Episode 302 - Bernini’s Tomb of Pope Urban VIII
Rebuilding The Renaissance
Although commissioned in 1627, at the height of Bernini’s involvement at St. Peter’s, Bernini did not complete the tomb of Pope Urban VIII until 3 years after the pope’s death. Inspired by Michelangelo’s tombs in the New Sacristy in Florence, Italy, the tomb of Urban VIII was also the first sculptural work into which Bernini added color.
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Episode 301 - Rome: Bernini’s “Triton Fountain”
Rebuilding The Renaissance
The spectacular “Triton Fountain” was carved by Gian Lorenzo Bernini in 1642 for Pope Urban VIII for the piazza named after him – the Piazza Barberini – in the heart of Rome. Made of travertine stone, the fountain depicts the sea god kneeling upon a shell blowing into a conch out of which water projects. The base of the statue consists of four rather scary-looking dolphins whose tails entwine the papal keys and Barberini coat of arms, which is a shield with three bumble bees on it.
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Episode 300 - Answers to Open Questions XXII
Rebuilding The Renaissance
Celebrating my 300th episode by answering your questions! From why we call him Titian in English instead of Tiziano to the influence of Donatello on Masaccio to why I dedicated so many podcasts to Caravaggio to the “Venus of the Beautiful Buttocks” to St. Peter’s feet, and much, much more – this episode answers the very questions that you ask me about the great art, artists, and history of the Italian Renaissance!
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Episode 299 - Bernini’s Towers for St. Peter’s
Rebuilding The Renaissance
In 1637, Pope Urban VIII decided to let his superstar artist, Gian Lorenzo Bernini realize a project that had been abandoned 25 years earlier – bell towers at either end of the façade of St. Peter’s in Rome. The project would end up being the greatest failure of Bernini’s long, illustrious career.
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Episode 298 - The Barberini Palace in Rome – Maderno, Bernini, and Borromini
Rebuilding The Renaissance
In 1627, Pope Urban VIII hired Carlo Maderno to design his new family palace in Rome. When Maderno died two years later, instead of assigning Maderno’s nephew, the visionary architect Francesco Borromini, as architect, the pope gave the job to Gian Lorenzo Bernini. This may have been the beginning of the famous rivalry between the two architects.
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Episode 297 - Bernini’s “St. Bibiana”
Rebuilding The Renaissance
In 1624, Pope Urban VIII commissioned Gian Lorenzo Bernini to carve a statue of the early Christian saint, virgin, and martyr St. Bibiana. The result is one of Bernini’s most overlooked but by no means less beautiful statues.
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Episode 296 - Bernini’s Crossing Piers in St. Peter’s
Rebuilding The Renaissance
Under the direction of Gian Lorenzo Bernini, head architect of St. Peter’s, a group of sculptors closely associated with him produced three spectacular statues for the crossing piers of the church. These statues represent the three other most important relics of the Vatican – the largest piece of the “True Cross,” the Veil of Veronica (Sudarium), and the skull of St. Andrew.
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Episode 295 - Bernini’s “St. Longinus”
Rebuilding The Renaissance
In 1627, Bernini became the head architect of St. Peter’s Basilica. His first project was to oversee the decoration of the great crossing piers of the church. Four different sculptors – including Bernini – each produced a large-scale sculpture of a saint. But it was Bernini’s 4m tall marble statue of “St. Longinus” that stole the show. Its dramatic gesture, expression and drapery theatrically portray the spiritual conversion of the Roman soldier at the foot of the cross after piercing Christ’s side with his lance.
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Episode 294 - Maderno’s “Confessio” in St. Peter’s
Rebuilding The Renaissance
Located directly in front of the high altar of St. Peter’s and below Bernini’s magnificent Baldacchino, Maderno’s “Confessio” is an architectural stage that allows the faithful to revere the remains of St. Peter. It consists of a beautiful marble balustrade, nearly 100 perpetually burning oil lamps and a double staircase leading down to the chapel of St. Peter’s remains.
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Episode 293 - Bernini’s Baldacchino
Rebuilding The Renaissance
Commissioned in 1623 by Pope Urban VIII – whose coat of arms are ubiquitous throughout the monument - Bernini’s Baldacchino was his first large-scale project. Standing over 100ft. tall, the bronze structure marks the central point of the great Basilica of St. Peter over the tomb of the first pope in spectacular fashion.
info_outlineLocated in the Borghese Gallery in Rome, Italy, and carved when Bernini was only 23 years old, the spectacular “Pluto and Persephone” depicts the Greek myth which explains the cyclical seasons. Pluto, the god of the underworld, abducts Persephone. Eventually forced to release her, Pluto tricks Persephone in eating magical pomegranate seeds that will force her to spend part of the year with him in the underworld.