The Popcorn Auteur
You may not know this writing team's credits, but if you are our age, you know Can't Hardly Wait. You may also consider Josie and the Pussycats a cult classic. Hop into a time machine with us to examine the films of Harry Elfont and Deborah Kaplan. As always let us know what we got wrong on or email us at . Show Notes/Sources:
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Megan Park is an up and coming filmmaker. After a lengthy career as an actress, she has now directed two films: The Fallout and My Old Ass. We saw My Old Ass on some top ten lists last year and the level of praise from had us intrigued: "“My Old Ass” is an instant classic, this generation’s “It’s A Wonderful Life.” Over the past decade, I’ve witnessed a handful of young filmmakers with this kind of extraordinary promise. Megan, along with directors like Ryan Coogler and Robert Eggers, is a crucial component of our cinematic future. Yet she expertly acknowledges the...
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Richard Curtis is one of the mosty successful screenwriters to come out of Great Britain, but he's also directed three films of his own. From the modern Christmas classic of Love Actually to the underseen About Time, we will discuss the films written and directed by Curtis. Our Holiday episode made it out while there is still snow on the ground, so that's something. As always let us know what we got wrong at . Show Notes/Sources:
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Why did it take us this long to cover the last of the three amigos? Perhaps it was the memories of Babel or a fear of bear attacks. Or perhaps the fact that Alejandro G. Iñárritu wasn't always a screenwriter. No matter the reason, in this episdoe we have a spolier-filled discussion of the four films written and directed by Iñárritu. As an added bonus, you get to hear Chris mispronounce a number of Spanish words (in addition to the usual French words). As always let us know what we got wrong on , on Twitter, , or email us at . Show Notes/Sources:
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Happy Halloween! This year, Paul Kowalski is back to help us examine the films of Ari Aster. Come for the dread and decapitations, stay for the unified Ari Aster theory. Plenty of spoilers in this discussion. As always let us know what we got wrong on , on Twitter, , or email us at . Show Notes/Sources:
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Duncan Jones has a famous father, but he's attempted to blaze his own trail as an artist. Once a rising star in sci-fi filmmaking, Jones has struggled to find success as of late. In this espisode, we discuss the highs and lows of his filmography. As always let us know what we got wrong on , on Twitter, , or email us at . Show Notes:
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Sofia Coppola's surname means a lot in filmmaking, and yet she's been able to blaze her own distinct trail. She's a particular filmmaker intent on executing her particular vision. Listen as we discuss what did and did not connect with us from Coppola's filmography. As always let us know what we got wrong on , on Twitter, , or email us at . Show Notes/Sources: https://podcasts.apple.com/gb/podcast/coppolas-queens-pt-2-priscilla/id1057714949?i=1000635510881
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The talented joins us to discuss the films written and directed by Don Bluth (No Littlefoot or Fievel here). Bluth is famous for leaving Disney and then giving them a run for their money in the late 80s and early 90s. In this episode, we look at the highs and lows of Bluth's career. Check out Jonathan Sundy's books . As always let us know what we got wrong on , on Twitter, , or email us at . Show Notes/Sources:
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Tom McCarthy co-wrote and directed Spotlight, which took home the Oscar for Best Picture. McCarthy won the Oscar for Best Original Screenplay. The next time McCarthy returned to the director's chair was for the direct to Disney+ Timmy Failure: Mistakes Were Made (since pulled from the platform). McCarthy has spent his career attempting to make films for grown-ups while also dabbling in children's movies, getting a story credit on Up. In this episode, we try to make sense of this ping-ponging. As always let us know what we got wrong on , on Twitter, , or email us at . Show...
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In this episode, we are joined by high school teacher and wine drinker (not at the same time), Mark Staron, to discuss the films of Alexander Payne. We had a fun discussion covering everything from voiceovers and Omaha to which film made us cry the most. We also drank some wines featured in Sideways, so all in all a successful podcast. As always let us know what we got wrong on , on Twitter, , or email us at . Show Notes/Sources:
info_outlineMatthew Vaughn is doing great. He's got his own cinematic universe (Kingsman), and he has also been compared to a Bond villain. While he's been largely successful with audiences, the critical reception has been more mixed. For this episode, we were joined by Richard Kirkham of the LAMBcast to journey through Vaughn's films.
More from Richard Kirkham:
Kirkham A Movie a Day (alternate link)
Show Notes/Sources:
https://www.rogerebert.com/reviews/kick-ass-2010
https://www.chicagotribune.com/entertainment/movies/ct-kingsman-secret-service-20150212-column.html
https://www.vox.com/culture/2017/9/25/16346588/kingsman-movies-populist-right
https://www.avclub.com/stardust-might-be-the-closest-we-ve-got-to-a-new-prince-1843347913