Irish Guitar Podcast
info_outline Lesson 89. Shoemaker's Daughter
Irish Guitar Podcast
“Shoemaker’s Daughter” is a composition of legendary Cavan fiddler Ed Reavy (1897-1988).
info_outline Lesson 88. Scatter the MudIrish Guitar Podcast
info_outline Lesson 87. St Patricks' Day
Irish Guitar Podcast
The tune is in jig time (6/8) but is a set dance and is played considerably slower than normal jig tempo.
info_outline Lesson 86. Saddle the PonyIrish Guitar Podcast
A very well known tune, so much so that it is played by musicians outside of the Irish music genre.
info_outline Lesson 85. O'Rourke'sIrish Guitar Podcast
As much as Tony would like to claim credit for this composition it’s not his to claim. This tune was in circulation a long time ago.
info_outline Lesson 84. Forget Me NotIrish Guitar Podcast
Some musicians play this tune in C, others in D.
info_outline Lesson 83. O'Carolan's Receipt for DrinkingIrish Guitar Podcast
This tune is sometimes known as “Dr. John Stafford”.
info_outline Lesson 82. Mullingar RacesIrish Guitar Podcast
Tony describes how to play a triplet on the lower (thicker) strings when describing how to play this reel.
info_outline Lesson 81. Máire RuaIrish Guitar Podcast
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Polish in origin, mazurkas are not very common in Irish music.
Sonny’s Mazurka is arguably the most well known of the mazurkas played in Ireland.
As mazurkas are written in 3/4 time the rules that you use for waltzes also apply to mazurkas. In this tune most of the bars have a crotchet on the first beat followed by two groups of quavers over the next two beats.
As an accompaniment, a basic strum consisting of a bass note on the first beat followed by full or partial chord strums for each of the next two beats in each bar would be quite sufficient. In other words treat your accompaniment the same way you would a standard waltz.
Note the B Minor chord in Bar 3 of the second part of the tune. D would be quite acceptable but B Minor just sounds a bit nicer to Tony’s ear.
Chords are D, G, A and Bm.