Don Kimes: The Language and Power of Art
I Like Your Work: Conversations with Artists
Release Date: 10/18/2024
I Like Your Work: Conversations with Artists
Whether you have a week or a weekend, a full studio or just your kitchen table, this episode will guide you through how to create your own DIY summer residency. Erika breaks down how to set your intentions, structure your time, choose a location, and more! This is about honoring your creative work and giving yourself the space you deserve. In This Episode, You'll Learn: Why DIY residencies are powerful and accessible alternatives How to design your own residency step-by-step I Like Your Work Links: Thank you to our Sponsor, Creativity Matters Coaching: ...
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Taro Takizawa is an artist specializing in printmaking, wall vinyl installations, drawings, and 2D designs. His work blends both Western and Eastern aesthetics, with a deep appreciation for traditional printmaking processes and the art of mark-making. Takizawa is fascinated by the fusion of contemporary studio practices with traditional methods, exploring the boundaries between printmaking and installation art. He earned his BFA with a printmaking emphasis from Central Michigan University and completed his MFA in printmaking at Syracuse...
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In this episode of I Like Your Work, we're talking about the real-life struggle of balancing all the creative things — your studio practice, admin work, social media, teaching, applications, and more — without burning out. I’ll walk you through why balancing projects feels so hard and share 10 clear, actionable strategies to help you bring order, clarity, and momentum back to your creative life. I Like Your Work Links: Thank you to our Sponsor, Creativity Matters Coaching: Starting April 7 Naomi is offering her FREE signature 5 DAY mini course - ...
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Anne Buckwalter is an American painter based in Maine. She was born and raised in Lancaster, PA. She received her BFA from Tyler School of Art in Philadelphia and her MFA from Maine College of Art and Design. A recipient of a 2020-2021 Pollock-Krasner Foundation Grant, a 2020 Idea Fund Grant, and a 2016 Joan Mitchell Foundation Emerging Artist Grant, Anne has been an artist-in-residence at the Galveston Artist Residency, Vermont Studio Center, Studios at Mass MoCA, Hewnoaks Artist Colony, and Banff Centre for Arts and Creativity. Her exhibition history includes the Portland Museum of Art,...
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In this episode of I Like Your Work, we dive into the power of not knowing in the creative process. Inspired by the 14th-century mystical text The Cloud of Unknowing, we explore why uncertainty isn’t something to fear—it’s actually essential to making meaningful art. Artists throughout history have embraced the unknown to create work that surprises, moves, and connects. What You’ll Learn in This Episode: How letting go of control can lead to breakthroughs in your work Three simple ways to embrace not knowing in your studio practice Why trying...
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Ceri Hand is a creative coach, mentor, host of the Extraordinary Creatives podcast, public speaker and the founder of www.cerihand.com, supporting thousands of creatives to make an impact with their work and earn more money doing what they love. Prior to establishing Ceri Hand she was Director of Programmes for Somerset House, responsible for the exhibitions, live events, learning and skills programme across the whole historic site. She successfully helped to build its profile and brand, shaping its reputation as one of the UK’s top 10 most visited arts attractions (2.5million visitors...
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How do you trust your work? Not by focusing on outcomes. In this episode, we dive into how confidence grows through TRUST, not certainty, and why trusting the creative process is essential. We also discuss HOW to trust your work. Featuring insights from Rebecca Solnit’s A Field Guide to Getting Lost, we’ll explore how confidence isn’t about knowing—it’s about trust. I Like Your Work Links: Apply for a residency at Chautauqua Visual Arts: Join the Works Membership! Watch our Youtube channel: Interviews Say “hi”...
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Feeling lost in your practice? You're not alone. In this episode, we explore why uncertainty isn’t failure—it’s part of the artistic process. Drawing from Rebecca Solnit’s A Field Guide to Getting Lost, we discuss why the unknown is necessary for growth, how to navigate it, and why embracing being "lost" can actually help you make your best work. Tune in for next week’s episode, where we’ll explore how to build confidence and trust your work, even when doubt creeps in. I Like Your Work Links: Apply for a residency at Chautauqua Visual Arts: Join...
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Susan Lichtman is a figurative painter of domestic spaces, working out of her home studio in southeastern Massachusetts. She received her undergraduate degree from Brown University and an MFA in Painting from Yale University School of Art. Lichtman has had solo exhibitions at Steven Harvey Fine Arts Projects, NY, NY. (2017, 2024); Rose Art Museum, Waltham, MA (2024); Fahrenheit, Madrid, (2022); Gross McCleaf Gallery, Philadelphia, PA (2018) and the Wilson Museum of Hollins University, Roanoke, VA (2017.) Recent group and two person exhibitions have been at Steven Harvey Fine Arts Project, NY...
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Have you ever hesitated to apply for an open call or residency because of self-doubt? Or maybe you’ve wondered, Is this even worth it? In this episode of I Like Your Work, we’re flipping that narrative. Open calls and residencies aren’t just about submitting your work—they’re about creating opportunities, making connections, and getting your art seen in ways you never imagined. I’ve heard from so many artists who have had real, tangible opportunities come from being featured in the I Like Your Work Open Call catalog—things like exhibitions,...
info_outlineDon Kimes' work has been included in more than 150 exhibitions internationally, including Biennale Internazionale di Firenze (Florence, Italy); Global Art Fair (Singapore); Rueda Museum (Madrid); Baltimore Museum of Art; Brooklyn Museum (New York); Burchfield-Penney Museum (Buffalo); ExMoenia (Todi, Italy); Living Art (Milan); America Haus (Munich); Casa di Cultura (Villahermosa, Mexico); Rocca Paolina (Perugia, Italy); AU Katzen Museum (Washington, DC); Corcoran Gallery of Art (Washington, DC); National Academy of Design (New York); Denise Bibro, Boom Contemporary, Jim Kempner, Frederieke Taylor, Claudia Carr, Kouros, Stephan Gang, Lucky Strike, NY Studio School, Prince Street, and Arsenal galleries, Ammo Artists Space (all New York City); Washington Project for the Arts, Fondo del Sol Galleries, Hillyer Art Space, Sense Gallery, Elizabeth Robert's Gallery, Constitution Hall (all Washington, DC), and many others.
He has received awards to be Scholar in Residence in the Art and Philosophy seminar at the American Academy in Rome; Artist in Residence at SACI in Florence, Italy; to live and work on the Pacific island of Kauai; to spend a year painting near Todi, Italy; a US Department of the Interior award to be artist in residence at Yellowstone; a grant from the Instituto Nacional de Bellas Artes to work in southern Mexico; Eisenhower Foundation support to be a United States Visual Arts representative to the Jurmala Cultural Exchange in the Soviet Union; and studio residency awards from the Millay Foundation; the Assensore di Cultura in Corciano, Italy; the Accademia di Belli Arti in Perugia, Italy, and many others. In 2001 he was a finalist for the position of Chair of the National Endowment for the Arts. In 2018 he was named the inaugural Sonkin-Segal Endowed Chair in the Visual Arts at the the Chautauqua Institution, where he had served as the Institution's first Artistic Director in the Visual Arts for more than three decades. During his tenure there he and his wife, Lois Jubeck, built Chautauqua into one of the most respected summer art programs in America (including the Chautauqua School of Art, establishing and building the Fowler-Kellogg and Strohl Art Centers, and expanding the Chautauqua Visual Arts Lecture series). Previously he taught for ten years at the New York Studio School in Greenwich Village, where he also served as Program Director for six years.
In 2019 Kimes and his wife, Lois Jubeck, established the ACI International Artists, Writers and Scholars Residency program in a 500 year old complex in Corciano, Italy. He continues to serve as Artistic Director there. He is also the Senior Professor in the Visual Arts at American University in Washington, DC, where he served as head of the studio art program for 19 of the past 35 years (and department chair for 11 years). He conceived of and then led this program in a successful campaign raising funds to design and build Washington's 130,000 square foot Katzen Arts Center and museum. Additionally, Kimes is a frequent contributor to Art Lantern/New Art Examiner which currently has editorial staff in New York City, DC, Toronto, Detroit, UK, Germany, Italy, France, Singapore, Hong Kong and other locations internationally.
Kimes has been a guest artist at schools and universities throughout the United States, including Bard, Carnegie-Mellon, Cleveland Institute of Art, Cooper Union, Dartmouth, UC Davis, Harvard, Parsons, University of Pennsylvania, Syracuse University, and many others, as well as academies and universities in Rome, Umbria, Florence, Mexico, Germany and Latvia.
His curatorial practice is extensive, having organized dozens of exhibitions throughout the United States and internationally over the past 30+ years. As an artist, an educator/mentor, and cultural builder he is in his fourth decade as a practicing artist who also teaches: More than 5,000 art students have worked with him directly, and many thousands more indirectly, in the programs he has built and led in New York, Washington, DC, Rome and Umbria.
"Don Kimes divides his time between Italy, New York and Washington, DC. For more than three decades he has worked extensively in western New York State and Umbria - places he goes to have consecutive thoughts in a world where it is increasingly difficult to have the chance to simply focus. In a 1996 catalogue essay for an exhibition of his work in Munich, he wrote about the relationship between nature and culture saying Italy affords the opportunity to think about culture, nature and the passage of time . . . In the end nature takes everything back. Seven years later a flood destroyed his home and studio. He subsequently wrote about the loss of 30 years years of his life's work: paintings, drawings, most of his photos, filing cabinets full of writing, and more. It felt like the record of my existence had been erased. The house and furnishings seemed incidental by comparison. Nature took everything back. Since recovering from that flood my work based on those destroyed images. Through them color, form and structure combine with nature, time, memory, loss, rebirth and meaning."
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