Irish Guitar Podcast
info_outline Lesson 89. Shoemaker's Daughter
Irish Guitar Podcast
“Shoemaker’s Daughter” is a composition of legendary Cavan fiddler Ed Reavy (1897-1988).
info_outline Lesson 88. Scatter the MudIrish Guitar Podcast
info_outline Lesson 87. St Patricks' Day
Irish Guitar Podcast
The tune is in jig time (6/8) but is a set dance and is played considerably slower than normal jig tempo.
info_outline Lesson 86. Saddle the PonyIrish Guitar Podcast
A very well known tune, so much so that it is played by musicians outside of the Irish music genre.
info_outline Lesson 85. O'Rourke'sIrish Guitar Podcast
As much as Tony would like to claim credit for this composition it’s not his to claim. This tune was in circulation a long time ago.
info_outline Lesson 84. Forget Me NotIrish Guitar Podcast
Some musicians play this tune in C, others in D.
info_outline Lesson 83. O'Carolan's Receipt for DrinkingIrish Guitar Podcast
This tune is sometimes known as “Dr. John Stafford”.
info_outline Lesson 82. Mullingar RacesIrish Guitar Podcast
Tony describes how to play a triplet on the lower (thicker) strings when describing how to play this reel.
info_outline Lesson 81. Máire RuaIrish Guitar Podcast
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These two tunes are both in G Major and coincidentally have the same three notes at the beginning.
The first part of Castlebar Races is played in open position, the second part almost entirely in third position; that is the first finger is positioned at the third fret. It is also used to play any F# notes (2nd fret, 1st string). Where you have consecutive F# / G notes use your first finger for both.
For Mouse In The Mug you’ll find something similar. The first part of the tune is open position. For the second part of the tune Tony has written it out as a 16 bar section with no repeats. The first twelve bars of this section can be played in third position, using your first finger playing any notes occurring on the second fret of 1st string (F#) and 3rd string (A) and then reverting to open position for the last four bars. In fact the last four bars of the tune are identical to the last four bars of the first section.