Penmanship
Katharine Murphy is political editor of Guardian Australia. Having spent more than two decades as a member of the Federal Parliamentary Press Gallery, Katharine has earned a reputation as one of the nation's sharpest political analysts. While based in Canberra, she has worked as a reporter for The Australian Financial Review, The Australian and The Age, and more recently, she has been a part of 's team since the website launched in 2013. In addition to her daily reporting and editorial duties, Katharine also writes occasional longform essays for the Melbourne-based literary...
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Nick Feik is the editor of The Monthly. Since its inception in 2005, has been one of the few Australian publications to strongly invest in longform journalism. Each month, the magazine publishes a handful of essays from some of Australia's best writers and critics, which regularly run in excess of 5,000 words apiece. Because of this dedication to funding and promoting serious journalism that concerns the nation's culture and politics, The Monthly has built a large and devoted base of subscribers and readers. Nick Feik has been in the editor's chair since April 2014,...
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Gideon Haigh is an author and freelance journalist. Since he began as a cadet journalist at The Age in 1984, fresh out of high school, Gideon's main subject areas in journalism have been in sport and business. For most of his career, Gideon has worked as a freelancer, and his writing has been published in more than one hundred newspapers and magazines around the world. As an author, he has written 32 books to date, with at least two more underway. The breadth and depth of his body of work is simply astounding, and I've been an admirer of his for some time. During the last few years,...
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Sarah Elks is Queensland political reporter at The Australian. During her decade of writing for the national newspaper, Sarah has reported on many of the biggest news stories that have taken place in Queensland. It takes tenacity and passion to be a daily news reporter, and Sarah clearly has an abundance of both of these qualities. After extensively covering the fall-out from the closure of the Queensland Nickel refinery in late 2015, Sarah was named Journalist of the Year at the Queensland Clarion Awards for her stories that uncovered Clive Palmer's use of the alias 'Terry Smith' to manage...
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Marcus Teague is an editor, freelance writer, songwriter and musician. His contribution to Australian music journalism during the last decade has been significant. After co-founding a magazine and website devoted to independent music named Mess+Noise, Marcus went on to work as music editor at The Vine for six years from 2008. Under his editorial guidance, this pop culture-centric website became one of the most popular and respected outlets for music writing in the country. It also provided a regular home for thoughtful, longform journalism and criticism for many freelance writers,...
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Richard Guilliatt is an author and staff writer at The Weekend Australian Magazine. When it comes to the art of writing magazine feature stories, Richard is among Australia's masters of the form. He has been writing magazine-length articles for more than two decades, and has won a couple of Walkley Awards along the way. His subject matter and profiles are diverse, which he admits is part of the job description when writing for a general interest publication like The Weekend Australian Magazine, where he has been a staff writer since 2006. He has also written two books...
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John Clarke was a freelance writer, performer and author. John died suddenly on Sunday, 9 April 2017, aged 68. I had spoken to him a few days beforehand, and we had made plans to record a conversation for this podcast while I was visiting Melbourne that weekend. Since that cannot happen, I am bringing you a special episode based on a day that I spent with John in November 2014, when I was reporting a story for The Weekend Australian Review about the creative process behind , the weekly political satire program that John wrote and performed alongside longtime collaborator Bryan Dawe. As I wrote...
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Amelia Lester is the editor of Good Weekend. For the first episode of 2017, I could think of few more qualified guests than Amelia Lester. Penmanship is all about exploring the gritty details of how to build a life around working with words, and Amelia has done just that at the very highest level of magazine publishing. After graduating from Harvard University, she worked at a literary agency for a year and then achieved her dream of working at The New Yorker, which has long been regarded as one of the leading homes for longform journalism in the English-speaking...
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Andrew Stafford is an author and freelance journalist. In 2004, UQP published his landmark book, Pig City: From The Saints To Savage Garden, which covered three decades of Queensland's musical and political history. Three years later, the book was followed by an event of the same name, staged by Queensland Music Festival and featuring a headline performance by the original line-up of Brisbane punk rock band The Saints, who had not played together in almost 30 years. Sometimes authors live to see their book made into a film; it is much rarer that a book is made into a...
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Holly Throsby is a songwriter, musician and author. As an accomplished singer and songwriter, Holly has been performing since 2004, and has released five albums. In 2010, she joined forces with her friends Sarah Blasko and Sally Seltmann to form the indie pop group Seeker Lover Keeper, which released one album the following year. In 2016, she became an author: her first novel was published in September by Allen & Unwin. It's named Goodwood, and it's about what happens to a small town in New South Wales when two prominent members of the community go missing within a week of...
info_outlineTim Levinson is a songwriter and musician.
Within the Australian hip-hop scene, he's better known by his stage name, Urthboy, under which he performs as a solo artist and as a member of the eight-piece band The Herd. I've watched and listened to his music closely for more than a decade, and I've interviewed Tim several times, including for my book Talking Smack. When he visited Brisbane on a Saturday in early June while touring for his latest album, The Past Beats Inside Me Like A Second Heartbeat, I met at his hotel room during the afternoon, where his band and manager were relaxing soon after arriving from a show on the Sunshine Coast the previous night.
Our conversation touches on how his songwriting style has changed over the years to reflect a broader range of perspectives and emotions; the handful of times in his career where he has felt like he's truly nailed a song's execution; the members of the inner circle of people who he feels comfortable showing early drafts of his work to; why he decided to write a song about his mother for his newest album, and his father for his last album; and the creative breakthroughs that can emerge while writing lyrics alone at 3.00am.
Tim Levinson, otherwise known as Urthboy, is an award-winning Australian hip-hop artist based in Sydney. His second solo album The Signal was hailed as ‘a classic’ by Rolling Stone, received numerous award nominations and was shortlisted in the 2007 Australian Music Prize. He is one of the main songwriters in eight-piece band The Herd, and also manages Elefant Traks, an independent record label which includes artists such as Hermitude and Horrorshow. Celebrating the government’s apology to the Stolen Generations in 2008, Urthboy worked with GetUp to re-imagine the song 'From Little Things Big Things Grow', at Paul Kelly’s personal request. The song helped raise over $100,000 for Indigenous run health and education programs. Urthboy has released five solo albums, the most recent of which is 2016's The Past Beats Inside Me Like A Second Heartbeat.
Show notes and links to what was discussed in this episode: http://penmanshippodcast.com/episode-28-tim-levinson-urthboy/
Tim Levinson on Twitter: @Urthboy
Penmanship on Twitter: @PenmanshipAU