Episode 06.12: That Cold Day in the Park & 3 Women
Quiet Little Horrors
It's Robert Altman season at QLH. We discussed his film Images a few seasons ago and it's about time we circle back to the other two films in his "woman-focused" trilogy: That Cold Day in the Park and 3 Women. We cover: dream states, women's madness, power dynamics, doubles, different dimensions and how our favorite Altman films are possibly the least Altman-esque of the bunch.
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Episode 06.11: The Monkey
Quiet Little Horrors
Happy Halloween! We celebrate with the latest from director Oz Perkins, The Monkey—which swerves a bit from his usual tone, and our usual subject matter, but we found a lens that snaps both into focus. We discuss Stephen King adaptations, the absurdity of death, and how both horror and comedy prepare us to face life.
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Episode 06.10: Heavenly Creatures
Quiet Little Horrors
Yet another entry in the "teenage girls are terrifying" files with Peter Jackson's fictionalized tale of New Zealand's most infamous real murderesses in Heavenly Creatures. We discuss the intensity of girls' imaginations and friendships, the dangers of emotional repression and why we don't discuss what a great movie this is more often.
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Episode 06.09: Cracks
Quiet Little Horrors
As Americans, we don't really get the whole British boarding school deal, but apparently at one point they were full of facades and jealousy, teenage girls bonding and bullying, and Eva Green being fabulous but also maybe unhinged. Cracks didn't make much impact on its release in 2007, but we make the case for its reappreciation.
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Episode 06.08: David Lynch
Quiet Little Horrors
We thought we'd take an episode to look at the work of the recently departed David Lynch and each of us brought one of our favorites to talk about: Twin Peaks: Fire Walk with Me and Mulholland Drive. Just a bunch of women trying to figure out what's real and what's not and how to live with it anyway, so if that's your idea of a good time, come on in.
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Episode 06.07: Fréwaka
Quiet Little Horrors
We love it when a film hits squarely in our personal center of interest and Aislinn Clarke nailed it. We discuss Fréwaka and its themes of historical and generational trauma, women at the mercy of fate, and some good old-fashioned evil fae.
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Episode 06.06: Antichrist
Quiet Little Horrors
We're perpetually here for a bad time and there are few worse times than Antichrist. Join us for a discussion about Lars von Trier, excavations of cultural misogyny and pretty much all the content warnings.
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Episode 06.05: Hour of the Wolf
Quiet Little Horrors
Bergman March continues with what is often regarded as Ingmar Bergman's only "real" horror film. We might dispute it's his only one, but not that this one goes to some horrific places. We discuss the figure of the tortured, self-absorbed artist, women's sustaining labor and if it's possible for artists to make the right bargains with the world.
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Episode 06.04: Cries and Whispers
Quiet Little Horrors
What wouldn't brighten the tail end of winter but some profound psychological chaos, despair and dread? So we're taking on a couple of Ingmar Bergman films, beginning with 1972's Cries and Whispers. We discuss the brilliant color cinematography of Sven Nykvist, the complex bonds between women and seeking freedom in the liminal spaces between life and death. You know, nice, lighthearted spring fare.
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Episode 06.03: I Like Bats & Martin
Quiet Little Horrors
We're not done with vampires yet. After sharing our favorites, we discovered that each host had one film on her list that the other had not seen and that the two films seemed oddly complementary: I Like Bats and Martin. So we both caught up and circled back to discuss two of the strangest and most psychological films in the vampire canon.
info_outlineAfter Nosferatu, we wanted to keep talking about vampires—but there were so many movies to pick from that, instead of choosing only one or two, we each brought a whole darn list. So enjoy as we discuss A Girl Walks Home Alone at Night, Daughters of Darkness, Thirst, Habit, The Addiction, My Heart Can’t Beat Unless You Tell It To and all the other best offbeat vampires that movies have to offer.