Reel Britannia
All at Sea with a Slightly Different Crew For episode 204 of the Reel Britannia podcast, we are taking to the high seas and hoisting the mainsail for the 1964 nautical romp, Carry On Jack. The story follows the earnest but hopelessly inept Albert Poop-Decker (the brilliant Bernard Cribbins), who takes a commission as a midshipman on the frigate Venus. Naturally, things go pear-shaped before he even leaves the tavern, leading to a frantic voyage involving a stolen identity, a remarkably resourceful young woman named Sally (Juliet Mills), and the decidedly cowardly Captain Fearless...
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A Licence to Confuse and a Swinging Sixties Spectacle For episode 203 of the Reel Britannia podcast, we are tumbling down a deeply psychedelic cinematic rabbit hole with the delightfully baffling 1967 spoof, Casino Royale. The premise, should you choose to try and follow it, sees the original, legendary Sir James Bond (David Niven) coaxed out of a genteel retirement to take down the nefarious syndicate SMERSH. His tactical masterstroke? Confusing the enemy by renaming every single active agent—male or female—James Bond. Naturally, absolute chaos ensues. Produced by...
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Digging Up Trouble Behind Enemy Lines For episode 202 of the Reel Britannia podcast, we’re trading our civvies for khaki and marching straight into the chaotic world of a genuine British comedy icon. This time around, the team is discussing the 1958 Norman Wisdom classic, The Square Peg. Directed by John Paddy Carstairs and written by Jack Davies, the film follows the hapless road mender Norman Pitkin (Wisdom, naturally) and his perpetually flustered boss Mr Grimsdale (Edward Chapman) as they find themselves unexpectedly drafted into the Pioneer Corps. Before long, the pair are...
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Dublin soul, magnificent music and enough creative differences to sink a small record label. This episode was recorded a couple of weeks ago, before the terribly sad news of Glen Hansard’s death earlier this week. We remember him with great affection as Outspan Foster, one of the unforgettable faces and voices at the heart of The Commitments. Dublin has the music. Jimmy Rabbitte has the ambition. What he does not yet have is a band, any money, or the faintest idea how to keep a roomful of volatile musicians from throttling one another. This time on Reel Britannia, Scott is joined by...
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Fletch Gets Out. Getting Back In Is the Tricky Bit. For its landmark 200th episode, Reel Britannia is heading behind bars for Porridge – The Movie, the 1979 big-screen outing for one of Britain’s best-loved television comedies. Ronnie Barker returns as the wily Norman Stanley Fletcher, still doing his best to serve his sentence with the minimum possible effort. Alongside him is Richard Beckinsale as the good-natured Lennie Godber, while Fulton Mackay’s fearsome Mr Mackay and Brian Wilde’s endlessly flustered Mr Barrowclough attempt to maintain something vaguely resembling order at...
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When the crooks and the coppers join forces, London’s criminal underworld is in very confused hands. For Episode 199, Reel Britannia slips into the sharply dressed, cheerfully crooked world of The Wrong Arm of the Law, a 1963 British crime comedy in which the nation’s criminals discover that even dishonesty was better organised in the old days. Peter Sellers stars as Pearly Gates, a suave London gang boss who divides his time between running a fashion house and supervising a criminal organisation with the efficiency of a suburban business. His employees may be thieves, but they enjoy...
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Hammer opens the door to a nightmare where every shadow has a secret. For the latest episode of Reel Britannia, we step into the chilly corridors and troubled dreams of Nightmare, Hammer’s 1964 psychological thriller from director Freddie Francis and writer Jimmy Sangster. This is Hammer without the fangs, capes, castles, or buckets of Kensington Gore. Instead, it gives us something colder and more unsettling: a black-and-white tale of fear, memory, manipulation and madness, where the terror creeps in quietly and then refuses to leave. The story follows Janet, a young woman haunted by...
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Episode 197 - The Tall Guy (1989) “What in the name of Judas Iscariot's bumboy is going on?” Dexter King (Jeff Goldblum) is an awkward American actor stranded in London, suffering from severe hay fever and a chronic case of career stagnation. His day job consists of being repeatedly humiliated on stage as the hapless straight man to Ron Anderson (Rowan Atkinson), a spectacularly arrogant and insecure British comedian who wields his ego like a blunt instrument. Dexter's miserable existence takes a sharp upward turn when a trip to the clinic for allergy shots introduces him to Kate...
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Episode 196 - School For Scoundrels (1960) "Hard cheese old boy!" School for Scoundrels is one of those wonderfully sharp British comedies that takes something faintly ridiculous and plays it with a completely straight face, which of course makes it even funnier. Released in 1960, it follows Henry Palfrey, a polite, mild-mannered man who seems to be permanently stuck on the losing side of life. He is decent, respectable and reasonably successful on paper, yet somehow he always ends up second best, especially when faced with people who have more confidence, more nerve and rather fewer...
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Episode 195 - Home At Seven (1952) He came home on time... a day too late. Home at Seven is a neatly unsettling British mystery that begins with one of the simplest ideas imaginable and turns it into something deeply unnerving. David Preston, a mild-mannered bank clerk, arrives home after work expecting an ordinary evening with his wife. Instead, he is met with shock, confusion and growing alarm, because as far as everyone else is concerned, he has not been gone for the day. He has been missing for over twenty-four hours. David is utterly baffled. To him, nothing is wrong. He left work,...
info_outlineFancy a playdate that's to die for? Join Mumsy, Nanny, and their darling (if slightly overaged) Sonny and Girly! This charmingly unhinged family just adores making new friends and luring them back to their quaint estate for endless games. Just remember: follow the rules, or it's permanent naptime!
Mumsy, Nanny, Sonny and Girly (1970)
Get ready for a rollicking, if rather unnerving, trip to the countryside with Freddie Francis’s 1970 cult delight, "Mumsy, Nanny, Sonny and Girly"! Forget your typical family get-togethers; this aristocratic British clan, tucked away in their gloriously crumbling Gothic pile, has a very peculiar idea of fun, and it’s all part of their never-ending, ever-so-slightly lethal "Game."
Meet the players, won't you? There's Mumsy (Ursula Howells), the lady of the manor, whose honeyed tones could charm the birds from the trees – right before she plots their untimely demise. Then we have dear old Nanny (Pat Heywood), ever loyal, ever simmering, and a stickler for the family’s rather unique traditions. And who could forget the children? Sonny (Howard Trevor) and Girly (Vanessa Howard) are grown-ups who’ve hit the pause button on maturing, preferring school uniforms and a particularly sinister brand of playtime. Their favourite pastime? Inviting charming chaps, affectionately dubbed "New Friends," back to their secluded estate for a jolly good… well, let's just say it rarely ends with a polite thank-you note.

You see, these "New Friends" quickly discover that their weekend invitation comes with a few rather peculiar house rules. They're expected to join in the family’s whimsical, if decidedly menacing, games. Pop a clanger, try to leg it, or generally spoil the fun? Well, that’s a one-way ticket to "meeting the angels," a quaint family euphemism for a rather permanent departure, often captured on Sonny's home movie camera for a bit of fireside entertainment. The film wastes no time in showing us how previous guests have fared – it’s not pretty, but it’s frightfully inventive!
Now, the real sport begins when a particularly sharp "New Friend" (the rather dapper Michael Bryant) wanders into their web. Unlike the others, this chap’s got his wits about him. He starts to notice the little cracks in this picture of domestic bliss: the glint of jealousy between Mumsy and Nanny, the oddly chummy vibes between Sonny and Girly, and young Girly’s rather blossoming, if thoroughly confused, interest in him.

Our clever "New Friend" decides it’s time to shake things up a bit, playing the family members off against each other like a maestro of mischief. He turns on the charm, especially with the ladies, and watches the sparks fly! Girly’s head over heels, Mumsy sees a new star for her manipulative little shows, and Nanny? Well, Nanny’s green-eyed monster is having a field day. Sonny, bless his cotton socks, just wants things back to the way they were and gets increasingly tetchy.
As our "New Friend" pulls the strings, the once-sacred rules of "The Game" get hilariously, and then dangerously, twisted. It’s not the captive causing the chaos anymore; it's the captors themselves, all clamouring for his attention and a slice of the power pie. The previously united, if terrifyingly bonkers, family starts to come apart at the seams, tumbling towards a climax that’s as wildly entertaining as it is darkly satisfying.

"Mumsy, Nanny, Sonny and Girly" is a cheeky poke at the old stiff upper lip and the very idea of a 'proper' family, all wrapped up in a deliciously dark and witty package. It’s less about the blood and guts and more about the spine-tingling giggles and the sheer audacity of a household where innocence and insanity go hand-in-hand. So, if you fancy a film that’s truly one of a kind, step into their parlour – just be sure you know the rules of "The Game"!
"In a happy family, you must always have rules."
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Thanks for listening
Scott and Steven