Six Carmens Later & Putting On Productions with Olga Perez Flora and Anna Garcia
Key Change
What do disco naps, pantsuits, and chili preferences have to do with life at the opera? If you’re new to the art form in general and Key Change specifically, welcome! And don’t worry, all will be revealed. To our returning fans, a hearty welcome back! We’re excited to share another season and a fresh focus with you. Back to that opening inquiry... “I was thinking it would be really great if we did a lightning round together where we got to know a little bit more about each other and about what's coming up this season,” explains Olga, making her official debut as Key Change co-host,...
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TEASER: Welcoming our new co-host! [VIDEO]
Key Change
Coming up on Season 6, Episode 1 of Key Change... *** Key Change is a production of , Department of Community Engagement & Education. Produced and edited by Hosted by Anna Garcia & Audio Engineering: Collin Ungerleider & Kabby Technical Director: Edwin R. Ruiz Production Support from Alex Riegler Show Notes by Lisa Widder Theme music by with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello Cover art by Dylan Crouch This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera. To learn...
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Season 6: Nurturing the Next Generation of Artists [VIDEO]
Key Change
What does it take to build a rewarding and sustainable career in opera? What happens when you realize you don’t really have the drive to BE an opera singer? How do you find the courage to take more creative risks in your own work and life? The answers to these questions and more on Key Change Season 6 from the Santa Fe Opera Department of Community Engagement and Education, with the returning co-host you know and love, Anna Garcia, and the new co-host you’re going to love, Olga Perez Flora! If you're new here, catch up on seasons 1-5 with this recommended playlist: Season 1 Episode 1:...
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Season 6: Nurturing the Next Generation of Artists
Key Change
What does it take to build a rewarding and sustainable career in opera? What happens when you realize you don’t really have the drive to BE an opera singer? How do you find the courage to take more creative risks in your own work and life? The answers to these questions and more on Key Change Season 6 from the Santa Fe Opera Department of Community Engagement and Education, with the returning co-host you know and love, Anna Garcia, and the new co-host you’re going to love, Olga Perez Flora! If you're new here, catch up on seasons 1-5 with this recommended playlist: Season 1 Episode 1:...
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An Opportunity to Encounter Excellence (and Big News!)
Key Change
We’ve arrived at the end, or the beginning, depending on how you mark time. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia close out this podcast season with an epic career coda and an equally impressive introduction. Join us as we say farewell (but not goodbye) to Andrea and welcome , DMA, Associate Professor of Voice, University of New Mexico (UNM), who will assume Key Change co-hosting duties next season. And what would our final episode of the year be without a trip in the trusty Key Change Time Machine? Cue the tears and cheers as we set a course for legacy-defining moments...
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What’s Opera to a Bunch of High School Students? Young Voices, “The New Crop”
Key Change
One of the greatest gifts you can offer a teen is confidence. The other? A process for refining that raw self-assurance into an impressive talent and invaluable life skill. But where to start? At the beginning, of course! Join Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia as they happily infiltrate Orientation Day for the , one of several prestigious youth-focused initiatives at Santa Fe Opera. Get to know this year’s cohort as they share their first-day impressions and program goals. Key Change favorites Amy Owens, director of the Young Voices program, and Charles...
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Points Unknown: Exploring Our Relationship To Otherness Through The Pigeon Keeper
Key Change
To workshop a new opera in front of an audience is a little like agreeing to a trust fall: at some point, you’ve just got to surrender to the unknown and… trust. Andrea Fellows Fineberg and Anna Garcia return to the orchestral workshop for The Pigeon Keeper, a collaboration between Santa Fe Opera’s Opera For All Voices (OFAV) initiative and the University of Michigan School of Music, Theatre & Dance (SMTD). Andrea and Anna introduce folks to Caitlin Lynch, Assistant Professor of Music at U-M, and Jayce Ogren, Director of Contemporary Directions Ensemble at U-M, the visionary duo...
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Music Born Out of a Modern Experience: The Pigeon Keeper Orchestral Workshop
Key Change
It takes a village - and multiple revisions! - to mount a modern, original opera. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia journey to an orchestral workshop for The Pigeon Keeper, a first for (OFAV)! Imagine a stage filled with an eight-member student orchestra, four principal singers, and a women's chorus. Drop in the composer, librettist, and members of the OFAV team. Truncate the rehearsal period and invite an audience for a live presentation plus a feedback session. Now, you understand the excitement and angst surrounding an orchestral workshop. Andrea reconnects...
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From Gardening to Greeting Guests, Volunteers Run the World! with Marissa Aurora, Artist & Volunteer Liaison
Key Change
Cue the lights! It’s time to illuminate a vital yet often invisible component of life at Santa Fe Opera: volunteerism. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia chatted with Marissa Aurora, Santa Fe Opera’s , on Marissa's first anniversary in the role. And what a year it’s been! Marissa, a multi-discipline artist and radio DJ, has worked hard to revitalize relationships between the Opera and its volunteers. They've also introduced an exciting new performing arts production internship in collaboration with Northern New Mexico College. So, how do you quantify...
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Harmony in Process: The Young Voices of the Santa Fe Opera with Amy "Process" Owens
Key Change
What does an award-winning, multi-disciplinary artist, dynamic educator, and former Sweet Potato do for an encore? She brings that boundless energy and collaborative spirit to her new Santa Fe Opera role, fueled by a deep passion for opera and music education. Co-hosts Andrea Fellows Fineberg and Anna Garcia roll out a virtual red carpet welcome for Amy Owens, Director of the . Get to know this exuberant, optimistic talent and learn more about the program under her stewardship. Andrea, Anna, and Amy also explore the profound community impact of two beloved SFO programs: , a storytelling...
info_outlineIf a chorus of 12 teens can provide compelling commentary on immigration enforcement from the stage of a venerable performing arts center in Santa Fe, how might ten times that number of voices impact the debate? From a Broadway venue that has welcomed some of the twentieth century’s most influential social justice visionaries?
Key Change co-hosts Andrea Fellows-Fineberg and Anna Garcia pilot the time machine east to find out, setting a course for the 2022 premiere of Hometown to the World at New York’s storied Town Hall.
Adding their insights to this aural postcard are Hometown’s composer Laura Kaminsky and librettist Kimberly Reed; Melay Araya, artistic director at The Town Hall; several chorus members from Fiorello H. LaGuardia High School of Music & Art and Performing Arts and Repertory Company High School for Theatre Arts, as well as the audience.
Hometown––an original work commissioned by Santa Fe Opera for its Opera For All Voices (OFAV) initiative––follows the events of a 2008 raid by U.S. Immigration and Customs Enforcement (ICE) of a kosher meatpacking plant in Postville, IA. The opera explores themes of religion, acceptance, and community, igniting a communal desire to create a more equitable world. “People that are already empathetic, they need fuel,” says Melay. “They need the refocusing that Laura and Kim provide in language and song to think larger and to address these issues, not just on the granular level, but as spiritual and ethical questions.”
Hometown closes with a Hebrew call to action, delivered by that sprawling chorus of young, hopeful voices: Tikkun Olam! Repair the world!
FEATURING
Laura Kaminsky - Composer, Hometown to the World
Kimberly Reed - Librettist, Hometown to the World
Melay Araya - Artistic Director, The Town Hall
A chorus comprised of 100+ public high school students from Fiorello H. LaGuardia High School of Music & Art and Performing Arts and Repertory Company High School for Theatre Arts
RELATED EPISODES
Season 1, Episode 6 “Hometown to the World” - Hometown’s Laura Kaminsky and Kimberly Reed on telling history and collaboration.
Season 2, Episode 9 “America Is Impossible Without Us” - Revisiting Hometown’s story, structure, music, and what it means to be an American during the San Francisco workshop.
Season 3, Episode 3 “Responding to the World” - with Stage Director Kristine McIntyre and Dramaturg Cori Ellison.
Season 3, Episode 8 “Bridging Communities with Carmen Flórez-Mansi” - with Chorus Master Carmen Flórez-Mansi.
Season 4, Episode 1 “This Doesn’t Happen Without Audience” - Andrea prepares for the world premiere in Santa Fe with core members of its artistic team, young performers, and the most influential collaborator: the audience.
Season 4, Episode 2 “Influence and Inclusion: The Impact of Hometown to the World with Estevan, Ely, and Francesco of the Youth Chorus” - Post-show reactions from artists, creators, collaborators, and the audience buoyed by musical excerpts from Hometown’s premiere at the Lensic Performing Arts Center in Santa Fe.
***
Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg & Anna Garcia
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Show Notes by Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W Mellon foundation, and an Opera America innovation Grant supported by the Anne & Gordon Getty Foundation.
To learn more about Opera For All Voices, visit us at SantaFeOpera.org.