Scott Eyman Discusses His Latest Book - Joan Crawford: A Woman's Face
Release Date: 11/13/2025
Santa Claus Conquers the Martians (1964)
Classic Movie Review
⭐Santa Claus Conquers the Martians (1964) – So Bad It’s Merry⭐ 🍿Santa Claus Conquers the Martians (1964) is a low-budget sci-fi Christmas oddity where Martian parents, worried about their joyless children, decide to kidnap Earth’s greatest capitalist hero, Santa Claus. John Call plays a jolly, pipe-puffing Santa, with Leonard Hicks as conflicted Martian leader Kimar and Vincent Beck as the mustachioed villain Voldar. Bill McCutcheon steals scenes as Dropo, the lazy, giggling Martian who eventually becomes “Martian Santa.” At the same time, a very young Pia Zadora appears as...
info_outline
Christmas in Connecticut (1945) – Stanwyck’s Coziest Chaos
Classic Movie Review
⭐Christmas in Connecticut (1945) – Stanwyck’s Coziest Chaos⭐ 🍿Christmas in Connecticut (1945), directed by Peter Godfrey, blends wartime anxiety with cozy holiday fantasy. The film follows Elizabeth Lane (Barbara Stanwyck), a celebrated lifestyle writer who has built a fake public persona as the perfect farm wife and mother. When her demanding publisher Alexander Yardley (Sydney Greenstreet) insists on spending Christmas at her “Connecticut farm” with war hero Jefferson Jones (Dennis Morgan), Elizabeth must improvise a husband, a baby, and home-cooked meals she can’t prepare....
info_outline
Conclusion - Western Film Noir Gunsmoke Meets Shadows Day 30 Plus One NOIRvember Celebration
Classic Movie Review
⭐Conclusion - Western Film Noir Gunsmoke Meets Shadows Day 30 Plus One NOIRvember Celebration⭐ 🍿This series explores the haunting intersection of the Western and film noir genres—a cinematic meeting of wide-open frontiers and shadow-drenched moral dilemmas. Across 30 carefully chosen films, the reviews trace how the stoic gunfighter inherits the fatalism of the detective and how dusty landscapes give way to psychological darkness. Each selection captures the essence of the “Western Noir” tradition, where justice is uncertain, heroes are flawed, and every victory carries a price....
info_outline
Lonely Are the Brave (1962) - Western Film Noir Gunsmoke Meets Shadows Day 30 NOIRvember Celebration
Classic Movie Review
⭐Lonely Are the Brave (1962) - Western Film Noir Gunsmoke Meets Shadows Day 30 NOIRvember Celebration⭐ 🍿This series explores the haunting intersection of the Western and film noir genres—a cinematic meeting of wide-open frontiers and shadow-drenched moral dilemmas. Across 30 carefully chosen films, the reviews trace how the stoic gunfighter inherits the fatalism of the detective and how dusty landscapes give way to psychological darkness. Each selection captures the essence of the “Western Noir” tradition, where justice is uncertain, heroes are flawed, and every victory carries a...
info_outline
Day of the Outlaw (1959) - Western Film Noir Gunsmoke Meets Shadows Day 29 NOIRvember Celebration
Classic Movie Review
⭐Day of the Outlaw (1959) - Western Film Noir Gunsmoke Meets Shadows Day 29 NOIRvember Celebration⭐ 🍿This series explores the haunting intersection of the Western and film noir genres—a cinematic meeting of wide-open frontiers and shadow-drenched moral dilemmas. Across 30 carefully chosen films, the reviews trace how the stoic gunfighter inherits the fatalism of the detective and how dusty landscapes give way to psychological darkness. Each selection captures the essence of the “Western Noir” tradition, where justice is uncertain, heroes are flawed, and every victory carries a...
info_outline
Buchanan Rides Alone (1958) - Western Film Noir Gunsmoke Meets Shadows Day 28 NOIRvember Celebration
Classic Movie Review
⭐Buchanan Rides Alone (1958) - Western Film Noir Gunsmoke Meets Shadows Day 28 NOIRvember Celebration⭐ 🍿This series explores the haunting intersection of the Western and film noir genres—a cinematic meeting of wide-open frontiers and shadow-drenched moral dilemmas. Across 30 carefully chosen films, the reviews trace how the stoic gunfighter inherits the fatalism of the detective and how dusty landscapes give way to psychological darkness. Each selection captures the essence of the “Western Noir” tradition, where justice is uncertain, heroes are flawed, and every victory carries a...
info_outline
Discussing Femme Fatales with Katherine from Creepy Americana
Classic Movie Review
⭐Discussing Femme Fatales with Katherine from Creepy Americana⭐ 🍿Host John chats with Katherine of Creepy Americana about the Femme Fatale—how classic Film Noir frames women who seek autonomy through wit, allure, and survival instinct. The conversation uses examples like The Maltese Falcon (1941), Out of the Past (1947), and Human Desire (1954) to show that goals often reduce to money and control over one’s future, with Production Code pressures ensuring these women seldom “get away with it.” Katherine ties the archetype to conformity and post-war domestic expectations—house,...
info_outline
Terror In a Texas Town (1958) - Western Film Noir Gunsmoke Meets Shadows Day 27 NOIRvember Celebration
Classic Movie Review
⭐Terror In a Texas Town (1958) - Western Film Noir Gunsmoke Meets Shadows Day 27 NOIRvember Celebration⭐ 🍿This series explores the haunting intersection of the Western and film noir genres—a cinematic meeting of wide-open frontiers and shadow-drenched moral dilemmas. Across 30 carefully chosen films, the reviews trace how the stoic gunfighter inherits the fatalism of the detective and how dusty landscapes give way to psychological darkness. Each selection captures the essence of the “Western Noir” tradition, where justice is uncertain, heroes are flawed, and every victory carries...
info_outline
The Tall T (1957) - Western Film Noir Gunsmoke Meets Shadows Day 26 NOIRvember Celebration
Classic Movie Review
⭐The Tall T (1957) - Western Film Noir Gunsmoke Meets Shadows Day 26 NOIRvember Celebration⭐ 🍿This series explores the haunting intersection of the Western and film noir genres—a cinematic meeting of wide-open frontiers and shadow-drenched moral dilemmas. Across 30 carefully chosen films, the reviews trace how the stoic gunfighter inherits the fatalism of the detective and how dusty landscapes give way to psychological darkness. Each selection captures the essence of the “Western Noir” tradition, where justice is uncertain, heroes are flawed, and every victory carries a price....
info_outline
Man in the Shadow (1957) - Western Film Noir Gunsmoke Meets Shadows Day 25 NOIRvember Celebration
Classic Movie Review
⭐Man in the Shadow (1957) - Western Film Noir Gunsmoke Meets Shadows Day 25 NOIRvember Celebration⭐ 🍿This series explores the haunting intersection of the Western and film noir genres—a cinematic meeting of wide-open frontiers and shadow-drenched moral dilemmas. Across 30 carefully chosen films, the reviews trace how the stoic gunfighter inherits the fatalism of the detective and how dusty landscapes give way to psychological darkness. Each selection captures the essence of the “Western Noir” tradition, where justice is uncertain, heroes are flawed, and every victory carries a...
info_outline⭐Scott Eyman's Latest Book - Joan Crawford: A Woman's Face⭐
🍿This episode dives into Joan Crawford’s craft and career through an interview with author Scott Eyman about the book Joan Crawford: A Woman’s Face. We trace her trajectory from Texas/Kansas poverty and chorus-line gigs to an MGM contract, where she learned by watching greats—especially Lon Chaney on The Unknown—and honed fierce concentration and presence. Directors discussed include George Cukor (a favorite), Clarence Brown, and collaborators Michael Curtiz, Nicholas Ray, and Robert Aldrich, with on-set professionalism underscored during Whatever Happened to Baby Jane. The conversation spans silent and pre-Code eras, MGM musicals, mid-career drama, and late-period “horror-hag” roles, arguing her audience aged with her because she continually refined a resilient, lower-class-to-self-made persona. Notable elements include her refusal of plastic surgery, reliance on lighting/camera to manage age, and a third-act reinvention tied to Baby Jane. The result is a three-dimensional portrait—flaws, generosity, controversies, and all.🍿
📖Purchase Joan Crawford: A Woman's Face by Scott Eyman📖
https://amzn.to/4qMJi7Z
Charlie Chaplin vs. America: When Art, Sex, and Politics Collided
https://amzn.to/49CZsKU
Listen to the interview on Charlie Chaplin - https://youtu.be/6f7J7_0Lyqg
**My Links**
My Site - https://classicmovierev.com/
My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56
👽Affiliates👽
Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR
**The Equipment I Use for YouTube**
Camera - https://amzn.to/3SjOUnI
Audio - https://amzn.to/4l7jCPY
Teleprompter - https://amzn.to/3CQZQUf
GoPro 9 - https://amzn.to/3ITZcbw
**Say Hi on Social**
Website: https://www.classicmovierev.com
Instagram: https://www.instagram.com/classicmovierev/
#filmnoir #ClassicMovies
**Disclaimer**
CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This content is provided for entertainment and informational purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.”