#25 - I feel my vertebrae extending and I feel my heart expand
Live At The Death Factory
Projector's broken, welcome to season 2. This episode's book is Heart-Beast by Tanith Lee
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#24 - Cuts Me Down The Middle Then I Come Alive
Live At The Death Factory
We talk about Terrifier 2. Art was here.
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#23 - She loves naked sin, he loves evil stares
Live At The Death Factory
We talk about Red Rooms, an unflinching, unforthcoming (meta???) scum classic about a woman who attends the trial of an internet murderer in Montreal.
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#22 - That tie pin in your retina unbosoms all your past
Live At The Death Factory
We talk about Alien Report, a great film about when people stand too close to you.
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#21 - Owner-Occupied
Live At The Death Factory
The Scary of Sixty-First and Toolbox Murders, two films where the regular horror of having a landlord is compounded by moving into a building that lives as a summary of the rotten, putrid evil at work at the highest levels of power.
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#20 - If You Want To Learn, You Have To Burn
Live At The Death Factory
We discuss, in great and deserved depth, two of the great demented peaks of 2000s horror cinema: House Of Wax and Orphan, both directed by Jaume Collet-Serra
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#19 - You Think You're A Zombie, You Think It's A Scene
Live At The Death Factory
In this episode we discuss the entire span of Rob Zombie's directorial career before focusing on the much-maligned Lords Of Salem. He's great. I don't expect you to watch Three From Hell or anything, that sucks, but if we sat there and figured out he was great then you should too.
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#18 - Demon I Am And Face I Peel
Live At The Death Factory
This episode we talk about two unclassifiable pieces of nightmare art from the darkest corners of the scum cinema cannon, both of which were released over a decade after the conclusion of principal photography when key members of cast and crew had long since died. It's an understandable struggle to imagine a film more strange and cursed that Andrew Getty's passion project The Evil Within but that's why it took a special kind of mind to imagine Flexing With Monty.
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#17 - Description Is More Important Than Metaphor
Live At The Death Factory
This week we discuss Bette Gordon's 1983 film Variety which focuses on a woman taking a job in a porn theatre by way of kathy acker, jane jacobs, laura mulvey and, briefly, henry rollins.
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#16 - Some Of Your Friends Are Already This Fucked
Live At The Death Factory
This week we talk about a whole bunch of Messed Up Guy In A Band documentaries, focusing primarily on Citizen Shane and Dead Hands Dig Deep.
info_outline“Never knew how to be scared, just how to handle my infra-red.
Love nothing: made my barber write a 'Fuck You' in my head." - Z-Ro
An episode of Sean's old podcast during which he and Astrid spoke about the first three entries of the Female Prisoner Scorpion series