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What Sundance & TIFF Programmers Are Really Looking For

Angle on Producers with Carolina Groppa

Release Date: 01/20/2026

Personal Update + Listener Questions Answered show art Personal Update + Listener Questions Answered

Angle on Producers with Carolina Groppa

In this solo episode, I get candid. I open up about losing my father in January, what grief looks like when you can't afford to stop moving, and the complicated truth about showing up anyway — to the meeting, to the festival, to the mic. I also dig into eight listener questions from the year-end survey, covering: how I select guests, whether I'm still producing, how independent producers can find financing outside traditional models, tips for batching scenes on a micro-budget shoot, how to pitch yourself for freelance producing opportunities, where to actually network, how to work...

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Angle on Producers with Carolina Groppa

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Angle on Producers with Carolina Groppa

Marina Stabile is a Brazilian-born, Swiss-raised producer and line producer with over 20 years of experience in film, documentaries, commercials, and digital content. She is also one of my favorite humans and I'm lucky I get to call her a friend. She grew up in São Paulo, moved to Geneva at 10, attended an international school with 118 nationalities, and knew she wanted to produce after watching the Irving Thalberg Award presented at 3 a.m. on an Oscar broadcast. She studied film and international relations at USC, produced documentaries for the United Nations in Geneva, and returned to the...

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Angle on Producers with Carolina Groppa

*Brought to you in partnership with GreenSlate* Bucket list moment unlocked! 🎬 Our first-ever live episode from Sundance is here. I sat down with producer Gary Foster to talk about the seven-year journey of bringing "Bedford Park" to the screen—a deeply personal Korean-American story that almost didn't get made. We tackle:  How Gary met director Stephanie Ahn 12 years ago when she was an assistant editor, and why he championed her debut feature for seven years The unconventional move that landed Hyundai as the first major investor with $1 million  That terrifying moment when he...

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What Sundance & TIFF Programmers Are Really Looking For show art What Sundance & TIFF Programmers Are Really Looking For

Angle on Producers with Carolina Groppa

Ever wondered how festival programmers decide which films make the cut? For our first episode of 2026, I'm joined by two incredible women who've been shaping the landscape of independent cinema for over a decade. Ana Souza has been with Sundance Film Festival for 10 years, working alongside some of the most exciting independent filmmakers in the world. Diana Cadavid is currently Director of Industry Programs for the Latino Film Institute (LFI) in Los Angeles, and International Programmer for the Toronto International Film Festival (TIFF) She helped build IFF Panama's programming...

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Angle on Producers with Carolina Groppa

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Happy Tuesday! Today is 11/11, a series of numbers that many see as a symbol of spiritual awakening, synchronicity, and alignment with the universe. I'm not too superstitious about these things, but when I catch it, it brings a smile to my face. Is it divine intervention or coincidence? And does it matter? In thinking about alignment, it feels very apropos to be sharing this particular conversation today with self-described nerdy fangirls Adamma and Adanne Ebo, the identical twin powerhouse behind the indie breakout film Honk for Jesus. Save Your Soul. We met making this film back in 2021—I...

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More Episodes

Ever wondered how festival programmers decide which films make the cut? For our first episode of 2026, I'm joined by two incredible women who've been shaping the landscape of independent cinema for over a decade.

Ana Souza has been with Sundance Film Festival for 10 years, working alongside some of the most exciting independent filmmakers in the world. Diana Cadavid is currently Director of Industry Programs for the Latino Film Institute (LFI) in Los Angeles, and International Programmer for the Toronto International Film Festival (TIFF) She helped build IFF Panama's programming department from scratch.

In this conversation, we break down:

→ The REAL selection process (spoiler: it's not about who you know)

→ How to map your premiere status strategy BEFORE you finish your film

→ The big film/small film balance that keeps festivals alive (and why you should stop resenting those studio movies)

→ Distribution in the post-COVID era: why the all-night bidding wars are gone, but deals are still happening

→ Why attending festivals WITHOUT a film might be the smartest career move you can make

🔗 READ MY SUBSTACK - The History of Film Festivals: [https://angleonproducers.substack.com/]

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