Rack Focus
Alice Brooks, ASC is a cinematographer who has photographed award-winning feature films (tick tick..BOOM and In The Heights), television shows and commercials and her next feature project is Director Jon M. Chu’s adaptation of the hit musical WICKED.
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Newton Thomas Sigel is an accomplished Hollywood Cinematographer who has been at it for 40 years. Getting his start with Haskell Wexler on documentaries, shifting to Second Unit work with Oliver Stone, and then transitioning into DP work on a plethora of feature films after that. Some of his films include The Usual Suspects, Bohemian Rhapsody, Drive, Extraction, Da 5 Bloods, a slew of the X-Men films with Brian Singer, Valkyrie, Cherry, Fallen, Leatherheads, The Brothers Grimm, and many more.
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In more than 30 years behind the camera, Craig Wrobleski csc has had the opportunity to photograph projects of most every description.
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Paul Leonard-Morgan’s unique cinematic style of fusing orchestra with electronica has put him
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Paul Leonard-Morgan’s unique cinematic style of fusing orchestra with electronica has put him
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In this episode of Rack Focus we're talking with Justine Seymour who was the Costume Designer of Netflix's hit show Unorthodox. She has also recently worked on Netflix's Messiah and Apple's upcoming show The Mosquito Coast.
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A deep sea diver is stranded on the seabed with 5 minutes of oxygen and no hope of rescue. With access to amazing archive this is the story of one man's impossible fight for survival.
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Director/Producer An Tran’s feature documentary debut Moving Pictures: Filmmakers and the Art of Cinematography premiered at the International Film Festival Rotterdam earlier this year. Including insights from award-winning directors Ang Lee, Francis Ford Coppola, Wim Wenders, Reed Morano and Ellen Kuras, this documentary takes viewers on a rare journey exploring the artists behind the world’s cinematic treasures.
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Checco Varese, ASC recently lensed It: Chapter Two with Director Andy Muschietti.
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Our conversation with Ian Seabrook continues where we left off, with Deadpool 2!
info_outlineWe continue our conversation with lauded Cinematographer Giles Nuttgens in the second part of our discussion. Ranging from the technical aspects of Anthropomorphic both historically and currently, his partnership with David Mackenzie and last year's Oscar Nominated success Hell or High Water, to the "challenge of his career" filming Semih Kaplanoğlu's black and white film epic Grain, and some recommendations of great cinematographers to study.
Bio
Giles Nuttgens recently completed photography on director Wash Westmoreland’s period drama Colette, starring Keira Knightley as a struggling French novelist. Previously, he lensed David Mackenzie’s Hell or High Water, which premiered in Un Certain Regard at 2016’s Cannes Film Festival to critical acclaim. Starring Jeff Bridges, Chris Pine and Ben Foster, Nuttgens earned a 2017 BAFTA Film Award nomination for Best Cinematography for his work.
In 2016 Nuttgens also worked on The Fundamentals of Caring, which first screened at Sundance.The film follows Craig Roberts, Paul Rudd and Selena Gomez as a trio who connect on a life changing crosscountry journey.
The last film to ever be shot on black-and-white Kodak 35mm film, Nuttgens shot Grain in Istanbul. Ironically, the movie tells the story of a seed geneticist attempting to save the last batch of genetically unmodified wheat. Nuttgens’ other feature credits also include: Young Ones and God Help the Girl, which both premiered at the 2014 Sundance Film Festival; and The D Train (starring Jack Black and James Marsden) and What Maisie Knew (starring Julianne Moore and Alexander Skarsgard) – both shot with his long-time collaborators, the directing team Scott McGehee and David Siegel.
With director Deepa Mehta, Nuttgens lensed Midnight’s Children, based on the bestselling Salman Rushdie novel. Nuttgens’ also shot Mehta’s elemental trilogy Fire, Earth and Water. Water received a 2007 Oscar nomination for Best Foreign Language Film and earned Nuttgens the 2006 GENIE Award for Best Cinematography.
In 2007, Nuttgens’ “sigh-inducingly evocative” (the Telegraph) cinematography for Mister Foe earned Best Cinematography awards at the Copenhagen Film Festival and British Film Festival in Dinard, as well as a Best Cinematography nomination at the 2008 Evening Standard Awards. Nuttgens first worked with McGehee and Siegel on The Deep End, a film which earned Nuttgens the 2001 Sundance Film Festival Award for Best Cinematography and a nomination in the same category at the 2002 Independent Spirit Awards.
BBC trained, Nuttgens was one of the youngest cameramen ever to be appointed to the BBC and worked on a variety of dramas, documentaries and news program. Nuttgens remembers an exceptional experience in his early career spending four months in the Brazilian jungle sleeping on the sandbanks on the side of the Araguaia River. There, he ate dried manioc flour and the red-bellied Amazonian piranha that he fished for every day.
Giles is represented by DDA.