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Late Night Nuns in Space: Late Night with the Devil, Immaculate & Lifeforce

Imported Horror

Release Date: 03/28/2024

A Tree Monster, Insufficient Flair and ... Milk? Carnifex, Belko Experiment & Milk show art A Tree Monster, Insufficient Flair and ... Milk? Carnifex, Belko Experiment & Milk

Imported Horror

What's your favorite 90s monster quote? Does un-funny office horror work? Could you read from a screen without tongue tying yourself? Get down on Friday with us this week as we get wild with the popcorny Carnifex (Australia, 2022) on Tubi, shrug at the wasted potential of The Belko Experiment on Tubi and get creeped out over late night snacks with Milk on Shortverse. Also,  movies about bad dads and the wilderness are dropping this week and Melissa reminds us what George Romero called them instead of zombies.

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Bad Dreams, Horny Zombies & A Death Hole: Onibaba, Cemetery Man & Deja Vu show art Bad Dreams, Horny Zombies & A Death Hole: Onibaba, Cemetery Man & Deja Vu

Imported Horror

What's more frightening: anticipation, or realization? Amorous zombies, or giant holes in the ground? We get weird this week with Japanese folk horror classic Onibaba (1964) on Max, ultra-Italian bizarro flick Cemetery Man (1994) on Shudder and the trippy Canadian short Deja Vu on Shortverse. Plus - what major Asian city has not been attacked by a giant monster?

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Sodden Dystopia and a Serial Killer: Into the Abyss & Angst show art Sodden Dystopia and a Serial Killer: Into the Abyss & Angst

Imported Horror

Why is it always rainy after the end of the world? If a serial killer is incompetent, does that make him more or less scary? Why was Wer so meh? Discover the answers to these questions - and more! - as we chat about Into the Abyss (Argentina, 2022), a SciFi noire horror somewhere between Blade Runner and 28 Days Later, and Angst (Austria, 1983), a true crime-inspired story of brutal murder. Also, Godzilla Minus One/Minus Color (Japan, 2023) might be a gimmick but its a magnificent gimmick, one of the protagonists from Wer (Romania & USA, 2013) gives Jar Jar Binks a run for his money,...

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Litigious Werewolves, Vicious Remakes and Interrupted Aliens show art Litigious Werewolves, Vicious Remakes and Interrupted Aliens

Imported Horror

Would you defend a werewolf in a court of law, even after it jumped the shark into a totally different movie? Would you hide from a villian named Scissorman? Would you pause a movie after discovering your toddler is afraid of the dark? We did! Join us this week as we chat about Wer (Romania & USA, 2013), Godzilla Minus One (Japan, 2023) and Monolith (Australia, 2022), plus upcoming video game remakes of slasher classic Clocktower, splattery zom-com Lillipop Chainsaw and spookfest Until Dawn.

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Leggy Omens, Chainsaws & SciFi Nightmares: Longlegs, Nightmares and Daydreams & The First Omen show art Leggy Omens, Chainsaws & SciFi Nightmares: Longlegs, Nightmares and Daydreams & The First Omen

Imported Horror

After a waterlogged hiatus, we're pack to slice through the 2024 Chainsaw Awards. Which is better - The First Omen or Late Night With the Devil? Why were Sister Death and Project Wolf Hunting snubbed, and why is When Evil Lurks nominated for best wide release and best international movie? Pick a lane, Fangoria! Also, love you Nick Cage, but Longlegs (Canada & USA, 2024) is not a modern Silence of the Lambs. a bit overyped. We cut through the hype. Also, we revisit The First Omen and unpack trippy scifi arcs and unfortunate creature design in Joko Anwar's Nightmares and Daydreams...

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Scary Rhymes, Kaiju Chimes, and Wilhelm Scream Sublime: Rhyme or Die, Howl from Beyond the Fog and The Lair show art Scary Rhymes, Kaiju Chimes, and Wilhelm Scream Sublime: Rhyme or Die, Howl from Beyond the Fog and The Lair

Imported Horror

This week, Melissa explores a new-to-us website for short films and jives with Rhyme Or Die (United Kingdom, 2021), a blend of 8 Mile and Saw with killer beats. Grady watches Howl From Beyond The Fog (Japan, 2021), a fantastic practical effects kaiju flick with behind-the-scenes footage and a mischevious cat. Marcus watched Brazilian B-movie Cemetery of Lost Souls (2020) solo - big mistake, it needs a distracted crowd - and celebrated the campy alien action vibes of The Lair (UK, 2022). Also, Melissa just got back from a vacation that was very Colorado and Marcus' toddler relives the...

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Sharkrebleu! Under Paris, Black Forest & (more) Stopmotion show art Sharkrebleu! Under Paris, Black Forest & (more) Stopmotion

Imported Horror

Sharks are our friends! We should swim with them! Join us as we dive into the chummy waters of the Seine for the "platonic ideal" of so-bad-it's-good shark flicks, Under Paris (France, 2024). Then, watch the sincere but flawed folk horror Black Forest (Brazil, 2018), but if you jump ahead to the 1:18.20 mark, you'll be treated to the finest wild, cheesy, and splattery B-grade goodness that Tubi has to offer. Also, Marcus gets thoroughly creeped out by Stopmotion (United Kingdom, 2023) and a very Tales from the Crypt-y anthology series from Indonesia hits Netflix. (Sidebar: Shark attacks are...

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Stop Motion Nightmares and Nocturnal Slashers: Stopmotion & Nightwatch: Demons are Forever show art Stop Motion Nightmares and Nocturnal Slashers: Stopmotion & Nightwatch: Demons are Forever

Imported Horror

What's scarier: Creatures from the uncanny valley crawling up to do horrifying things that shouldn't be possible for stop motion animation, or generations of serial killers stalking and scalping their victims? If you answered stop motion, you're right - that's undeniably freakier - but both options are totally worth watching. This week, Grady and Melissa are thoroughly chilled by Stopmotion (United Kingdom, 2023) and Marcus popped some popcorn for thirty years of creepy Danish slashers with Nightwatch (1994) and Nightwatch: Demons are Forever (2023). Plus - inky body horror and a Tubi surprise...

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A Hungry A Hungry "Cark," Feral Killers and Subterranean Nightmares: Deep Fear, Cub, Deep Fear & Furiosa

Imported Horror

Dive deep into fear with us this week as we wander into open waters, haunting forests and chilling catacombs. Melissa goes camping with a grisly throwback slasher in Cub (Belgium & Netherlands, 2014), Grady swims with cocaine-addled sharks that are just barely so-bad-they're-good in Deep Fear (UK & France, 2023) and Marcus gets lost in the ruins under Paris in the other Deep Fear (Belgium & France, 2022). Also - sure you've seen insane apocalyptic car chases before, but should you see Furiosa anyway? And, will the shark flick swimming onto Netflix next week be better?

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Zoomer Humor & The Back Shelf at Blockbuster show art Zoomer Humor & The Back Shelf at Blockbuster

Imported Horror

Just a quick update this week - zoomer humor slays in the trailer for Killer Body Count (Canada & South Africa, 2024), possibly the most Tubi movie to ever Tubi, and the original Nightwatch (Denmark, 1994) has all the offbeat Blockbuster Energy vibes and some himbo-y surprises. Plus, we're taking a week to get stoked for patriarchal nightmare fuel In Flames (2023, Pakistan & Canada) and animated chills in Stopmotion (United Kingdom, 2023). Articles mentioned in this episode: "," by John Squires for Bloody Disgusting "" on YouTube

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More Episodes

Creepy convents, ghoulish nostalgia and full frontal science fiction - we've got something for everyone this week. We give an enthusiastic recommendation for Late Night with the Devil (Australia & United Arab Emirates, 2023) even though a movie theater fire robbed us of the ending, and we debate the Twitter crossfire about its brief use of generative AI. We unpack the chills and flaws of Immaculate (Italy & USA, 2024) and consider how personal religious experiences shape our contrasting interpretations of its disturbing ending. Marcus also gets nerdy talking about Lifeforce (United Kingdom, 1985) with Duane Barry and Jean Luc Picard. 

Articles Mentioned in this Episode:

"‘Late Night With the Devil’ Directors Explain Using AI Art in the Film, Say They ‘Experimented’ With Three Images Only (EXCLUSIVE)" by William Earl for Variety

"Immaculate star Sydney Sweeney explains that 'animatronic thing' and the gonzo, bloody ending" by Lauren Huff for Entertainment Weekly

"Let's Talk About The Shocking Ending of Immaculate" by Dais Johnson for Inverse