Museum Confidential
This special episode of MC was recently taped before a live audience at Philbrook Museum of Art. Our host Jeff Martin is joined by on stage by interdisciplinary artist Cannupa Hanska Luger, Brooklyn Museum curator Kimberli Gant, and Philbrook Chief Curator Kate Green. They speak in detail about why and how today's museums are diversifying (or attempting to diversify) their collections. Presented in partnership with Tulsa Town Hall.
info_outline What is American Art?Museum Confidential
What makes American art "American"? Let's discuss. On this episode we welcome back Philbrook curator, Susan Green to chat about the new exhibition, "American Artists, American Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976." It's a sweeping, varied exhibition offering more than 100 masterworks -- by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Thomas Moran, Alice Neel, Georgia O'Keeffe, Andrew Wyeth, and many others. It runs through December 29, 2024.
info_outline From Haiti with LoveMuseum Confidential
On recent trip to Washington, D.C. we stopped by the National Gallery of Art to chat with curator Kanitra Fletcher about a new show she was preparing to debut, the first show dedicated to Haitian art in the history of the institution. As with most things in life, timing is everything. Spirit & Strength: Modern Art from Haiti opens September 29 and runs through March 9th. www.nga.gov
info_outline Re-imagining MuseumsMuseum Confidential
On our Season 9 debut we talk with Stephen Reily, attorney, entrepreneur, and former Director of Louisville’s Speed Art Museum about REMUSEUM, his ambitious new project to reimagine what museums can be.
info_outline Banksy UnmaskedMuseum Confidential
Psyche! We’re not actually unmasking Banksy on this episode, but we are taking a closer look at the recently-opened museum in New York City dedicated to the famously anonymous street artist/activist. William Meade is the Executive Director of the Banksy Museum in Manhattan and we have no idea if he knows Banksy’s true identity. For all we know he could actually be Banksy! It’s all a bit complicated.
info_outline Art Fair Diaries: ChicagoMuseum Confidential
On the final installment of our ART FAIR DIARIES trilogy, Philbrook Chief Curator and roving MC correspondent, Kate Green takes us to the land of John Hughes movies and deep-dish pizza. Welcome to EXPO CHICAGO.
info_outline The Things We KeepMuseum Confidential
Acclaimed artist Chris Ramsay’s work deals with big, universal subjects: time, space, impermanence, what we discard, and what we choose to keep. Now, after receiving an incurable cancer diagnosis, Chris is confronting the biggest questions of all.
info_outline Art Fair Diaries: Mexico CityMuseum Confidential
For this new installment in our Art Fair Diaries series, Philbrook Chief Curator (and occasional roving Museum Confidential correspondent) Kate Green reports from the biggest art fair in one of the world's biggest cities. Welcome to Mexico City.
info_outline On Sovereign FuturesMuseum Confidential
Our guest is curator Allison Glenn; we previously spoke to Glenn a few years ago about her Breonna Taylor-inspired show, "Promise, Witness, Remembrance." Now Glenn is curating a multi-venue, multi-day, multi-focused convening titled Sovereign Futures, which runs April 4th through the 7th. Per the Sovereign Futures website, various "artist-led projects will explore themes of sovereignty through...food, land, speculative futures, and histories of the place that is now called Oklahoma."
info_outline The InsiderMuseum Confidential
Our guest is acclaimed journalist Bianca Bosker, who tells us that -- when it comes to which topics she chooses to investigate and cover -- she's "obsessed with obsession." Bosker's latest book is "Get the Picture: A Mind-Bending Journey among the Inspired Artists and Obsessive Art Fiends Who Taught Me How to See." She was a security guard at the Guggenheim. She worked in a commercial gallery. She was a studio assistant to an emerging artist. What Hunter S. Thompson did with the Hell's Angels, Bosker does with Art History majors.
info_outlineVideo journalist Alexandra Eaton of The New York Times joins us to share an unforgettable story that begins with a painting created in 1837 New Orleans. It depicts a well-to-do family’s three children and a Black enslaved child named Bélizaire. Decades later, Bélizaire was removed from the portrait. Experts have restored the work to its original state, revealing the enslaved youth who had been painted out of history. It goes on display this fall at New York’s Metropolitan Museum of Art.