Irish Guitar Podcast
info_outline Lesson 89. Shoemaker's Daughter
Irish Guitar Podcast
“Shoemaker’s Daughter” is a composition of legendary Cavan fiddler Ed Reavy (1897-1988).
info_outline Lesson 88. Scatter the MudIrish Guitar Podcast
info_outline Lesson 87. St Patricks' Day
Irish Guitar Podcast
The tune is in jig time (6/8) but is a set dance and is played considerably slower than normal jig tempo.
info_outline Lesson 86. Saddle the PonyIrish Guitar Podcast
A very well known tune, so much so that it is played by musicians outside of the Irish music genre.
info_outline Lesson 85. O'Rourke'sIrish Guitar Podcast
As much as Tony would like to claim credit for this composition it’s not his to claim. This tune was in circulation a long time ago.
info_outline Lesson 84. Forget Me NotIrish Guitar Podcast
Some musicians play this tune in C, others in D.
info_outline Lesson 83. O'Carolan's Receipt for DrinkingIrish Guitar Podcast
This tune is sometimes known as “Dr. John Stafford”.
info_outline Lesson 82. Mullingar RacesIrish Guitar Podcast
Tony describes how to play a triplet on the lower (thicker) strings when describing how to play this reel.
info_outline Lesson 81. Máire RuaIrish Guitar Podcast
info_outline
This is an often-played polka, normally in the key of G.
Polkas, like marches, are in 2/4 time. That is, there are two groups of quavers, or the equivalent. Where you have two groups of four quavers, you should play:
- down on the first quaver
- down on the next quaver.
In this tune the only time you play an up stroke is on the last semiquaver (or sixteenth note) of a group of what would be two eighth notes if there were no sixteenth notes.
In this tune you will only be picking up on the last notes of Bars 1, 3, 4, 5, 10, 11, 14, 17, 18, and 20.
There are only ten up strokes in the whole tune. Also note that the last 5 bars of part A are identical to the second time ending in Part B of the tune. In fact a lot of people just play the B part through twice without the second time ending. But Tony learnt it off P.J. Hernon and if it’s good enough for Mr Hernon...
If you're using the booklet (book 4), you will see that there are differences between the sheet music chords above the melody and the separate guitar accompaniment sheet. For the purposes of the recording we’ve used the guitar accompaniment sheet, but this will show you that there is more than one way to back up a tune. Tony loves that Em to begin the second part of the tune, but G Major is just as valid.
Chords are G, C, D and Em.