Libsyn Directory

075 - Saad Haddad

Release Date: 01/12/2024

086 - Phillip Golub and Joseph Branciforte

Now and Xen

Come check out Phillip’s new composed album with us, “Loop 7,” featuring his characteristic style but infused with 22-tone equal temperament. Grammy-award-winner Joseph Branciforte joins us as well to share how the acoustic pianos were recorded and treated as “one instrument” in the process. Find “Loop 7” here: Sites for Phillip and Joseph (label “greyfade”): Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically) Follow Subscribe RSS: iTunes: … Spotify: … Stitcher: Twitter: ...

085 - Julian Woods

Now and Xen

Microtonal jazz extraordinaire Julian Woods shares with us his methodology for re-tuning classic standards into JI and what it’s like playing in a live band. Topics include playing songs, composition directives, microtonal setups, and guitarists’ advantages for frets, fretlets, and fretless, Philipp Gerschlauer has collaborated with Julian on his own work “Every swing has a silver roundabout” and on microtonal “Angel Eyes,” reharmonized in 13-limit JI (with mostly 5 and 7 limit vertical relationships in the triads). Some notes about our analysis: when Julian is showing the sheet...

084 - Subhraag Singh and Infinitone 2

Now and Xen

Subhraag Singh, creator of the Infinitone, graciously agreed to discuss the updated software with me! The update uses many new features such as dynamic re-tuning, visuals, LFO control, key triggers, and more. We go on a magical quest to discover Stephen’s xenharmonic tomato, and dissect the ethics of advertising radical new microtonal morphing software using the intellectual property omnipotence of Santa. SANTA CLAUS IS BRINGING MICROTONES TO TOWN (14-TET, 37-TET spectrum using Infinitone 2) In the Bleak Midwinter - Jacob Collier arr, played by Stephen Weigel (piano) Jacob Collier plays the...

083 - Richie Greene

Now and Xen

Richie and I discuss phonorealism (pioneered by Peter Ablinger), 41-tone equal temperament, and his collection of instruments and live performances, such as “Six Monologues.” Sam Reflecting on the First Time He Heard Her Sing (2017) - phonorealism ludus vocalis (Burp) - Felipe Tovar-Hevao Dream Hangover - !mindparade Six Monologues (mvt. 3 - Tragedy Begins at Home) - Long Drive Theatre (41-TET) Six Monologues (mvt. 6 - This space looks like any other) - Long Drive Theatre (41-TET) isoharmonic etude (41-TET) without difference tone - Richie Greene isoharmonic etude (41-TET) with difference...

082 - Microtonal Guitar Method (Tolgahan Çoğulu)

Now and Xen

We have regular guest Tolgahan Çoğulu back to discuss upcoming projects such as collaboration with King Gizzard and the Lizard Wizard (including their secret new microtonal guitar, sheet music transcription), classical/flamenco guitar ideas, the new fretlet guitar design, microtonal bends on electric guitar, and the Anatonlian rock scale. King Gizzard uses four scales, one of them being F sharp Husayni. The prize for the upcoming 9th International Microtonal Guitar Competition is… an adjustable microtonal guitar! Be sure to check out the Microtonal Guitar Method book, the competition, and...

081 - Dave Fiuczynski

Now and Xen

Check out our episode with iconoclastic guitar legend Dave Fiuczynski. He wields a double neck fretless guitar, and plays a bunch of cool microtonal riffage for us! We talked about two tracks from “Flam! Bam! Pan-Asian Microjam!” and two from “Mikrojazz.” In “Flam,” there are a variety of compositional methods used, and the vocabulary is almost entirely derived from motivic bird calls. The uirapuru call in particular has an extremely distinctive contour. Many of these works express a desire for exploring continuums and representing sophisticated Eastern articulations. We also...

080 - Music Discord May

Now and Xen

This huge episode features three vastly different conversations, each with prominent members of a respective microtonal music discord. (1) Xenharmonic Alliance (ground, anomaly, xenoindex, Frédéric Gagné, HEHEHE I AM A SUPAHSTAR SAGA) Hyperspace Odyssey [21edo] - from Adxenture EP Serendipitous Arrival [26edo] - from Adxenture EP Liminal City Escalators [17edo and/or 18edo] - from Gone Too Deep EP Six Macrotonal Etudes for Electronic Music Media (8 NOTES) Outro/Transition: Into the Spoogalaxy [15edo, 17-tone tempered 2.3.7.29 ternary scale] (2) Xendergarten (ground, Userminusone, tristan...

079 - Melopœia

Now and Xen

Xenharmonic black metal project Melopœia consists of Brian Leong, Jon Lervold, and Dave Tremblay. Their albums are inspired by J.R.R. Tolkein, and features his direct text both sung, and by mapping the letters of the text to different notes of 26-tone equal temperament. Their latest album utilizing this is “Valaquenta,” be sure to catch the latest track “Varda” which we discuss and play in the episode! Their earlier album, “Ainulindalë,” used the same method of starting the album and then uploading tracks one at a time as completed. Intro: Melopœia - Varda...

078 - Christopher Otto (JACK quartet)

Now and Xen

Chat about contemporary music, composition, and just intonation with us in this theoretically adventurous and wide ranging episode. Christopher Otto, composer and violinist, works with the JACK quartet, a group that has played the music of such individuals as John Zorn, Tristan Perich, Cenk Ergün, Tyshawn Sorey, Catherine Lamb, Georg Frederich Haas, Dan Trueman, and many, many, more. Intro: Christopher Otto (jack quartet) rag’sma Catherine Lamb - divisio spiralis (mvt. II) Beethoven - Symphony No. 6 (storm section low notes) Vicente Atria - Seasons Will Pass You By Christopher Otto...

077 - Noah Jordan

Now and Xen

Take a magical tour with us through some of Noah Dean Jordan’s microtonal instruments (including the requinto), including improvised performances! Be sure to check out the “Noah Dean Jordan” account on Bandcamp as well as the “Nueva Armonica” account! Intro: I Was Once a River (Rock Creek II) Outro: I Was Once a River (Te Quiero Verde) Check out Noah’s work on the requinto: Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically) Follow Subscribe RSS: iTunes: … Spotify: … Stitcher: Twitter: ...

More Episodes

In this episode, we discuss composition and performance with composer Saad Haddad. One prominent topic - the challenges involved working with orchestras and large ensembles playing microtonal music, and logistics of the industry. We also discuss ideas of east vs. west, style infiltration, using minimal sets of pitches, and maqam.

Music:

Vortex Temporum - Gérard Grisey
Vignettes - Saad Haddad
Aysheen (demo) - Saad Haddad
Outro: Aysheen (demo) - Saad Haddad

Saad has his own podcast! (check it out):

https://www.youtube.com/@saadhaddadshow

Other links:
https://www.saadnhaddad.com/

https://www.youtube.com/channel/UCPIEc4WKDbeemLQAqyhIUsA

Support us on Patreon! (If we get 60 patrons, episodes will be released regularly instead of sporadically)

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