Why You Need to Have a Harp Role Model (or Be One) - PHH 172
Release Date: 09/02/2024
Practicing Harp Happiness
There are three ways we learn how to play the harp. The first and most obvious one is by doing. Playing and practicing is our “go to” method for learning. You can’t actually learn to play the harp without playing it. When my son was about 12 or 13, he fell madly in love with football. There weren’t any teams he could play on at his school or in our community, so he had to be content with playing football video games. Not the same thing, of course. Even so, when he got to high school and finally had the opportunity to play on a real team, he was actually surprised to find...
info_outline How to Focus on Doing Less to Get More Done - PHH 183Practicing Harp Happiness
Are you feeling a little bit scattered or unsettled at the moment? It’s no wonder. Chaos is all around us in this crazy world, and there’s precious little we can do to fix it. But the chaos in our own personal harp world is something completely different. If you’re feeling any chaos or overwhelm about your harp playing, I have good news for you; this kind of chaos is something you can fix. Absolutely. Even in a year when we aren’t bombarded on every side by messages of gloom and doom, these last few weeks of the year are hectic. In the midst of the holiday festive preparations and the...
info_outline More Than Dynamics: Uncovering the Real Secret to Musical Expression - PHH 182Practicing Harp Happiness
“What can I do to make my music more expressive?” If I’ve been asked that question once, I’ve been asked it a thousand times. This isn’t a beginner question, either. It usually is a question of an intermediate level player. Once harpists achieve a fair level of technical competency, they have enough bandwidth to consider how to make their playing more musical. Until that point, it’s all about getting the right fingers on the right strings. Naturally enough, most of us look to the dynamics to make our music more expressive. It’s a good plan. Following the dynamic markings that the...
info_outline The Fourth Thing You Need to Know About Rolling Chords - PHH 181Practicing Harp Happiness
When you think of harp music, is there a characteristic harp sound that comes to mind, a musical gesture that belongs to the harp more than to any other instrument? A glissando, maybe? That’s certainly one of them, and a favorite of mine. Another one that I find very powerful and very harp-y is a rolled chord. Harps were meant to play chords, especially rolled chords. They sound liquid and rich, even plummy. You can listen to an orchestral recording and when the harpist plays a rolled chord, you know it. It’s almost as if everything melts for a moment. If you want to check out some...
info_outline How to be Better than Perfect - PHH 180Practicing Harp Happiness
The sinking of the unsinkable Titanic still fascinates us all over a hundred years after the disaster. It’s the subject of all sorts of speculation and theories, and there’s one of those that is actually relevant to our topic today. The question is this: if the Titanic crew had performed all the safety drills they were supposed to, if there had been enough lifeboats and if the passengers had been drilled in lifeboat procedures, would so many have perished when the ship went down? Some people have noted that a routine safety drill on the fateful Sunday morning was not held. This has been...
info_outline Why Harpist Beginners Need Bach Too - PHH 179Practicing Harp Happiness
A little while back, I did a podcast episode about the music of Johann Sebastian Bach, and why I believe studying and playing that music is so important for harpists. If you want to go back and listen to that episode, it is Episode 154, and I will put a link to that episode in the show notes. Understandably, after that podcast aired, I was asked why I was emphasizing the music of Bach who didn’t write anything that we know of for harp, when there are brilliant harp composers whose music we could study. I agree that studying music written for the harp is important for every harpist. But the...
info_outline Gentle Strengthening for a Weak Finger - PHH 178Practicing Harp Happiness
There are plenty of things we can muscle through: fatigue, a headache, the last email, the last pot to wash, paying the bills. But we can’t muscle through harp playing, especially when it comes to our fingers. For all that we talk about strong fingers and considering how hard we work them, they and the bones, tendons and muscles that support them are relatively fragile. So when we talk about strengthening our fingers, we don’t want to do any more heavy lifting. Today on the podcast, we are going to talk about how to train your weakest fingers to be stronger by training them the right...
info_outline No Sense of Rhythm? The 3 Step Cure - PHH 177Practicing Harp Happiness
Do you have no sense of rhythm? Has someone told you that you have no sense of rhythm? Or do you sometimes wonder if you do? Right off the bat, let me tell you that if someone said that to you, I know they are dead wrong. In the first place, I don’t believe that people can be so connected and drawn to music that they commit themselves to studying and learning an instrument for years without an innate sense of rhythm. Rhythm, like any other musical skill, is a subject that is studied intentionally in music schools. It’s not a topic that is merely left to chance with an “either you got it...
info_outline Powerful Practice with the Five Focus Areas - PHH 176Practicing Harp Happiness
Ten years ago, I wrote a small book. It was my response to the frustration I observed some harpists experiencing. These harpists were diligent in their practice and dedicated to doing everything right. But they still weren’t able to play their music the way they wanted. Some told me that they just couldn’t get the notes, the fingering and the placing correct. Others said they couldn’t get their music anywhere near an appropriate tempo. Some couldn’t look at their hands and the music at the same time. Others couldn’t make their music flow. And none of them seemed to be able to...
info_outline Make Your Warm-up the Prelude to Your Practice - PHH 175Practicing Harp Happiness
If I had to give the shortest possible explanation of what a daily harp warm-up is, it would be this: your warm-up is the prelude to your practice. Why a prelude? A prelude is most often defined as a short piece of music intended to be an introduction to a longer one. It sometimes uses musical themes or ideas which appear in the larger work, but the prelude’s most important function is to set the scene, the mood or the tone for what follows. That’s how I like to think about a warm-up. It sets the scene for your practice. It allows for a transition from your possible hectic...
info_outlineWe are the product of our influencers. The current wisdom says that if you want to know what a person is really like, look at their circle of friends. The thinking goes further to posit that if you want to elevate yourself, whether in your income, your fitness, your intellect or your spirituality, you need to associate with those who have the attributes you would like to develop. It’s not just that you adopt the habits and thoughts of the people you associate with; your brain patterns actually change.
In the 1950’s a Swarthmore College psychologist named Solomon Asch observed an interesting phenomenon. A group of volunteer subjects was asked to estimate the length of a straight black line drawn on a white card. Asch discovered that each person’s estimate was dependent on the estimation of everyone else in the group. People actually saw the line differently based on the opinion of the people with them.
Physiologically, the brain craves reward, which it receives when we have our own ideas or thoughts confirmed by the people around us. When our ideas are opposed to those around us, the pain center of the brain, the anterior insula, is activated.
We could choose to remain silent and not express our different ideas. Our brain, however, is wired to change our ideas to conform with those around us. A network formed of the anterior insula and the medial frontal cortex registers the difference between our ideas and those of others as an error and becomes active to try to eliminate the difference. Fascinating and a little scary. Our brain is more active in adjusting our choices and our attitudes than we are aware.
This is why it is so important to choose your circle of friends wisely. This is also why it is important to choose your circle of harp friends, and your harp role models, wisely.
Today, I will share the qualities that I think are important in a harp role model, starting with the qualities I admired in the harp role models I had early in my harp life and how they influenced me in ways I am only just beginning to realize. My hope is that this will help you discover more harp role models to inspire your harp life, and maybe even help you be a role model for other harpists yourself.
Links to things I think you might be interested in that were mentioned in the podcast episode:
- Join a Harp Mastery® Retreat
- Related resource Do You Have a Harp Hero? blog post
- Harpmastery.com
Get involved in the show! Send your questions and suggestions for future podcast episodes to me at [email protected]
LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-172