HBS 025 SHERIL ANTONIO ACADEMIC ASSOCIATE DEAN NYU TISCH

Dr. Sheril Antonio is an Associate Arts Professor in the department of Art and Public Policy and the Associate Dean of the Kanbar Institute of Film & Television. From 2008/9, she served as the chair of the Clive Davis Department of Recorded Music and was that department'€™s inaugural chair in 2003/4. She also served as chair of the Graduate Film Program in 2001/2 and for two years from 2013/15 the interim chair of the Goldberg Department of Dramatic Writing.

Her courses include Anatomy of Difference: The Other in Film, The World Through Art, and Language of Film. She received Curricular Development Challenge Grants for two courses: Issues in Contemporary African-American Cinema (taught 1992-1995) and The Summer Film & Video Program for High School Students (designed in collaboration in 1995). She is an advisor and frequent lecturer whose presentations include: a live online debate about the movie Precious with Stanley Crouch; The Double Down Film Show, Future Filmmakers Workshop; Advisory Board of Ghetto Film School, The Cinema High School; and the NAACP. She has been interviewed for television, radio, and print, including Studio 360: Girls on Film and WNYC 93.9FM, Orpheus: to Hell and Back.

The Clive Davis Institute - is the first and only program of its kind to provide professional business and artistic training toward a BFA in Recorded Music. We aim to provide students with the necessary skills — business, creative, and intellectual — so that they might emerge as visionary creative entrepreneurs in the evolving music industry.

Ghetto Film School - Article in the New York Times : Young Moviemakers Meet Old Masters at the Frick

Dr. Antonio is the author of Contemporary African American Cinema, 2001. Her other works include: Do Hollywood Films Truly Reflect Life in America?; a feature essay for the inaugural issue of Black Camera: The Urban-Rural Binary in Black American Film and Culture, Indiana University Press 2009, New Black Cinema: When Self-Empowerment Becomes Assimilation, Bertz Verlang, 2006; and Matriarchs, Rebels, Adventurers, and Survivors: Renditions of Black Womanhood in Contemporary African American Cinema, Sight & Sound, Supplement, July 2005; as well as blogs for Huffington Post and Stackstreet.

EDUCATION

NEW YORK UNIVERSITY
DOCTOR OF PHILOSOPHY, CINEMA STUDIES
MASTER OF FINE ARTS, LIBERAL STUDIES
BACHELOR OF FINE ARTS, FILM & TELEVISION

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