PHH 182 show art More Than Dynamics: Uncovering the Real Secret to Musical Expression - PHH 182

Practicing Harp Happiness

“What can I do to make my music more expressive?” If I’ve been asked that question once, I’ve been asked it a thousand times. This isn’t a beginner question, either. It usually is a question of an intermediate level player. Once harpists achieve a fair level of technical competency, they have enough bandwidth to consider how to make their playing more musical. Until that point, it’s all about getting the right fingers on the right strings. Naturally enough, most of us look to the dynamics to make our music more expressive. It’s a good plan. Following the dynamic markings that the...

info_outline
The Fourth Thing You Need to Know About Rolling Chords - PHH 181 show art The Fourth Thing You Need to Know About Rolling Chords - PHH 181

Practicing Harp Happiness

When you think of harp music, is there a characteristic harp sound that comes to mind, a musical gesture that belongs to the harp more than to any other instrument? A glissando, maybe? That’s certainly one of them, and a favorite of mine. Another one that I find very powerful and very harp-y is a rolled chord.  Harps were meant to play chords, especially rolled chords. They sound liquid and rich, even plummy. You can listen to an orchestral recording and when the harpist plays a rolled chord, you know it. It’s almost as if everything melts for a moment. If you want to check out some...

info_outline
How to be Better than Perfect - PHH 180 show art How to be Better than Perfect - PHH 180

Practicing Harp Happiness

The sinking of the unsinkable Titanic still fascinates us all over a hundred years after the disaster. It’s the subject of all sorts of speculation and theories, and there’s one of those that is actually relevant to our topic today. The question is this: if the Titanic crew had performed all the safety drills they were supposed to, if there had been enough lifeboats and if the passengers had been drilled in lifeboat procedures, would so many have perished when the ship went down? Some people have noted that a routine safety drill on the fateful Sunday morning was not held. This has been...

info_outline
Why Harpist Beginners Need Bach Too - PHH 179 show art Why Harpist Beginners Need Bach Too - PHH 179

Practicing Harp Happiness

A little while back, I did a podcast episode about the music of Johann Sebastian Bach, and why I believe studying and playing that music is so important for harpists. If you want to go back and listen to that episode, it is Episode 154, and I will put a link to that episode in the show notes. Understandably, after that podcast aired, I was asked why I was emphasizing the music of Bach who didn’t write anything that we know of for harp, when there are brilliant harp composers whose music we could study. I agree that studying music written for the harp is important for every harpist. But the...

info_outline
Gentle Strengthening for a Weak Finger - PHH 178 show art Gentle Strengthening for a Weak Finger - PHH 178

Practicing Harp Happiness

There are plenty of things we can muscle through: fatigue, a headache, the last email, the last pot to wash, paying the bills. But we can’t muscle through harp playing, especially when it comes to our fingers. For all that we talk about strong fingers and considering how hard we work them, they and the bones, tendons and muscles that support them are relatively fragile. So when we talk about strengthening our fingers, we don’t want to do any more heavy lifting.  Today on the podcast, we are going to talk about how to train your weakest fingers to be stronger by training them the right...

info_outline
No Sense of Rhythm? The 3 Step Cure - PHH 177 show art No Sense of Rhythm? The 3 Step Cure - PHH 177

Practicing Harp Happiness

Do you have no sense of rhythm? Has someone told you that you have no sense of rhythm? Or do you sometimes wonder if you do? Right off the bat, let me tell you that if someone said that to you, I know they are dead wrong. In the first place, I don’t believe that people can be so connected and drawn to music that they commit themselves to studying and learning an instrument for years without an innate sense of rhythm. Rhythm, like any other musical skill, is a subject that is studied intentionally in music schools. It’s not a topic that is merely left to chance with an “either you got it...

info_outline
Powerful Practice with the Five Focus Areas - PHH 176 show art Powerful Practice with the Five Focus Areas - PHH 176

Practicing Harp Happiness

Ten years ago, I wrote a small book. It was my response to the frustration I observed some harpists experiencing. These harpists were diligent in their practice and dedicated to doing everything right. But they still weren’t able to play their music the way they wanted. Some told me that they just couldn’t get the notes, the fingering and the placing correct. Others said they couldn’t get their music anywhere near an appropriate tempo. Some couldn’t look at their hands and the music at the same time. Others couldn’t make their music flow. And none of them seemed to be able to...

info_outline
Make Your Warm-up the Prelude to Your Practice - PHH 175 show art Make Your Warm-up the Prelude to Your Practice - PHH 175

Practicing Harp Happiness

If I had to give the shortest possible explanation of what a daily harp warm-up is, it would be this: your warm-up is the prelude to your practice.  Why a prelude? A prelude is most often defined as a short piece of music intended to be an introduction to a longer one. It sometimes uses musical themes or ideas which appear in the larger work, but the prelude’s most important function is to set the scene, the mood or the tone for what follows.  That’s how I like to think about a warm-up. It sets the scene for your practice. It allows for a transition from your possible hectic...

info_outline
 
More Episodes

Right now, I’m in a tug-of-war with myself. 

Usually, I’m all about helping my students and pushing myself to set goals, to find the next level, to discover more harp happiness through progress and growth. But it’s summertime, and I’m facing a tough choice between leveling up or lazing in the sun. I will admit that sometimes the sun wins.

This struggle isn’t just a summertime struggle, though. In our harp playing, we are continually caught between two opposing ideas: to achieve and accomplish or to simply enjoy. It’s not just about lazing in the sun. It’s really the conflict between the two ways we approach the harp each day. Do we practice? Or do we play?

Ideally, of course, we do both. Playing the harp means exactly that - playing music. Practicing the harp includes all the woodshedding, the repetition, the struggle to clean up notes and fingers and rhythms and make our playing (note that word again!) the best it can be. In a perfect world, our practice would be balanced between the two, with both in fair, if not exactly equal, measure. 

This idea of harp balance is one that I like to revisit from time to time. It helps me keep or maybe regain my perspective. Am I doing enough in-depth work, or too much, or not enough? Mostly, it helps me remember why I am sitting at the harp in the first place, because I love to play the harp. That’s what underlies every moment I spend improving my technique, or drilling a few tricky measures, or memorizing a piece for a recital. It’s the motivation for my teaching and even for this podcast. I know you love playing the harp and I want to help you continue to love it. 
 

So that’s what we are going to dive into today, how to regain your harp playing balance. We’ll talk about how the various parts of your playing and practice fit together. And I’ll share how to make sure that your harp playing goals don’t get in the way of your harp playing contentment.

Links to things I think you might be interested in that were mentioned in the podcast episode: 

Get involved in the show! Send your questions and suggestions for future podcast episodes to me at [email protected] 

LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-167