One Movie Punch
Hi everyone! It’s been a minute, hasn’t it? I’m back today with this special episode, covering a film that I saw just before the stay-at-home orders were issued in California for the current pandemic. It’s going to be an extended episode, with an update on things here at One Movie Punch, my review of THE REPORT entangled with an essay on how the pandemic has affected the film industry in the short term and the long term, and for those that stick around afterwards, a fun audio drama to tide you over during the extended absence. We last left you with our review of LETO back on March...
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Hi everyone! We’re closing out the week with our final entry for this quarter in our series “Under the Kanopy”. Kanopy is a library and university funded streaming service that grants card holders six free streams a month, featuring a combination of classic, mainstream, independent, and international films. They currently have streaming deals with some of our favorite distributors, like A24 and Kino Lorber, which offer the critically acclaimed, if not commercially successful films. Today’s film I sort of chose at random when filling out the schedule for the quarter, not really...
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Hi everyone! It’s Friday, so it’s time for another Fantastic Fest feature from Andrew Campbell. Today’s feature had a very limited run in the theaters from podcast favorite IFC Films, picked up from the flurry of content that debuts at Fantastic Fest every year. Andrew will be up with his review of SWALLOW in just a bit, but for a few other reviews from Andrew, check out AFTER MIDNIGHT (Episode #737), JALLIKATTU (Episode #730), and BLISS (Episode #723). Before the review, we’ll have a promo from our good friends at the Book of Lies Podcast. Every week, Brandi Fleeks and Sunni Hepburn...
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Hi everyone! Happy Thursday! We’re welcoming back Christina Eldridge to the podcast with a review of the latest offering from GKIDS, a remastered cut of 2003’s critically acclaimed TOKYO GODFATHERS. We’re lucky to have Christina’s long-term love of anime on board here. For a few other recent reviews, check out RIDE YOUR WAVE (Episode #722), KLAUS (Episode #708), and her debut review for WEATHERING WITH YOU (Episode #687). Before the review, we’ll have a promo from our friends at the Pop Pour Review podcast! Every week, the PPR crew review a film, then craft a cocktail based on the...
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Hi everyone! For those of you outside the United States, or perhaps living under a rock within the United States, we’re currently going through a presidential primary campaign. It’s been a bumpy ride so far, with a lot of noise and very little substance. But it has also been driven, at least in part, by the lesson of the previous election cycle, which involved the use of Big Data to collect information on US voters. Up to 5,000 data points per voter. You all know how biased I am when it comes to US politics, so that’s why we’ve brought in Shane Hyde today to review THE GREAT HACK, as...
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Hi everyone! One of our goals before we close out the quarter is to review every film nominated for either a Golden Globe or an Oscar this year. Sometimes this can be tough, especially for international films that get very limited showings in the United States and even fewer streaming opportunities. Sometimes it can be tough when an underseen film gets the nomination, like today’s review for MOTHERLESS BROOKLYN. We’re lucky to have Jon-David back to help us out with today’s review. For a few other reviews from Jon-David, check out MALEFICENT: MISTRESS OF EVIL (Episode #713), THE CAVE...
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Hi everyone! Welcome back for another Matinee Monday. Some weekends it’s easier to pick a film than other weekends. And generally, whenever Pixar releases a new film, we’re first in line to check it out. Stay tuned for my review of ONWARD in a minute, but for a couple other Pixar films we’ve reviewed, check out INCREDIBLES 2 (Episode #169) and TOY STORY 4 (Episode #531). Before the review, we’ll have a brand-new promo from our good friends at The VHS Strikes Back podcast. Every week, Dave and Chris blow the dust off an actual VHS cassette, then watch and discuss the film. You can find...
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Hi everyone! Welcome back for our last two weeks of One Movie Punch for first quarter. We’re wrapping up the quarter with a bunch of great films from your favorite critics. Today, I’ll be reviewing THE ART OF SELF-DEFENSE and talking about toxic dojos. And tomorrow, I’ll be reviewing ONWARD, the latest Pixar offering. On Tuesday, Jon-David returns with 2020 Golden Globe nominee MOTHERLESS BROOKLYN. On Wednesday, Shane Hyde returns with his review of THE GREAT HACK, a real-life horror story happening right now. On Thursday, Christina Eldridge returns with a review of TOKYO GODFATHERS,...
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Hi everyone! We’re closing out the week with another entry in our series, Under the Kanopy. Kanopy is a library and university funded streaming service that grants card holders six free streams a month, featuring a combination of classic, mainstream, independent, and international films. They currently have streaming deals with some of our favorite distributors, like A24 and Kino Lorber, which offer the critically acclaimed, if not commercially successful films. Today’s film was one recommended early last week, when I was suffering from a migraine and looking for distraction while the...
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Hi everyone! It’s Friday, so we’re back with another Fantastic Fest review from Andrew Campbell. After trying to guess the plot for the last few movies, I have decided to stop doing that. I think this film was entitled AFTER MIDNIGHT, but it was actually SOMETHING ELSE. That was the original title, actually. SOMETHING ELSE. Andrew’s gonna let it all hang out in a minute, but for a few other recent reviews from Andrew, check out JALLIKATTU (Episode #730), THE CALL OF THE WILD (Episode #726), and BLISS (Episode #723). Before the review, we’ll have a promo from the Ocho Duro Parlay Hour....
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You know, when I first met Ryan, when he arrived at the One Movie Punch Secret Island Base, he told me one of his biggest fantasies was to review a film on One Movie Punch for Matinee Monday. So, without him knowing, I actually sold the island to Blumhouse Productions last year, with the stipulation that he would be allowed to review the movie. They looked at me like I was an idiot, but I think we’ll all see in a moment who got the better end of the deal. Especially when they found out I bought that island from J.J. Abrams after “Lost” ended. Was BLUMHOUSE’S FANTASY ISLAND everything Ryan hoped it would be? You’ll find out in a moment!
Don’t miss Ryan’s recent reviews for WHERE’D YOU GO, BERNADETTE? (Episode #684), JUDY (Episode #677), and THE GOOD LIAR (Episode #662). You’ll also find out more about Ryan when his promo runs before the review.
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Here we go!
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<< RYAN L TERRY PROMO >>
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Today’s movie is BLUMHOUSE’S FANTASY ISLAND(2020). The big screen adaptation of the classic TV show with a horror twist. FANTASY ISLAND stars “Pretty Little Liar”’s Lucy Hale, also starring Maggie Q, Michael Peña, Parisa Fitz-Henley, and Michael Rooker. Directed and co-written by Jeff Wadlow, also Jillian Jacobs and Christopher Roach.
The IMDb plot summary is, “The enigmatic Mr. Roarke makes the secret dreams of his lucky guests come true at a luxurious but remote tropical resort. But when the fantasies turn into nightmares, the guests have to solve the island's mystery in order to escape with their lives.”
When I saw the first trailer for BLUMHOUSE’S FANTASY ISLAND, I was totally sold! Taking the classic TV show and putting a horror spin on it? Yes please! From the first scene of a young lady running through the woods to the arrival of the guests, the movie displays some promise of a thrilling excursion. Knowing that the resort guests have been warned that each must see their respective fantasy to its natural conclusion makes for a sense of creepiness that I wish had been at the bedrock of the movie. There is a sort of “Twilight Zone” feeling in the setup of the movie that was clearly supposed to drive a subtext of various themes and social commentary. It even creates a fantastic atmosphere for the story that is about to unfold. But unfortunately, that overwhelming sense of ominous dread quickly gives way to on-the-nose, predictable tropes, and paint-by-the-numbers plotting.
While I wasn’t expecting FANTASY ISLANDto be on the levels of GET OUT or HALLOWEEN, I hardly thought that it would be what we got, which was on the level of TRUTH OR DARE, also written and directed by Wadlow. Blumhouse has a few hits, but quite a lot of flops. Consistency in quality is certainly lacking in the horror-centric production company. Often the movies that eventually flop start out with strong premises, and intriguing initial setup, but the second and third acts devolve into outrageously bad conflict, often ignoring any rules that were setup, and even simply logic. And the showdown is predictable and anti-climactic. Little room for subtext is left. I mean how can there be when everything is so on-the-nose. Of course, we all knew that the maxim “be careful what you wish for” would be the central theme in the movie, but I was hoping for a challenging original expression of that idea. Not the story we got, which was incredibly trite and derivative.
It doesn’t get any more PG-13 than this. This movie doesn’t even try to push the boundaries of a PG-13 rating. It sits comfortably in the middle, if not skewing towards PG. While there is some violence and mildly disturbing imagery, it is pretty tame as horror movies go. Very SyFy Channel original movie. Blumhouse’s interpretation of FANTASY ISLAND, as a horror movie, actually has many of the individual elements needed to craft a thrilling and even terrifying story. But it’s like all the writers did was have disconnected ideas and never thought of how to structure them in a way that scenes are connected by not only cause and effect, but by character reaction and emotion. A properly written scene has a beginning, middle, and end, in and of itself. And that scene sets up the beginning of the following scene. There is simply no meaning behind anything that happens in this movie.
Releasing a horror movie on Valentine’s Day isn’t anything new. 1933’s DRACULAand the Big 5 Oscar winner THE SILENCE OF THE LAMBSwere both released during Valentine’s season. And who could forget the quintessential Valentine’s horror movie 1981’s MY BLOODY VALENTINE. Unfortunately, this movie shares little in common with the storytelling of any of the aforementioned. Virtually everything after the setup is absurd and laughable.
Rotten Tomatoes: 9%
Metacritic: 20
One Movie Punch: 4.0/10
JOSEPH: “And let’s see what Ryan rated his trip to FANTASY ISLAND. Four out of ten? Yikes.”
Planes to BLUMHOUSE’S FANTASY ISLAND are now boarding at a theatre near you. But I am sure, not for long after a slew of one-star Yelp reviews.
JOSEPH: “Really glad I sold that island, now. Probably should have told them about the number sequences they needed to keep entering. Oh well. Too late now.”