How Purpose Fuels Progress: The Map You’ve Been Missing - PHH 238
Release Date: 12/08/2025
Practicing Harp Happiness
Playing music is hard. Trying to evaluate how well you are playing it is even harder, much harder. If this were a sport, a game like baseball, our efforts in relation to those of the opposing team would be reflected in the score. In an individual sport like golf, your score is a marker of your performance against the challenge of the course, the weather and any number of other factors. In an artistic endeavor, such as art or music or dance, there isn’t an objective numerical scale to score the outcome. I think that’s why I am always ambivalent about Olympic figure skating judging. I...
info_outlinePracticing Harp Happiness
When was the last time you took a moment to just play some chords on your harp and let yourself simply enjoy them? When you hear that rich, resonant sound, you know that this was what your harp was meant to sound like. Perhaps hearing someone else play chords like that was why you decided to play the harp. It’s goosebump territory, for sure. You can feel it in your bones, in your core. I don’t know that there is a more beautiful sonority than a big beautiful harp chord, perhaps lushly rolled. But, I also know that there isn’t a day goes by that I don’t have to stop in my practice...
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A number of years ago, I wrote a blog post comparing practice styles to two breeds of dogs: a German Shepherd and a Greyhound. This was my metaphor for discussing a topic I found really hard to address with my students, the fact that their natural practice style was a determining factor in the speed of their progress. Let me explain. I had some students who were committed to doing everything correctly and as a consequence learned carefully and thoroughly, but rather slowly. I had other students who wanted to play the music right away. Their enthusiasm and energy got them to the finish line...
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I think one of the biggest challenges in music study is that it is very difficult to really measure our progress. It’s so easy to lose track of what we’ve accomplished when we’re faced with new challenges that often seem to be more of the same ones we’ve been struggling with all along. The notes are still hard. Our fingers still aren’t moving fast enough. We still can’t make our music flow. The reality of music study is that we will continue to face the same challenges at every stage of our harp journey. At the same time that we find new levels of facility or expression, we...
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Spring is finally settling in where I live. You might be weeks ahead of me or behind me or in a totally different hemisphere, but in the spirit of sharing what’s on my mind and what’s happening in my world, I want to talk about spring cleaning today. Naturally, though, I’m not talking about cleaning windows and carpets and closets. I want to talk about spring cleaning your harp life. When I first decided to focus on spring cleaning for this podcast, I didn’t want to take the easy way out. It would be easy to talk about harp care - changing strings, cleaning your harp, the right...
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If you came to me for a lesson and said you wanted to work on music theory, my first reaction would be to do my happy dance. I admit it - I am a theory geek. I love talking about the building blocks of music and exploring the way composers use them to create the kaleidoscopic variety of music we love to play. But after my happy dance, I would ask you this question: why do you want to learn music theory? It’s not a test question; there is no wrong answer. But I have often found that harpists make assumptions about what theory knowledge will do for them, and those assumptions,...
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I was recently at the home of a harpist friend, and she showed me her stack of diaries, her appointment books from past years. There were decades of them. She was deciding it was time to get rid of them, but she wasn’t quite ready to do it. I had to admit that I pitched mine long ago, and that occasionally I have wished that I still had them. They would be fun to look through. Those entries, even the most prosaic ones, recall so many memories. They bring to mind places, people and events that you have nearly forgotten. Suddenly, you are transported to a different time and place, even a...
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Playing by ear is one of those things that musicians either know they can do or think they’ll never be able to do. Those who are practiced at it seem to have endless tunes at their fingertips. Name a tune, and if they know it, they can play it. To those who can’t do it - at least not yet - it seems nothing short of magical. But ask someone to explain how they work this magic, and you will likely get an answer that isn’t much of an explanation. They might talk about understanding and learning to hear chords. Or they might say they learned by trial and error, trying to play along...
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I know it’s cliché, but when I was a young harpist, I wanted to be just like my teacher, the same way children want to be just like their parents. Specifically, that meant to me that I was going to play in a big orchestra someday. It was years later when I discovered that not only were there other paths harpists could pursue, but that some of those paths actually suited me better. I’ve certainly done my share of orchestral playing, and I enjoy it, but I have always found more scope and more musical opportunity in chamber music and solo performances. When I was still in high school,...
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Today’s show is a masterclass, a show where I get to dig in to how to do something. We aren’t just talking big picture concepts; we’re going to get down to the nitty gritty. I have to say this is my favorite kind of show to do, because it feels like teaching, almost like we’re right here together in the same room, and I’m sharing what I’ve learned to help you learn too. I love that. And I really enjoy this topic too. Our topic is how to make an etude from a piece you’re trying to learn. Let’s say you’re working on a piece and most of the piece is ready to go, but...
info_outlineMy first ocean cruise was a cruise from New York City to Bermuda. I’d never been on a big ocean liner before. Although I’ve done a couple other ocean cruises since then, I’m not really a fan. I love exploring, and there is only so much exploring you can do on a ship in the middle of the ocean.
But on this first cruise, I did love the feeling of being in the middle of the vastness of the ocean with nothing but water all around. The feeling of not having any landmarks - literally - was a little exhilarating and more than a little awe-inspiring. Naturally, I wasn’t really frightened; I assumed, logically and correctly, that the captain and crew knew where we were heading and how to get there. I myself wouldn’t have had a clue, but I never doubted that I could rely on them to get me safely to Bermuda and back.
Nautical navigation is a mystery to me, and I was impressed by the notion that all the power and energy of the ship would have been useless if the captain hadn’t set a direction and followed that direction with purpose. And that ties in with what I want to talk about with you today - the power of purpose.
Our energy, our passion for playing the harp, is useless without a purpose. As I see it, purpose has two important ingredients. One is directional. When we have a goal we want to accomplish, we need to have a clear idea of how to get from here to there. This gives our practice a purpose every day.
But purpose also encompasses meaning, specifically what our harp journey means to us. Without that meaning, our goals will not be as personally compelling and our progress will not be as swift. This is about our passion for playing the harp, not passion in a dramatic way, but simply our deeply felt conviction that we love playing the harp.
Today, I’d like to help you consider your passion and your purpose, and how you can align them to make progress faster and to make both the process and the results more easily achievable and more deeply fulfilling. Real progress in our playing comes from the alignment of our energies and passion - the ship in my example - with a direction and of course, the courage to pursue it.
So if you’re feeling ready to be a little courageous with me, let’s get started.
Links to things I think you might be interested in that were mentioned in the podcast episode:
- Discover your path to progress at the Getaway Retreat, February 27 - March 3, 2026 in Kissimmee, Florida.
- Do You Need a Reason to Practice? 3 Ways to Find One blog post from the archives.
- Podcast Episode #94: 7 Skills That Mark Your Growth
- Harpmastery.com
Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com
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