s3e79 contemporary Japanese prints with Michael Verne
Platemark: Prints and the Printmaking Ecosystem
Release Date: 04/22/2025
s3e104 carborundum collagraphy with Betty Winkler
Platemark: Prints and the Printmaking Ecosystem
In this episode of Platemark, Ann sits down with Betty Winkler to explore her dual career as a master of carborundum collagraphy and a dedicated art therapist. They dive into her technical innovations—such as her preference for plexiglass plates—and discuss her book, which aims to demystify this tactile, non-toxic printmaking method. Betty shares how her background in the collaborative world of the print studio seamlessly informs her work in therapy, viewing both as powerful tools for communication and healing. From the grit of the carborundum to the deep emotional layers of trauma...
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s3e103 release the Wolfbat with Dennis McNett
Platemark: Prints and the Printmaking Ecosystem
Get ready to leave the white-cube gallery behind. In our latest episode, we’re stepping into the wild, mythic world of Dennis McNett (AKA Wolfbat). For over 30 years, Dennis has been carving out a career that defies every "standard" artistic path. Dennis doesn't just make art—he builds universes. He is a modern-day storyteller who reminds us that when you combine woodcuts with community and a bit of "Wolfbat" energy, art has the power to transform entire towns. IG: @wolfbat Show me the !!
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s3e102 Seoul to West Texas with Sangmi Yoo
Platemark: Prints and the Printmaking Ecosystem
In this episode, Ann sits down with Sangmi Yoo—artist, educator, and Professor of Printmaking at Texas Tech—to discuss how she navigates the "in-between." Her work isn't just about ink on paper; it’s about how we build our identities out of architecture, memory, and the ghosts of colonial history. IG: Show me the !!
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s3e101 the science and art of ink with Stephen Hoskins
Platemark: Prints and the Printmaking Ecosystem
What is the "secret sauce" that gives a print its soul? In this episode, Ann sits down with Professor Stephen Hoskins to decode the complex chemistry and 500-year history of printmaking inks. From Old Master soot to the cutting edge of 3D-printed textures, we’re diving deep into the science, sustainability, and tactile future of our craft’s most foundational element. Stephen Hoskins’s website: University of the West of England: CFPR Editions: Top 10 Printing Museums in Europe: Show me the !!
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s3e100 celebrating 100 interviews
Platemark: Prints and the Printmaking Ecosystem
Celebrating her 100th interview in the third series, Ann is in the hotseat and is being interviewed by her friend Stacy Kincaid. The discussion covers the podcast's origins, challenges, and key moments. Ann reflects on her diverse career and shares insights into the technical and creative aspects of podcasting, including her commitment to providing visual references for listeners. The conversation spans personal anecdotes, professional highlights, and future aspirations for the podcast and printmaking community.
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s3e99 simultaneous color printing and Krishna Reddy's legacy with artist Mark Johnson
Platemark: Prints and the Printmaking Ecosystem
"It’s not just about the mechanics; it’s about the way the colors breathe together on the metal." — Mark Elliott Johnson In this episode of Platemark, host Ann Shafer talks with artist Mark Johnson who shares his extensive experiences working with Krishna Reddy, a master in simultaneous color printing (viscosity printing). The conversation reveals insights into Reddy's creative process, his philosophical approach to art and teaching, and the technical intricacies of his printmaking methods. The episode also touches on Johnson's own journey, the influence of Reddy's teachings on his...
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S3e98 the Society of American Graphic Artists with Diego Briceno, DeAnn Prosia, and Esther Schwalb
Platemark: Prints and the Printmaking Ecosystem
Since 1915, the Society of American Graphic Artists (SAGA) has survived world wars, the Great Depression, and the digital revolution by doing one thing: keeping the press rolling. In this episode of Platemark, we’re going behind the scenes of the cornerstone of American printmaking with three powerhouses who have steered the ship—Diego Briceno, DeAnn Prosia, and Esther Schwalb. We dive into SAGA’s gritty 110-year evolution, from its origins as a Brooklyn etching club to its current status as a national titan championing inclusivity and technical mastery. Discover the secrets behind...
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S3e97 the impulsivity and expressionism of artist Chuck Webster
Platemark: Prints and the Printmaking Ecosystem
Welcome to Platemark, where we dive into the creative minds shaping the art world. This week, we connect with Chuck Webster, an exceptional artist whose deep and impulsive connection to drawing is both therapeutic and transformative. From publishing his own childhood sketches to constantly finding inspiration in sources ranging from Russian folk art to urban graffiti, Chuck's work is a fascinating dialogue between instinct and refinement. Join us as he opens up about his cathartic process, how content magically emerges from form, his love for experimenting with vintage materials, and how his...
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s3e96 directing David Krut Projects with Amé Bell
Platemark: Prints and the Printmaking Ecosystem
Ready to be globally inspired? On this episode of Platemark, Ann connects with the visionary Amé Bell, Director of David Krut Projects, who wears the hats of artist, historian, and curator. From the bustling print studios of Johannesburg, Amé brought South African voices to the world stage by curating the 2022 Venice Biennale Pavilion. They dive into the profound journey of collaborating with artists, how digital spaces are rewriting the rules of curating, and even get a peek at Amé's other passion: podcasting! Find out what it takes to make a moment in art history and the enriching impact...
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s3e95 collaging identity with Yashua Klos
Platemark: Prints and the Printmaking Ecosystem
In this episode of Platemark, Ann converses with Yashua Klos, a passionate artist finding new connections through collaborative printmaking. They discuss his unique woodblock collage technique, his journey of self-discovery, and the impact of reuniting with family. We talk about the nuances of his artistic process, the emotional resonance of his work, and the importance of representation in the art world. Don't miss this insightful conversation that intertwines personal growth, artistic expression, and the vibrant community of printmaking. Cover image: Sean Pressley Artist’s IG:...
info_outlineIn this episode of Platemark, I talk with Michael Verne, the owner of the Verne Collection in Cleveland, Ohio. Mike's gallery specializes in contemporary Japanese art and works by American artists residing in Japan. We talk about the challenges and rewards of running a small gallery amid larger competitors, and the importance of finding and promoting new artists. Mike shares insights about his journey in the art world, from his childhood surrounded by art to becoming a successful gallerist without a formal art education. He recounts various personal anecdotes, including his experiences at art fairs and his unorthodox methods for discovering and showcasing artists. Mike also highlights the significance of personal relationships and passion in his business. Listeners are encouraged to visit the Verne Collection and explore the fascinating world of contemporary Japanese art.
Daniel Kelly (American, born 1947). Crackpot, 2022. Woodblock print and gold leaf with chine collé. 64 x 88 cm. Courtesy of the Artist.
Sarah Brayer (American, born 1957). Luminous Moon. Aquatint and chine collé with phosphorescent pigment on indigo-dyed Mulberry paper. 24 x 33 in. The Verne Collection.
Yuko Kimura (Japanese, born 1968). Map of the World: Yochishiriyaku. Etching, monotype, thread, antique Japanese geography textbook pages (Yochishiriyaku) from the Meiji period. 8 ¾ x 6 3/4 in. The Verne Collection. Photo: Will Slabaugh.
Katsunori Haminishi (Japanese, born 1949). Canola Flowers Field, 2022. Mezzotint triptych. Sheet: 30 x 59 in.; image: 27 x 53 in. Verne Collection.
Joel Stewart (American, born 1959). Inside Out, 2003. Aquatint. Sheet: 42 ½ x 34 ½ in. Tolman Collection.
