The Lydian Spin
In this episode returning to The Lydian Spin is writer and artist . Zoe is a writer, video artist, and longtime friend of the podcast. On this episode she is here to celebrate a big milestone. Her brand new memoir, , is officially out from It is an amazing, firsthand look at three decades of New York City’s underground culture, documenting her survival and journey from a London runaway to a Manhattan madam.
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, a limitation-destroying noise band formed by (guitar, vox) and (bass, vox), release their debut album, out May 1 2026 on . Their sound is abrasive yet melodic, using heavy distortion, dissonant riffs, and reverberating vocals to create music that feels both minimal and overwhelming. Their newest record Attractive People, recorded by legendary sound producer , prods and pushes its listener with tongue in cheek lyrics that accuse and indict their audience, cacophonous guitar shrieks of power and madness, and bass lines that oscillate from funky to erratic dissonance. While...
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is a California-based improvising vocalist (scat singer, essentially), who operates in the fields of jazz and jazz-adjacent music. In addition, he works as a theoretical and computational applied physicist where his focus is on understanding the properties of materials in extreme conditions of pressure and temperature.
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As the frontman for , Al Johnson utilized his voice as a textural and percussive instrument rather than a melodic vehicle. His delivery consisted of rasps, sharply drawn breaths, and fragmented phrasing. Al operated with rigid adherence to a self-devised notation system, scripting every pause and vocal eccentricity in advance. This formalized approach to dissonance allowed his vocals to function not as a traditional lead, but as an integrated component within the band’s broader framework of structural deconstruction.
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Part 2 of sit down with Lydia and Tim.
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Larry Mullins, also known as , is a musician, record producer, and composer who plays drums, percussion, and keyboards. He performs as a member of the bands and , and previously played with . He has also worked on scores for film and television and appeared in a performance role in the series . Stay tuned next week for Part 2.
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Ian Svenonius is a musician and author who began his career in the 1980s Washington D.C. punk scene. He has been the lead vocalist for several bands, including , , and , and later released music under the electronic solo project . In addition to his musical output and hosting a talk show on , Ian has written several books of essays and cultural criticism. His published works include (2012) and the essay collection (2015).
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is a guitarist known for anchoring the monolithic avant-rock of . Away from the band's trademark volume, however, his solo work—like the -produced —abandons traditional riffs for meditative, ambient drone. By manipulating sustained tones through effect pedals, Norman restructures the instrument's sound into atmospheric compositions. His career balances decades of dense post-punk with restrained, minimalist solo recordings.
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Nuha Ruby Ra is a London-based artist working across music, performance, and visual art. Blending industrial sound, art-pop, and spoken word, her work explores power, instinct, and transformation through raw, physical live performance. Following two critically acclaimed EPs, she is currently creating her debut album, a project unfolding under the creative force known as NOWSYN.
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In 1977, finished recording in his parents’ basement and released it himself. Through the 1980s, his work in experimental music that draws across styles including new wave, rock, funk, jazz, lounge, and avant-garde. developed a following. After a 1981 tour, he was largely out of public view. Gary resurfaced around 1996, and Michael Wolk filmed his 2002 return to the stage for the documentary y. Gary has released .
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Scott Bomar is a Memphis lifer who moves easily between the grit of garage-surf (Impala) and the deep-pocket groove of classic soul (the Bo-Keys), with credits alongside Stax/Hi orbit players and on Al Green’s comeback-era sessions. As a producer/engineer and film soundtrack composer, he continues to drag the Memphis musical DNA into bigger rooms with work on movies such as Hustle & Flow, Black Snake Moan, Dolemite Is My Name. Scott's scores lean on funk, spy-noir, and vintage synth heat without turning into cosplay.