1/8/20: Western PA fracking to star in fossil fuel industry PR push
Release Date: 01/08/2020
1/29/20: Backed by corporate and public funds, “BizTown” opens for Pittsburgh-area school children
The Pittsburgh Record
It’s Wednesday, January 29, 2020. In today’s episode:
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1/28/20: Peduto tells Washington Post he’s “leaning toward” Bloomberg, Buttigieg for 2020 nomination
The Pittsburgh Record
It’s Tuesday, January 28, 2020. In today’s episode:
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1/27/20: Lead and sewage: two updates on Pittsburgh’s water
The Pittsburgh Record
It’s Monday, January 27, 2020. In today’s episode:
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1/24/20: NYT’s The Daily drops into Pittsburgh to discuss the swing state politics of fracking
The Pittsburgh Record
It’s Friday, January 24, 2020. In today’s episode:
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1/23/20: Turzai announces 2020 retirement
The Pittsburgh Record
It’s Thursday, January 23, 2020. In today’s episode:
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1/22/20: More than a dozen state legislators have announced 2020 retirements
The Pittsburgh Record
It’s Wednesday, January 22, 2020. In today’s episode:
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1/21/20: Fracking has spread radioactive toxins, a sweeping investigation finds
The Pittsburgh Record
It’s Tuesday, January 21, 2020. In today’s episode:
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1/20/20: The late Pittsburgh playwright August Wilson on the legacy of MLK Jr.
The Pittsburgh Record
It’s Monday, January 20, 2020. In today’s episode:
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1/17/20: U.S. Steel, Energy Transfer both fined for environmental violations
The Pittsburgh Record
It’s Friday, January 17, 2020. In today’s episode:
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1/16/20: Bloomberg staffs up in Pennsylvania, with a Pittsburgher named state director
The Pittsburgh Record
It’s Thursday, January 16, 2020. In today’s episode:
info_outlineIt’s Wednesday, January 8, 2020. In today’s episode:
* Pittsburgh and Western Pennsylvania are set to play a starring role in a new PR and advertising push from the American Petroleum Institute to defend fracking as the 2020 Democratic primary heats up
* And more news items from the city of Pittsburgh and our region
The Pittsburgh Record, from Postindustrial Media, is created by Adam Shuck and edited by Matt Stroud, with music by Phil Ortmann and sound editing by Tim Mulhern.
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