In a Room Making Music With People: The Pigeon Keeper with Stephanie Fleischmann and David Hanlon
Key Change: Creating Opera for All Voices
Release Date: 06/29/2022
Points Unknown: Exploring Our Relationship To Otherness Through The Pigeon Keeper
Key Change: Creating Opera for All Voices
To workshop a new opera in front of an audience is a little like agreeing to a trust fall: at some point, you’ve just got to surrender to the unknown and… trust. Andrea Fellows Fineberg and Anna Garcia return to the orchestral workshop for The Pigeon Keeper, a collaboration between Santa Fe Opera’s Opera For All Voices (OFAV) initiative and the University of Michigan School of Music, Theatre & Dance (SMTD). Andrea and Anna introduce folks to Caitlin Lynch, Assistant Professor of Music at U-M, and Jayce Ogren, Director of Contemporary Directions Ensemble at U-M, the visionary duo...
info_outline
Music Born Out of a Modern Experience: The Pigeon Keeper Orchestral Workshop
Key Change: Creating Opera for All Voices
It takes a village - and multiple revisions! - to mount a modern, original opera. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia journey to an orchestral workshop for The Pigeon Keeper, a first for (OFAV)! Imagine a stage filled with an eight-member student orchestra, four principal singers, and a women's chorus. Drop in the composer, librettist, and members of the OFAV team. Truncate the rehearsal period and invite an audience for a live presentation plus a feedback session. Now, you understand the excitement and angst surrounding an orchestral workshop. Andrea reconnects...
info_outline
From Gardening to Greeting Guests, Volunteers Run the World! with Marissa Aurora, Artist & Volunteer Liaison
Key Change: Creating Opera for All Voices
Cue the lights! It’s time to illuminate a vital yet often invisible component of life at Santa Fe Opera: volunteerism. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia chatted with Marissa Aurora, Santa Fe Opera’s , on her first anniversary in the role. And what a year it’s been! Marissa, a multi-discipline artist and radio DJ, has worked hard to revitalize relationships between the Opera and its volunteers. She’s also introduced an exciting new performing arts production internship in collaboration with Northern New Mexico College. So, how do you quantify the...
info_outline
Harmony in Process: The Young Voices of the Santa Fe Opera with Amy "Process" Owens
Key Change: Creating Opera for All Voices
What does an award-winning, multi-disciplinary artist, dynamic educator, and former Sweet Potato do for an encore? She brings that boundless energy and collaborative spirit to her new Santa Fe Opera role, fueled by a deep passion for opera and music education. Co-hosts Andrea Fellows Fineberg and Anna Garcia roll out a virtual red carpet welcome for Amy Owens, Director of the . Get to know this exuberant, optimistic talent and learn more about the program under her stewardship. Andrea, Anna, and Amy also explore the profound community impact of two beloved SFO programs: , a storytelling...
info_outline
Making Learning Sticky: Creative Compassion for Kids & Educators Through Opera with Charles Gamble
Key Change: Creating Opera for All Voices
We're taking an Opera For All Voices-adjacent excursion to the realm of wiggly kiddos, innovative teachers, and fresh vocabulary words, highlighting the power of playful arts integration. Join Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia with special guest Charles Gamble, Santa Fe Opera's Director Of School Programs, as they introduce two of Santa Fe Opera's most dynamic community engagement programs: , a multi-session residency within the Santa Fe Public Schools that incorporates creative arts to make learning delightfully sticky; and , professional development...
info_outline
The Key Change Time Machine: Reflecting the Times, Speaking to the Human Condition
Key Change: Creating Opera for All Voices
It’s all systems go for season five of Key Change! But before we commence with the anniversary celebrations, co-hosts Andrea Fellows Fineberg and Anna Garcia dust off the time machine for a whirlwind tour of seasons past. Think of this episode as part process evaluation––an appraisal of Opera For All Voices (OFAV), the Santa Fe Opera initiative committed to co-commissioning and co-producing new, diverse operatic works––and part indispensable playlist for repeat audiences and newcomers alike, covering the essential artistic and emotional moments that have made Key Change an...
info_outline
Season 5: Stretching The Boundaries Of What Opera Can Be
Key Change: Creating Opera for All Voices
It's season 5! This season, we're inviting you, our favorite listeners, on a journey through time and space -- traveling back in time to the origins of Key Change and Opera For All Voices and forward into the future of boundless possibilities. This spring, Andrea Fellows Feinberg and Anna Garcia take you through through the community engagement portal to hear from the voices transforming the future of opera. And in the fall, they'll offer a backstage pass to latest Opera For All Voices commissions as we continue to shift the conversation about what opera is and what it can be. New...
info_outline
Connections Across Time and Space: Opera in the Cosmos
Key Change: Creating Opera for All Voices
Seven years ago, Santa Fe Opera started a conversation that would reverberate throughout American Opera, shaping this celebrated art form into something more reflective of the world in which it's created. Today, Opera For All Voices (OFAV) commissions have surpassed even our wildest storytelling expectations. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia tuck into the time machine for a season-ending trip around the OFAV universe, revisiting the initiative's greatest hits and offering fans a glimpse at what's to come––with Ruth Nott, consultant, Opera for All Voices;...
info_outline
Competing Interests: How Do You Workshop a New Opera?
Key Change: Creating Opera for All Voices
Roadtrip! After many long months of necessary virtual collaboration, the creative team behind The Pigeon Keeper, a Santa Fe Opera Opera For All Voices (OFAV) commission, finally got to spread their wings for an emotional workshop in San Francisco. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia discover what it was like to have everyone (well, almost everyone) in the same room for the very first time––featuring composer David Hanlon, librettist Stephanie Fleischmann, stage director Mary Birnbaum, music director Kelly Kuo, dramaturg Cori Ellison, Ruth Nott, consultant for...
info_outline
Hometown to the World Debuts on Broadway
Key Change: Creating Opera for All Voices
If a chorus of 12 teens can provide compelling commentary on immigration enforcement from the stage of a venerable performing arts center in Santa Fe, how might ten times that number of voices impact the debate? From a Broadway venue that has welcomed some of the twentieth century’s most influential social justice visionaries? Key Change co-hosts Andrea Fellows-Fineberg and Anna Garcia pilot the time machine east to find out, setting a course for the 2022 premiere of at New York’s storied . Adding their insights to this aural postcard are Hometown’s composer Laura Kaminsky...
info_outlineHurry up and wait. When your world premier is stopped in its tracks by forces beyond your control, “momentum” is measured a bit differently. Andrea Fellows Fineberg chats with composer David Hanlon and librettist Stephanie Fleischmann, the creative duo behind The Pigeon Keeper, about maintaining artistic progress during the pandemic, the limits of virtual collaboration, and finally (finally!) preparing for live performances.
All aboard the Opera For All Voices time machine for a quick review! The Pigeon Keeper was initially scheduled for a workshop in 2020 and its world premier in 2021. Best laid plans, right?
But one thing opera and a pandemic have in common is the power to stretch time. Or maybe freeze it. However defined, those protracted months presented David and Stephanie with additional opportunities to tinker, aided by technology and unexpected (if limited) solitude.
“One of the joys of working with Stephanie is it's a very collaborative back-and-forth thing,” David says. Still, he admits that some discoveries can only happen in real life.
Now that conditions have improved (fingers crossed), The Pigeon Keeper is set to soar. Accompanied by a stirring chorus of young voices provided by the San Francisco Girls Chorus, this OFAV commission follows a father and daughter as they navigate unimaginable loss.
The story couldn't be more immediate in light of so many concurrent global tragedies, says Stephanie. “Now, with Ukraine, the question of refugees and children leaving their homes, making huge journeys to other places and losing everything that they know, the resonance and relevance of this piece have only grown in the time we've been waiting to bring it into the world.”
FEATURING
David Hanlon, Composer
Stephanie Fleischmann, Librettist
Audio Sample from the San Francisco Girls Chorus from The Pigeon Keeper
Audio Sample of “We’ve Been Getting By” from The Pigeon Keeper featuring bass-baritone Michael Sumuel and pianist Kseniia Polstiankina Barrad.
MENTIONED IN THIS EPISODE
Opera America - New Works Exploration Grant
RELATED EPISODES
Season 2, Episode 4 “Hope Is The Thing With Feathers” - A first look at The Pigeon Keeper
***
Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Show Notes: Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Melville Hankins Family Foundation, the Andrew W. Mellon Foundation, and an OPERA America Innovation Grant, supported by the Ann and Gordon Getty Foundation.
To learn more about Opera For All Voices, visit us at SantaFeOpera.org.