Rainbow Valley
The Sixties had begun. Someone had apparently forgotten to tell the prosecution. It is 1960. The Beatles are still playing clubs, the mini-skirt is some way off, Britain has yet to start swinging and much of the country still carries itself with the reassuring conviction that there is a proper way of doing things. And then Penguin Books decides to publish Lady Chatterley’s Lover. D. H. Lawrence's novel had been written more than thirty years earlier, but its frank treatment of sex, adultery and class had ensured that British readers had never legally been offered the complete, unexpurgated...
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Two voices, one microphone, a broken heart and a drum sound that seemed to arrive from somewhere in the future. This time on Seven Inches of History, we reach The Everly Brothers and “Cathy’s Clown” – one of the most distinctive records of 1960 and a single that helped define the sound of pop harmony for years to come. Last time, we left Anthony Newley sitting happily at number one with “Do You Mind?” Unfortunately for Anthony, two brothers from America were approaching rather rapidly. Don and Phil Everly were hardly newcomers. By the spring of 1960 they had already enjoyed an...
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One raised eyebrow, one unmistakable voice and a perfectly innocent question that somehow sounds anything but. This time on Seven Inches of History, we reach Anthony Newley and “Do You Mind?” – a record that took one of the most distinctive voices in British entertainment all the way to number one. By 1960, Anthony Newley had already squeezed rather a lot into his 28 years. He had been a child actor, played the Artful Dodger in Oliver Twist, worked his way through the British film industry, become a leading man and then, almost as an aside, discovered that the record-buying public...
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A dustbin, a donkey jacket and one of the biggest singalongs of 1960. This time on Seven Inches of History, we reach one of those records that seems to have been part of British life forever — Lonnie Donegan’s “My Old Man’s a Dustman.” By 1960, Donegan was already the undisputed king of British skiffle. He had helped launch a musical craze with a washboard, a tea-chest bass and the encouraging suggestion that you really didn’t need an expensive collection of instruments to start a band. Thousands of teenagers took him at his word — including rather a lot who would go on to...
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A song about doomed love, written by a man who never lived to see it top the charts. "Running Bear" is a cheerful record about two people who drown. That tension between the bouncy production and the tragic storyline is part of what makes it so fascinating, and part of why it shot to number one in March 1960 and stayed there for two weeks. But the real story here isn't Johnny Preston. It's the man who wrote the song. Jiles Perry Richardson Junior, better known as the Big Bopper, died on February 3rd 1959 in the same plane crash that took Buddy Holly and Ritchie Valens. He was twenty-eight...
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"Just remember this - in this country they drive on the wrong side of the road" In 1969, British cinema delivered one of its most enduringly cheerful acts of grand larceny. The Italian Job had Michael Caine, three Mini Coopers, a coach balanced rather inconveniently above a precipice and a plan that looked perfectly sensible provided nobody examined it too closely. In this episode of Rainbow Valley, we go behind the scenes to explore how this much-loved crime caper found its way onto the screen. Written by Troy Kennedy Martin, directed by Peter Collinson and produced by Michael Deeley, the...
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Two number ones before breakfast. Adam Faith was just getting started. Adam Faith was not an accident. While some artists stumble into the charts through luck or timing, Terence Nelhams-Wright from Acton arrived at number one in the spring of 1960 as the result of a series of very deliberate decisions. The name. The image. The sound. All of it carefully assembled, and all of it working perfectly. "Poor Me" was his second consecutive number one, following "What Do You Want" which had topped the chart at the end of 1959. Back to back number ones before most people had even worked out who he...
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The accidental pop star who couldn't wait to get back to the theatre. Anthony Newley never really wanted to be a pop singer. He wanted to be in the theatre. The trouble was, the British public had other ideas, and in February 1960 they kept "Why" at number one for four consecutive weeks, making it very difficult for him to pretend the whole pop star thing wasn't happening. The route to the chart had been almost accidental. Newley had been cast as a rock and roll singer in a 1959 film called "Idle on Parade," recorded a few songs for it, and watched in mild surprise as one of them reached...
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One week at the top, a lifetime of sadness behind the smile. The first brand new number one of the 1960s belonged to a man from Liverpool with a voice like warm honey and a stage name chosen for its lightness. Michael Holliday. It suited him perfectly. What it didn't tell you was anything about the anxiety and depression that shadowed every step of his career. "Starry Eyed" went to number one on January 24th 1960, held off the blocks for one week before Anthony Newley came along and nudged it aside. One week sounds brief. In a chart as competitive as early 1960s Britain, one week at the...
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The record that started a decade, and made history doing it. The 1960s didn't begin with a fanfare. They began with a carry-over. Emile Ford and the Checkmates had reached number one back in November 1959 with "What Do You Want to Make Those Eyes at Me For" and when January 1st 1960 arrived, they were still sitting comfortably at the top of the British chart. The new decade started mid-song. There are worse ways to begin. But here's the thing about that chart position that goes well beyond the novelty of a decade boundary. Emile Ford was the first Black British artist ever to reach number one...
info_outlineIn London in the 1880s, the city was gripped by fear. A killer was prowling the cobbled, fog heavy streets of Whitechapel murdering prostitutes in a chilling reign of terror.
Fast forward seventy years and a new killer was on the loose, this time, not in the impoverished Victorian East End, but towards the west.

Again his victims of choice would be prostitutes. Believed to have claimed anything up to possibly seven lives, or even more, his identity, again like the infamous Jack, was never discovered….or was it?
The newspapers dubbed him The Nude Killer or Jack the Stripper and his crimes are now pretty much forgotten. At the time, his crimes led to one of the largest manhunts in British history with some famous suspects along the way.
There would be links to high ranking officials, world famous sportsmen and the Profumo affair.
Ladies and gentlemen, Rainbow Valley is proud to present the story of The Hammersmith Nude Murders.
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This has been a Stinking Pause production.
Thanks for listening
Scott