One Movie Punch
Hi everyone! It’s been a minute, hasn’t it? I’m back today with this special episode, covering a film that I saw just before the stay-at-home orders were issued in California for the current pandemic. It’s going to be an extended episode, with an update on things here at One Movie Punch, my review of THE REPORT entangled with an essay on how the pandemic has affected the film industry in the short term and the long term, and for those that stick around afterwards, a fun audio drama to tide you over during the extended absence. We last left you with our review of LETO back on March...
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Hi everyone! We’re closing out the week with our final entry for this quarter in our series “Under the Kanopy”. Kanopy is a library and university funded streaming service that grants card holders six free streams a month, featuring a combination of classic, mainstream, independent, and international films. They currently have streaming deals with some of our favorite distributors, like A24 and Kino Lorber, which offer the critically acclaimed, if not commercially successful films. Today’s film I sort of chose at random when filling out the schedule for the quarter, not really...
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Hi everyone! It’s Friday, so it’s time for another Fantastic Fest feature from Andrew Campbell. Today’s feature had a very limited run in the theaters from podcast favorite IFC Films, picked up from the flurry of content that debuts at Fantastic Fest every year. Andrew will be up with his review of SWALLOW in just a bit, but for a few other reviews from Andrew, check out AFTER MIDNIGHT (Episode #737), JALLIKATTU (Episode #730), and BLISS (Episode #723). Before the review, we’ll have a promo from our good friends at the Book of Lies Podcast. Every week, Brandi Fleeks and Sunni Hepburn...
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Hi everyone! Happy Thursday! We’re welcoming back Christina Eldridge to the podcast with a review of the latest offering from GKIDS, a remastered cut of 2003’s critically acclaimed TOKYO GODFATHERS. We’re lucky to have Christina’s long-term love of anime on board here. For a few other recent reviews, check out RIDE YOUR WAVE (Episode #722), KLAUS (Episode #708), and her debut review for WEATHERING WITH YOU (Episode #687). Before the review, we’ll have a promo from our friends at the Pop Pour Review podcast! Every week, the PPR crew review a film, then craft a cocktail based on the...
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Hi everyone! For those of you outside the United States, or perhaps living under a rock within the United States, we’re currently going through a presidential primary campaign. It’s been a bumpy ride so far, with a lot of noise and very little substance. But it has also been driven, at least in part, by the lesson of the previous election cycle, which involved the use of Big Data to collect information on US voters. Up to 5,000 data points per voter. You all know how biased I am when it comes to US politics, so that’s why we’ve brought in Shane Hyde today to review THE GREAT HACK, as...
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Hi everyone! One of our goals before we close out the quarter is to review every film nominated for either a Golden Globe or an Oscar this year. Sometimes this can be tough, especially for international films that get very limited showings in the United States and even fewer streaming opportunities. Sometimes it can be tough when an underseen film gets the nomination, like today’s review for MOTHERLESS BROOKLYN. We’re lucky to have Jon-David back to help us out with today’s review. For a few other reviews from Jon-David, check out MALEFICENT: MISTRESS OF EVIL (Episode #713), THE CAVE...
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Hi everyone! Welcome back for another Matinee Monday. Some weekends it’s easier to pick a film than other weekends. And generally, whenever Pixar releases a new film, we’re first in line to check it out. Stay tuned for my review of ONWARD in a minute, but for a couple other Pixar films we’ve reviewed, check out INCREDIBLES 2 (Episode #169) and TOY STORY 4 (Episode #531). Before the review, we’ll have a brand-new promo from our good friends at The VHS Strikes Back podcast. Every week, Dave and Chris blow the dust off an actual VHS cassette, then watch and discuss the film. You can find...
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Hi everyone! Welcome back for our last two weeks of One Movie Punch for first quarter. We’re wrapping up the quarter with a bunch of great films from your favorite critics. Today, I’ll be reviewing THE ART OF SELF-DEFENSE and talking about toxic dojos. And tomorrow, I’ll be reviewing ONWARD, the latest Pixar offering. On Tuesday, Jon-David returns with 2020 Golden Globe nominee MOTHERLESS BROOKLYN. On Wednesday, Shane Hyde returns with his review of THE GREAT HACK, a real-life horror story happening right now. On Thursday, Christina Eldridge returns with a review of TOKYO GODFATHERS,...
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Hi everyone! We’re closing out the week with another entry in our series, Under the Kanopy. Kanopy is a library and university funded streaming service that grants card holders six free streams a month, featuring a combination of classic, mainstream, independent, and international films. They currently have streaming deals with some of our favorite distributors, like A24 and Kino Lorber, which offer the critically acclaimed, if not commercially successful films. Today’s film was one recommended early last week, when I was suffering from a migraine and looking for distraction while the...
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Hi everyone! It’s Friday, so we’re back with another Fantastic Fest review from Andrew Campbell. After trying to guess the plot for the last few movies, I have decided to stop doing that. I think this film was entitled AFTER MIDNIGHT, but it was actually SOMETHING ELSE. That was the original title, actually. SOMETHING ELSE. Andrew’s gonna let it all hang out in a minute, but for a few other recent reviews from Andrew, check out JALLIKATTU (Episode #730), THE CALL OF THE WILD (Episode #726), and BLISS (Episode #723). Before the review, we’ll have a promo from the Ocho Duro Parlay Hour....
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Welcome back for another Takeover Tuesday. You know, when I saw today’s movie was coming up, I knew I had to call in the big guns for this review. And when they weren’t available, I called up Dave and Chris at the Comics in Motion Podcast, because they are gluttons for punishment, but also have a lot of insightful things to say about comics books on the big and small screens. Today’s review will be covering the DCEU’s latest installment, HARLEY QUINN: BIRDS OF PREY, but don’t miss their previous reviews for ALIEN VS. PREDATOR (Episode #605) and for 30 DAYS OF NIGHT (Episode #626), both of which were for Reign of Terror 2019. Their promo will run before the review.
Speaking of Takeover Tuesday, do you think you have what it takes to guest on One Movie Punch? Head over to onemoviepunch.com/takeover-tuesday and learn more about how you can guest here at One Movie Punch. We still have three (3) slots available this quarter for aspiring and established film critics to take the reins for an episode. We’ll run your promo before the review and will place it in regular rotation for the quarter. If it sounds like something interesting to you, reach out to us over social media.
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Here we go!
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<< COMICS IN MOTION PROMO >>
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Hello and welcome! I’m Chris Phelps, and I’m Dave Horrocks. And we are Comics In Motion. What we like to do is to review exclusively movies and TV shows that are based on comic books. We of course review the well-known and recognizable properties with plenty of spandex, but also some of the less well known that have made that transition from the page to the big and small screens.
Today’s movie is the recently renamed HARLEY QUINN: BIRDS OF PREY. This is the eighth installment of the DC Movie Universe and is directed by Cathy Yan and written by Christina Hodson. Though Harley herself was created by Paul Dini and Bruce Timm and made her debut in the 90’s Batman Animated Series before appearing in comics. And the first Birds of Prey team also made their debut in the 1990’s and was created by Chuck Dixon and Jordan B. Gorfinkel.
We pick up the story sometime after the events of the 2016 SUICIDE SQUAD and after a less than mutual break-up for Gotham city’s most toxic couple, Harley Quinn finds herself a target for a long list of people with various grievances against her over the years. At the front of the queue is nefarious villain Roman Sionis and his right-hand muscle, Victor Zsasz. Harley has an uneasy alliance with the gangster and agrees to search for the young Cassandra Cain and on her journey, has an unlikely super-hero team up.
This review will be spoiler free.
Warner Brothers more recent focus has been on producing good quality stand-alone movies for their DC properties, like AQUAMAN (Episode #366), SHAZAM! (Episode #455), and the recent Oscar winner, JOKER (Episode #630). And expectations were high they could continue this recent streak of good form.
The movie flaunts its R-rating with some grisly early scenes and there are a number of impressive action sequences, often accompanied with an explosion of color bursting out of the screen to really give that comic book feel.
The change from the original title BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) to simply HARLEY QUINN: BIRDS OF PREY reflects the movie’s star and the captivating performance of Margot Robbie who commands your attention whenever she’s on screen and is the undoubted star of this show.
Robbie’s charismatic performance can be a double-edged sword as it leaves some of her co-stars without enough character growth or even screen time for a movie which runs for almost 110 minutes.
Ewan MacGregor does an adequate job as the main villain and there are some tense scenes which are really quite uncomfortable to watch. But to really invest in our heroes, we need an A-class antagonist and unfortunately, he falls just short.
The tone of the movie can range from hyper-violence, to solidify its R-rating, to more PG fight scenes which wouldn’t look out of place in the 1997 Joel Schumacher directed BATMAN & ROBIN.
Margot Robbie has made this character her own on the big screen and her star quality is unquestionable.
The R-rating does limit the audience, possibly unnecessarily, as a team of kick ass, strong women would appeal to many younger fans.
HARLEY QUINN: BIRDS OF PREY is a colorful comic book spectacle with Margot Robbie’s Harley Quinn, definitely front and center. The dynamic action scenes and cinematography are best consumed on the big screen and so we recommend you make sure you go catch this one in theatres while you can!
Rotten Tomatoes: 79% (CERTIFIED FRESH)
Metacritic: 60 (METACRITIC MUST SEE)
One Movie Punch: 7.0/10
HARLEY QUINN: BIRDS OF PREY (2020) is rated R and is available in theaters now.