Irish Guitar Podcast
info_outline Lesson 89. Shoemaker's Daughter
Irish Guitar Podcast
“Shoemaker’s Daughter” is a composition of legendary Cavan fiddler Ed Reavy (1897-1988).
info_outline Lesson 88. Scatter the MudIrish Guitar Podcast
info_outline Lesson 87. St Patricks' Day
Irish Guitar Podcast
The tune is in jig time (6/8) but is a set dance and is played considerably slower than normal jig tempo.
info_outline Lesson 86. Saddle the PonyIrish Guitar Podcast
A very well known tune, so much so that it is played by musicians outside of the Irish music genre.
info_outline Lesson 85. O'Rourke'sIrish Guitar Podcast
As much as Tony would like to claim credit for this composition it’s not his to claim. This tune was in circulation a long time ago.
info_outline Lesson 84. Forget Me NotIrish Guitar Podcast
Some musicians play this tune in C, others in D.
info_outline Lesson 83. O'Carolan's Receipt for DrinkingIrish Guitar Podcast
This tune is sometimes known as “Dr. John Stafford”.
info_outline Lesson 82. Mullingar RacesIrish Guitar Podcast
Tony describes how to play a triplet on the lower (thicker) strings when describing how to play this reel.
info_outline Lesson 81. Máire RuaIrish Guitar Podcast
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Tony learned this lovely 3-part polka from the playing of New York button accordionist Patty Furlong.
48-bar polkas are not common in Irish music and are not used much for sets. Tony consulted Marie Brouder here in Melbourne about this. Marie is the number one person on set dancing in Melbourne and she could only find one dance that was of 48 bars duration. That is the first figure of The Kilkenny Set.
the lowest note is the open D string and the highest is the F# on the first string so the tune is fairly compact. You can play the whole tune from open position. In the first part Tony has notated the B notes as being on the open 2nd string, but you can play them on the 4th fret/3rd string if you find it easier to pick. Contrary to popular “lay” thought, part of the art of playing guitar is finding the easiest way to do things.
In this tune there is an example of how one well chosen chord can make a big difference to the tune and that chord can be found in the 2nd bar of the 3rd part of the tune. It is a B minor chord.
You could just as easily use a D chord but the Bm adds a wonderful melancholic tone to the tune.
Chords are D, G, Em, A and Bm.