A Day in the Life Before a World Premiere
Key Change: Creating Opera for All Voices
Release Date: 03/01/2023
Key Change: Creating Opera for All Voices
Seven years ago, Santa Fe Opera started a conversation that would reverberate throughout American Opera, shaping this celebrated art form into something more reflective of the world in which it's created. Today, Opera For All Voices (OFAV) commissions have surpassed even our wildest storytelling expectations. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia tuck into the time machine for a season-ending trip around the OFAV universe, revisiting the initiative's greatest hits and offering fans a glimpse at what's to come––with Ruth Nott, consultant, Opera for All Voices;...
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Roadtrip! After many long months of necessary virtual collaboration, the creative team behind The Pigeon Keeper, a Santa Fe Opera Opera For All Voices (OFAV) commission, finally got to spread their wings for an emotional workshop in San Francisco. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia discover what it was like to have everyone (well, almost everyone) in the same room for the very first time––featuring composer David Hanlon, librettist Stephanie Fleischmann, stage director Mary Birnbaum, music director Kelly Kuo, dramaturg Cori Ellison, Ruth Nott, consultant for...
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If a chorus of 12 teens can provide compelling commentary on immigration enforcement from the stage of a venerable performing arts center in Santa Fe, how might ten times that number of voices impact the debate? From a Broadway venue that has welcomed some of the twentieth century’s most influential social justice visionaries? Key Change co-hosts Andrea Fellows-Fineberg and Anna Garcia pilot the time machine east to find out, setting a course for the 2022 premiere of at New York’s storied . Adding their insights to this aural postcard are Hometown’s composer Laura Kaminsky...
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What do you know about the life and legacy of Fannie Lou Hamer? Chances are, not much. That's about to change. Co-hosts Andrea Fellows Fineberg and Anna Garcia dust off the Key Change time machine for a trip back through time and place to the real-life inspiration for This Little Light of Mine (TLLoM), the modern operatic masterpiece commissioned by Santa Fe Opera's Opera For All Voices initiative. Good thing this ride is roomy because joining them are two women who can claim a direct connection to Mrs. Hamer: Jacqueline "Cookie" Hamer Flakes, Mrs. Hamer's last surviving daughter, and...
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It’s October 28, 2022. As a brisk, still night settles over Santa Fe, things are heating up inside The Lensic Performing Arts Center. Longtime opera patrons mingle alongside never opera goers. Soon, the curtain will rise on This Little Light of Mine (TLLoM), a modern operatic masterpiece composed by Chandler Carter with libretto by Diana Solomon-Glover. The one-act production is an unflinching yet uplifting dramatization of the life of Fannie Lou Hamer, a Black woman born on the very lowest rung of the American caste system. A Black woman who nonetheless rose to speak at the 1964...
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If you’re unfamiliar with Santa Fe Opera’s (POP), take a quick journey back in time for of this conversation. Go ahead; we’ll wait. In it, you’ll meet Renee Roybal and Claudene A. Martinez, both members of Pueblo of San Ildefonso. The pair recall the early days of POP and the formation of the (POCC). Now that you’re sufficiently caught up, join Andrea Fellows Fineberg as her time machine co-pilot Kyle Gray, SFO’s Manager of Community Relations & Government Affairs, wraps up the conversation (for now.) Renee and Claudene return to share recollections of their early...
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All aboard the Key Change time machine for a two-part trip! On this half of the journey, we toggle back to the origins of a beloved community-based program and then forward to celebrate its exciting expansion. 2023 will mark the 50th anniversary of the , lovingly known around the Santa Fe Opera as POP. Key Change commemorates this momentous event by passing the mic to colleague Kyle Gray, SFO’s Manager of Community Relations & Government Affairs. Kyle and his guests discuss the POP legacy and (POCC), which blossomed out of an artistic collaboration between legendary director Peter...
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Hurry up and wait. When your world premier is stopped in its tracks by forces beyond your control, “momentum” is measured a bit differently. Andrea Fellows Fineberg chats with composer David Hanlon and librettist Stephanie Fleischmann, the creative duo behind about maintaining artistic progress during the pandemic, the limits of virtual collaboration, and finally (finally!) preparing for live performances. All aboard the Opera For All Voices time machine for a quick review! The Pigeon Keeper was initially scheduled for a workshop in 2020 and its world premier in 2021. Best laid...
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You’ve heard of main character energy? Well, get ready for youth chorus energy! Andrea Fellows-Fineberg connects with an optimistic, pragmatic, and empathetic mindset courtesy of the youth chorus members who participated in the December 2021 world premiere of Opera For All Voices’ Hometown To The World. Their insights and post-performance emotion speak to art's ability to foster community––with Ely Aguilar, Francesco Aimale, and Estevan Flórez-Mansi. We also hear post-show reactions from artists, creators, collaborators, and the audience buoyed by musical excerpts from the premiere at...
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When an initiative is called Opera For All Voices, who’s the “all”? Key Change Season Four examines OFAV’s burgeoning legacy of co-creating new operatic works through a community-centric lens, beginning with an OG favorite, Hometown To The World. Host Andrea Fellows-Fineberg revisits the production with core members of its artistic team, young performers, and the most influential collaborator: the audience––featuring Ruth Nott, Composer Laura Kaminsky, Librettist Kimberly Reed, and a behind-the-scenes segment with Estevan Flórez-Mansi, youth chorus member. There’s perhaps no...
info_outlineIt’s October 28, 2022. As a brisk, still night settles over Santa Fe, things are heating up inside The Lensic Performing Arts Center. Longtime opera patrons mingle alongside never opera goers. Soon, the curtain will rise on This Little Light of Mine (TLLoM), a modern operatic masterpiece composed by Chandler Carter with libretto by Diana Solomon-Glover.
The one-act production is an unflinching yet uplifting dramatization of the life of Fannie Lou Hamer, a Black woman born on the very lowest rung of the American caste system. A Black woman who nonetheless rose to speak at the 1964 Democratic National Convention and became an exemplar of the Civil Rights movement. A Black woman who knew her worth despite a world that told her otherwise.
But hold on! A lot has happened between the time Opera For All Voices (OFAV) of The Santa Fe Opera first commissioned TLLoM and this triumphant evening. Key Change co-hosts (yep, a lot has happened) Andrea Fellows Fineberg and Anna Garcia check in with members of the production’s creative team in the hours leading up to the world premiere.
What do they want folks to understand about Mrs. Hamer’s life and legacy? How has the piece expanded discussions around whose stories get told onstage? And what’s the connection between self-care and a tiny table?
If OFAV’s goal to foster community beyond opera’s traditional audience is central to this conversation, then TLLoM acts as the initiative’s standard bearer. It’s a fitting tribute to Mrs. Hamer’s innate ability to speak truth to power and galvanize individuals under one unifying voice.
FEATURING
Chandler Carter – Composer
Diana Solomon-Glover – Librettist
Jeri Lynne Johnson – Conductor & Music Director
Beth Greenberg – Stage Director
Laurel McIntyre – Stage Manager
MENTIONED IN THIS EPISODE
The Lensic Performing Arts Center
New Mexico Black Leadership Council
THIS LITTLE LIGHT OF MINE PLAYLIST
Mother of a Movement: This Little Light of Mine
Singing A Call to Action: Is This America?
Making a Choice With Conviction: A conversation with Jeri Lynne Johnson
Lighting a Fire: The Legacy of Fannie Lou Hamer
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Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg & Anna Garcia
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Show Notes by Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W Mellon foundation, and an Opera America innovation Grant supported by the Anne & Gordon Getty Foundation.
To learn more about Opera For All Voices, visit us at SantaFeOpera.org.