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Paul and Corey Cross the Streams: S6E14 [BATTLESHIP POTEMKIN (1925)]

Paul and Corey Cross the Streams

Release Date: 09/19/2024

Paul and Corey Cross the Streams: S7E09 [HOW TO LOSE A GUY IN 10 DAYS (2003)] show art Paul and Corey Cross the Streams: S7E09 [HOW TO LOSE A GUY IN 10 DAYS (2003)]

Paul and Corey Cross the Streams

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. Paul really wanted to change it up this time. From the era of Matthew McConaughey leaning on the poster rom-coms, it's How to Lose a Guy in 10 Days (2003). From director Donald Petrie and an assortment of other nepo babies, this film definitely...exists.  Paul chose it with the understanding that HtLaGi10D...

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Paul and Corey Cross the Streams: S7E08 [BLUE JASMINE (2013)] show art Paul and Corey Cross the Streams: S7E08 [BLUE JASMINE (2013)]

Paul and Corey Cross the Streams

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. Corey takes us back to the heady days of 2013 with "arguably the last good Woody Allen movie," Blue Jasmine (2013). Between Woody, Alec Baldwin, and Louis CK, it's a real Murderers' row of the canceled. Cate Blanchett also returns with another great performance, but is it enough to look past...everything?

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Paul and Corey Cross the Streams: S7E07 [KILLERS OF THE FLOWER MOON (2023)] show art Paul and Corey Cross the Streams: S7E07 [KILLERS OF THE FLOWER MOON (2023)]

Paul and Corey Cross the Streams

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. It's a big discussion today. Martin Scorsese's Killers of the Flower Moon (2023). Adapted from the nonfiction book of the same name, the film opens up a discussion of the consciousness-raising of the 2010s. Paul and Corey have a fairly in-depth discussion of the over four hundred years genocide of the Indigenous...

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Paul and Corey Cross the Streams: S7E06 [UP (2009)] show art Paul and Corey Cross the Streams: S7E06 [UP (2009)]

Paul and Corey Cross the Streams

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. In today’s episode, Paul and Corey look at the (mis?)adventures of an old man, a boy scout (Not capitalized! Some other organization!), a talking dog, a big weird bird, and... a thinly-veiled crypto-N@zi. Yes, it's Disney's Pixar's Up (2009). What's to say here, folks? Not great. Structure messy, YIMBY...

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Paul and Corey Cross the Streams: S7E05 [EVIL DOES NOT EXIST (2023)] show art Paul and Corey Cross the Streams: S7E05 [EVIL DOES NOT EXIST (2023)]

Paul and Corey Cross the Streams

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. In today’s episode, we leave the hustle and bustle of the old US of A and relax in a little village two hours outside of Tokyo. The film is the follow-up to the Academy Award-winning Drive My Car - Ryusuke Hamaguchi's Evil Does Not Exist (2023). Equally beautiful, stark, and subtle in its...

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Paul and Corey Cross the Streams: S7E04 [BOYHOOD (2014)] show art Paul and Corey Cross the Streams: S7E04 [BOYHOOD (2014)]

Paul and Corey Cross the Streams

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. In today's episode, we discuss 12 of those 25 years - 12 years during which Richard Linklater and co. shot the film, Boyhood (2014). Not only does the film exist as a series of snapshots of the actors' lives as they age, but it also (in retrospect) becomes a sort of swan song of life before the omnipresence...

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Paul and Corey Cross the Streams: S7E03 [THE ROYAL TENENBAUMS (2001)] show art Paul and Corey Cross the Streams: S7E03 [THE ROYAL TENENBAUMS (2001)]

Paul and Corey Cross the Streams

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. Now, if you came here expecting us to discuss The Avengers (2012), we apologize. Both Corey and Paul only made it about 40 minutes in before they tapped out. If you'd like to hear their thoughts, stick around at the end of the episode. With that said, Wes Anderson's third feature film The Royal...

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Paul and Corey Cross the Streams: S7E02 [LOST IN TRANSLATION (2003)] show art Paul and Corey Cross the Streams: S7E02 [LOST IN TRANSLATION (2003)]

Paul and Corey Cross the Streams

As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. For Corey's first choice, we take a look at Sofia Coppola's second feature, Lost in Translation (2003) - an impressionistic meditation on loneliness, alienation, jetlag, and Tokyo. The film also allows for a deepdive into nepotism in Hollywood and America; friendship across generations and genders; and racism as a product of...

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Paul and Corey Cross the Streams: S7E01 [JUROR #2 (2024)] show art Paul and Corey Cross the Streams: S7E01 [JUROR #2 (2024)]

Paul and Corey Cross the Streams

Welcome to Season 7! As we are now a quarter of the way through the 21st century, like Bill Murray in Tootsie, Paul and Corey are asking, “What happened?” This season we are looking at the trends, genres, styles, and more that make up cinema of the past 25 years. First up, Paul has chosen Clint Eastwood's Juror #2 (2024), a film whose distribution by Warner Brothers Discovery is as fraught as the experience of the titular juror himself! Lots to discuss from the gig economy to Daniel Bessner's article  to personal ethics in the face of neoliberal decay. ...

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Paul and Corey Cross the Streams: S6E19 [BLADE RUNNER (1982)] show art Paul and Corey Cross the Streams: S6E19 [BLADE RUNNER (1982)]

Paul and Corey Cross the Streams

IT’S THE FINAL EPISODE OF THE YEAR! Having amassed more than 100 episodes in its run, PACCTS’ sixth season will focus its sights on “the greatest films of all time” (both in the US and internationally), as assembled by the British Film Institute’s 2022 Sight and Sound Poll of industry critics. Corey will be choosing American films from the list, and Paul will be choosing international ones.  Our goal is to examine the films that are considered great, and why that may be the case.   Corey closes out this year with number 54, Ridley Scott’s Blade...

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Having amassed more than 100 episodes in its run, PACCTS’ sixth season will focus its sights on “the greatest films of all time” (both in the US and internationally), as assembled by the British Film Institute’s 2022 Sight and Sound Poll of industry critics. Corey will be choosing American films from the list, and Paul will be choosing international ones. 

Our goal is to examine the films that are considered great, and why that may be the case.  

Ranked 54, Sergei Eisentstein's Battleship Potemkin (1925) is one of the rare films on the list to have appeared on every Sight and Sound Poll since its creation in 1952. Eisenstein was one of a collection of Soviet filmmakers who studied and theorized over this new artistic medium of cinema in order to unlock its singular potential for communication. Eisenstein himself was a proponent of montage, which Paul and Corey discuss in terms of its impact on the film and on all films that followed. They also dive deep into the historical events that surrounded the Russian Revolution of 1905 (the subject of the film), which Vladimir Lenin famously referred to as the October Revolution of 1917's "Great Dress Rehearsal."