Color and Searching with Artist Neil Callander
I Like Your Work: Conversations with Artists
Release Date: 02/07/2025
I Like Your Work: Conversations with Artists
We’re revisiting one of my favorite conversations from the archive with painter John Walker, an episode that feels just as relevant now as when it first aired. In this conversation, John reflects on what it means to stay with the work over decades, how a painting practice evolves over time, and the quiet discipline required to keep showing up to the studio. We talk about the deeply meaningful realities of a life devoted to making art. As we move into a new year, this episode feels like the perfect reminder that sustainable creative lives aren’t built overnight they’re...
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In this New Year episode of I Like Your Work, I talk about doing the next thing in your art practice by following what genuinely lights you up — even when it means making a change. I share why I chose to refocus my energy on teaching, creating courses, and building spaces for artists, and how that clarity led me to an exciting move to Patreon. This shift makes it easier for more artists to access professional practice support, classes, and conversations in a way that’s flexible, affordable, and rooted in real studio life. I Like Your Work Links: ...
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In this mini episode of I Like Your Work, I talk about why waiting to feel “ready” or confident keeps so many artists stuck and how planning your artistic year while feeling afraid can actually be the most honest place to start. This episode is for artists who: Feel overwhelmed when thinking about the year ahead Struggle with creative fear, doubt, or perfectionism Want to plan their art practice without burning out Are ready to make work even when clarity hasn’t arrived yet You don’t need to eliminate fear to move forward. You can do it afraid. I share simple,...
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Lydia Jenkins Musco’s work has been exhibited in galleries and public spaces throughout the United States. With an MFA from Boston University and a BA from Bennington College, her artistic practice has been shaped by international experiences, including stone carving studies in Italy and participation in art symposia in Norway, South Korea, and China. Musco’s work has earned recognition through awards including two Pollock-Krasner Foundation Grants, a Joan Mitchell Foundation MFA Grant, and an Edward F. Albee Residency Fellowship, among others. Her work has been featured in exhibitions...
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If you’ve been watching the Miami energy from afar and wondering what it all means for your studio practice, this episode gives you the trends, themes, and takeaways that actually matter for artists.In this episode, Erika covers: • The big-picture trends shaping Miami Art Week 2025: – Institutional validation and residencies becoming more influential – The shift toward sustainable careers and long-term practice – Experiential installations dominating many fairs – Latin American and Caribbean artists in the spotlight – The ongoing market...
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In this episode, Erika explores how observation, travel, and memory shape artistic practice, inspired by her upcoming class in Italy, The Symbolic Landscape. Drawing from Corot’s plein air studies and Goethe’s Italian Journey, she reflects on how artists discover themselves through what they see—whether in a distant landscape or a simple daily moment. The episode invites listeners to make space for beauty and reflection, wherever they are, and to see art as both a return to the world and a way to transcend it. Dates: May 10 - May 24 Early Registration Discount: A 20%...
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Gail Spaien (b. 1958, Hartford, Connecticut) is an American artist and educator based in Maine. Her studio practice centers around the idea that a painting is a site of connection; an object that transmits emotion from one person to another. She is of a lineage of artists who think craft and beauty shape and build a more relational world. Spaien has been the recipient of numerous fellowships, including the Ucross Foundation (2024), Varda Artist Residency Program, Djerassi Foundation Resident Artists Program, Millay Colony for the Arts, and the Skowhegan School of Painting and Sculpture....
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In this episode, I'm diving into open calls including what jurors look for when reviewing applications, and why the description box is crucial for providing context about your artwork. I'm also sharing practical tips on how artists can use detailed descriptions to make their submissions stand out and highlighting resources for artists to improve their application process. I Like Your Work Links: Thank you to our sponsor, Sunlight Tax. Apply for our Winter Exhibition: Deadline is November 15: ...
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Gwen Strahle is a painter living and working in northeast CT. She teaches at the Rhode Island School of Design. She shows her work at Nancy Devine Gallery in RI. Strahle has received several awards including the Connecticut Artist Fellowship, the Purchase Prize from the American Academy of Arts and Letters, the Guggenheim Fellowship, and an Honorarium from the Drawing Center. Strahle earned her MFA from Yale University in 1983. "I have been making paintings of objects arranged on my studio table for over forty years. Many of the objects in my work have been with me for the entirety of that...
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In this episode, I touch on mystery in art—the space between knowing and not knowing that drives us to create and share Philip Guston’s essay “Faith, Hope, and Impossibility”. Faith, Hope, and Impossibility- Philip Guston “There are so many things in the world—in the cities—so much to see. Does art need to represent this variety and contribute to its proliferation? Can art be that free? The difficulties begin when you understand what it is that the soul will not permit the hand to make. To paint is always to start at the beginning again, yet being unable to avoid the...
info_outlineNeil Callander is an artist and an educator. Born in Louisville KY, Neil earned a BFA from Indiana University (2003) and an MFA from Mason Gross School of the Arts at Rutgers University (2006). In 2005 he received a full fellowship to be a resident at Skowhegan School of Painting and Sculpture. After graduate school Neil worked as a painter for the artist Jeff Koons in his New York studio.
In 2007 Neil and family left New York City to pursue careers as artists and academics. This decision has offered a tour of the South with time spent in Louisville KY, Starkville MS, and Tuscaloosa AL. Neil and his wife Adrienne are currently professors of Art at the University of Arkansas and live in a household of makers, dogs, and sheep on three acres in Fayetteville AR.
Neil has exhibited widely including solo exhibitions at Goose Barnacle (Brooklyn NY), Studio Break Gallery (West Chicago IL), Bowling Green State University (OH), MANIFEST Gallery and Drawing Center (Cincinnati OH), Elon University (NC) and The Kentucky School of Art (Louisville). Group exhibitions include MANIFEST Gallery and Drawing Center (Cincinnati OH), The Huntsville Museum of Art (AL), The Mississippi Museum of Art (Jackson), The New Gallery of Modern Art (Charlotte NC), First Street Gallery (NYC), Washington Art Association (CT) and many others. He has presented on his work and practice at institutes of higher learning including Boston University, UMass Dartmouth, Arkansas State University, and the University of Mississippi. He is a member of ZEUXIS (an association of still life painters based in NYC), and SECAC whose conferences he regularly attends.
Recent creative endeavors include participation in Art Week (July 2022) at the fabled family home of painter Fairfield Porter on Great Spruce Head Island in Maine. Neil returned to the island in 2024 and will again in 2025 to facilitate a painting retreat he developed.
"Cinema is the king of story-telling. Photography is a much more efficient form of documentation. Music is superior at catharsis. Television and the Internet own propaganda. That leaves painting the domains of materiality and ambiguity. I pack a painting with cultural and personal references and work toward an image that is provocative yet conceptually flexible. As more is added the compositions grow thicker, tighter, and more refined over time – like the tangle of a garden in late summer. The act of viewing my paintings is an unlocking of these internal relationships. Experiencing dense paintings that slowly reveal their nature can help us contend with the pervasiveness of fast-talking, slick images. In a media-riddled world, painting is a stabilizing force."
LINKS:
Artist Shout out:
2024 Great Spruce Head Island Painting Retreat participants:
I Like Your Work Links:
This transformational experience for women artists and creators begins on February 24 runs through April 7 2025.
Register on https://www.creativitymatterscoaching.com/customtrainingsandtalks
Or email her at naomi@creativitymatterscoaching.com to learn about her early-bird spots!
Apply for a residency at Chautauqua Visual Arts: