Hearing Architecture
In this episode, Olivia McKim and Daniel Moore speak with Claire Scorpo, an award-winning architect whose work bridges rigorous design thinking with deep social and community engagement. Claire’s practice began with finely crafted residential projects that champion material sensitivity and passive design, and has since expanded to ambitious commercial and community-led developments. Her recent project, BVIA on Bank, is a groundbreaking female-led commercial development designed to promote gender equity and strengthen the role of women in the built environment. Our conversation explores...
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In this episode, Aileen Chew and Daniel Moore speak with Dan Martin, an environmental planner, designer, and academic whose career bridges architecture, geography, and environmental policy. Based in the south-west of Western Australia, Dan co-leads the practice Super Natural while lecturing in landscape architecture at the University of Western Australia. His work reflects a deep commitment to biodiversity, design equity, and the future of sustainable urban growth. Our conversation explores Dan’s research into the unique biodiversity hotspot of south-west Australia, where ecological richness...
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In this episode, Nhi Trinh and Daniel Moore speak with Ali McFayden, Director and Secretary of Parlour, whose career spans more than 15 years across architecture consultancy, research, and advisory roles. Alongside her leadership at Parlour, where she coordinates national programs such as the Seasonal Salons, POD Program, and LAB Series, Ali is also pursuing a PhD at the University of Melbourne that examines the barriers and enablers to women’s career progression in architecture. Our conversation delves into Ali’s research, exploring why women continue to leave the profession at higher...
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In this episode, Nicole Eadie and Daniel Moore speak with Jefa Greenaway, founding Director of Greenaway Architects. With over three decades of experience championing Indigenous-led design, Jefa has shaped some of Australia’s most significant projects and co-authored the International Indigenous Design Charter, a landmark framework for equity and Country-centred design. Our conversation explores what Indigenous design equity means in practice and how it can shape the built environment with authenticity and respect for Country. Jefa reflects on his leadership roles across cultural,...
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In this episode of Hearing Architecture, Megan Eiman and Daniel Moore speak with Associate Professor Liz Cameron from the University of Newcastle. Since joining the School of Architecture and the Built Environment in 2022, Liz has played a pivotal role as one of four Indigenous academics shaping architectural education and practice in New South Wales. With a background in occupational therapy, spatial design, and art, Liz brings a unique, cross-disciplinary perspective to her work, enriched by her commitment to cultural integrity and authentic engagement with Country. Our conversation explores...
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In this episode, Vyasa McPherson and Daniel Moore speak with Ella Masters, Registered Architect and Studio Lead of Hayball’s Canberra studio, whose career bridges architecture, education consultancy, and applied research. Originally starting in law before transitioning to architecture, Ella has developed a deep expertise in designing contemporary learning environments for schools and universities. Ella shares her journey through notable educational projects, her involvement in the Mayfield Project during the COVID-19 pandemic, and the insights she gained while children were learning from...
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In this episode, Nhi Trinh and Daniel Moore speak with Paul Boyce, Director of Tridente Boyce Design Studio and Chair of the Architectural Practice Board of South Australia. With decades of experience in Adelaide, Melbourne, and London, Paul reflects on a career spanning master planning, urban design, and architectural practice, alongside his role as a mentor and national convenor shaping standards in the profession. Our conversation explores what it truly means to be an architect, balancing the pragmatic responsibilities of regulation and professional standards with the creative act of...
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In this episode, Hilary Duff and Daniel Moore speak with Dutch-born, Australian-based designer, artist, and environmental activist Joost Bakker about his pioneering work in sustainability, zero waste design, and the circular economy. While not a registered architect, Joost is known for groundbreaking projects such as Greenhouse by Joost, Silo, and the Future Food System at Melbourne’s Fed Square, Joost shares how his upbringing in the Netherlands and later life in Australia shaped his philosophy of designing self-sufficient ecosystems that produce their own energy, water, and food. Joost...
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In this episode, hosts Megan Eiman and Daniel Moore speak with Jo Bastian, founder of Bastian Architecture, about the rewards and realities of running a sole architectural practice in regional NSW. Jo shares candid insights into balancing parenting with running a business, navigating the limitations and freedoms of being a sole practitioner, and building a portfolio that reflects her values of sustainability, connection to landscape and Country, flexibility, playfulness, and respect for client budgets. Jo discusses the gradual process of curating work that truly represents her design ethos,...
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In this episode, hosts Lily Jiang and Daniel Moore speak with Vanessa Fahey, Director of Knisco Inclusive Access in Brisbane, about the transformative role of universal design and access consultancy in creating truly inclusive spaces. Knisco works across a broad range of projects, from aged care, independent living, and public transport to retail, health, education, residential, and government buildings, helping clients meet accessibility obligations under the Disability Discrimination Act while enhancing usability for all. Vanessa is not a registered architect and began her career as an...
info_outlineThe Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff.
Each week we bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident, but the consequence of decisions made at the design stage. Here is our opportunity. We as designers have an opportunity to do better.
In this episode I meet with Daniel Bell of Atelier Luma, based in the Camargue region in the South of France. Daniel graduated as an architect from the Glasgow Mackintosh School of Architecture and has since practiced as an Architect in France, Ireland, and the UK.
Since 2018 he has worked at Atelier LUMA; a design and research lab located in Arles. His role here is a slight deviation to the traditional role of an architect, yet he is often working with built space and materials. At Atelier Luma he has joined a team of designers, engineers, scientists, and experts from the fields of culture, craftsmanship, humanities, and social sciences and innovation, to explore the potential of non-extractivist, and often discredited, local materials. Their research subjects vary across areas including invasive plants, agricultural coproducts, algae, and industrial waste. Each project has a hyper local focus.
I visited Atelier Luma back in June 2023 shortly following the opening of their new headquarters: Lot 8. Sited within a heritage park of 27 hectares, Lot 8 sits within a campus collection of architectures, with neighbours such as Frank Gehry and Annabelle Selldorf, and a series of historic railway industrial buildings dating from the 19th century. The site is now inhabited by functions including a modern art gallery, and a series of exhibition spaces. The Atelier adds a new function to the park; a semi-public and most fascinating research hub of bioregional design, operating out of a building or rather, one large prototype of what the Atelier researches and investigates.
In Spring 2023, Lot 8 opened as a result of a three-year large-scale, experimental building project, designed to serve as a pilot program in the field of renovation. Designed by and for Atelier LUMA, it is the teams’ workplace. A research and prototyping space that consists of a biolab, wood, ceramics, textile and research workshops, office spaces, a dye house, a material testing lab, and a functional plant garden.
Le Magasin Électrique is built and equipped with the results of Atelier LUMA’s research, in collaboration with BC architects & studies and Assemble, London. From the coating of the façade to the crystal salt door handles. Structural elements such as walls and partitions were produced from waste earth and minerals, and agricultural coproducts. The acoustics and the finishing of the interiors were done with panels of sunflower fibres, rice straw, and soil from the bioregion. The terrazzo floor, bathroom tiles, stains, door handles, and light fixtures are the result of years of research into algae, salt, bioplastics, earth, and enamels in collaboration with local partners.
In the following interview, Daniel and I discuss how the building was conceived as a pilot project for an architectural process celebrating craftmanship, collective experimentation, site specificity and the development of biomaterials. In this case the process is anchored in the Arles or Camargue bioregion and the designers tapped into a network of local and international expertise, in order to share acquired knowledge.
We discuss the need to move from a globalised, extractive supply chain, towards regional ecosystems of materials that help regenerate the environment. How it is imperative for designers to question the way materials can be assembled, reassembled, or reconfigured to contribute to its adaptation to changing environmental and social conditions.
It was wonderful to see a project where the design team identified opportunities, possibilities, and poetics, over waste.
This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association in Copenhagen. Thank you so much for listening and thank you to our international guest Daniel Bell of Atelier Luma. Thank you for exemplifying how through investigating the resources and know-how in our bioregion, and connecting different fields of expertise, we can develop local solutions for ecological, economic, and social transition.
Let’s watch this space and we look forward to speaking with you again in the future.
Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living’, ‘Architects Abroad, and ‘The Power of Two’, at brickworks.com.au or your favourite podcast platform.
If you’d like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au
This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore and Hilary Duff.
This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.
Supported by: State Workshops
We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded. We thank Traditional Custodians for caring for Country for thousands of generations. and recognise their profound connection to land, water, and skies.