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How to Be More Confident in Auditions

SAG-AFTRA

Release Date: 10/23/2025

How the New Intimacy Coordinator Contract is Good for the Whole Industry show art How the New Intimacy Coordinator Contract is Good for the Whole Industry

SAG-AFTRA

SAG-AFTRA's first collective bargaining agreement for intimacy coordinators took effect on Feb. 22, marking a watershed moment for a profession that didn't exist 15 years ago. The contract establishes industry-wide standards for the professionals who safeguard performers during intimate scenes. But what exactly does an intimacy coordinator do, and why does this agreement matter for every performer working today? We spoke with Alicia Rodis, Chair of the Intimacy Coordinator Negotiating Committee and a working IC whose credits include And Just Like That, The Gilded Age, and The Last Mrs....

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What's Really Holding Back Latino Representation in Entertainment show art What's Really Holding Back Latino Representation in Entertainment

SAG-AFTRA

Latino performers face a persistent gap between their presence in the entertainment industry and their representation in actual roles. Typecasting, stereotyping, and limited opportunities remain real challenges. But there's also progress happening, and the union is fighting to accelerate change. We spoke to three SAG-AFTRA members leading this fight: Hector Garcia, National Board member and Co-Vice Chair of the National Latino Committee; Natalia Castellanos, Chair of the National Latino Committee; and Vanessa Morales, Co-Vice Chair of the National Latino Committee. They discuss where Latino...

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The Women’s Committee Gets Real About Industry Challenges show art The Women’s Committee Gets Real About Industry Challenges

SAG-AFTRA

As we celebrate Women's History Month this March, we're recognizing not just the trailblazers of the past, but the women who are shaping our industry's future right now. In this episode, we share a powerful conversation that took place last November at our L.A. Local Women's Committee's second annual roundtable. Seven remarkable SAG-AFTRA members came together to discuss the real challenges women face in our industry—from stereotypes and ageism to gender bias. And more importantly, how we're confronting them together. The panel was moderated by Elyssa Phillips and included Tiffany Yvonne...

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This Director Is Using Humor to Expose How AI Can’t Act show art This Director Is Using Humor to Expose How AI Can’t Act

SAG-AFTRA

We’ve all seen the headlines about A.I. and wondered what it all means for your career. There's a lot of anxiety and uncertainty about what AI synthetics can actually accomplish. Writer-director and Emmy-winning creator Sergio Cilli, decided to find out by auditioning them. In his viral video series "Will AI Actors Replace Us?!," which has reached 45 million views, Sergio puts AI synthetics through typical audition scenarios and watches them fail spectacularly at basic tasks like loading a dishwasher or performing emotional scenes. He joins the show to discuss how humor helps performers...

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The Battle to Preserve Human Artistry in the Age of A.I. show art The Battle to Preserve Human Artistry in the Age of A.I.

SAG-AFTRA

AI-generated content and deepfakes are rewriting the rules of creative ownership. So what are writers, artists, and performers doing about it? In this panel discussion from the AI House at the World Economic Forum in Davos, Switzerland, SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland joined multidisciplinary artist Emi Kusano and MIT Technology Review Editor-in-Chief Mat Honan for a discussion about how performers secured contract protections for digital replicas, how artists are using AI ethically in their own creative practice, and how journalists are...

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The Digital Replica Rules Every Commercial Actor Needs to Know show art The Digital Replica Rules Every Commercial Actor Needs to Know

SAG-AFTRA

SAG-AFTRA's 2025 commercials contracts delivered groundbreaking A.I. provisions, but what do they actually mean for you? Tracy Hyman, Executive Director of Commercials Contracts, and actor and negotiating committee member Nicole Cyrille break down exactly how digital replicas and synthetic performances work, when you need to give consent, how you get paid and what guardrails are in place to protect you. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

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Why Unions Need to be Part of the A.I. Conversation show art Why Unions Need to be Part of the A.I. Conversation

SAG-AFTRA

Duncan Crabtree-Ireland sits down with journalist Matt Belloni from Puck at CES in Las Vegas for a no-holds-barred conversation about the future of A.I. and entertainment. Matt asks the tough questions: Why should A.I. companies care what unions think? How is artificial intelligence reshaping creative work? What happens if there's another strike? Duncan breaks down what SAG-AFTRA won in 2023, what's at stake in the upcoming February negotiations, and why the distinction between humans and A.I. algorithms really matters. They tackle studio deals with OpenAI, deepfakes, synthetic performances,...

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Legendary Songwriter Diane Warren On Her Superpower show art Legendary Songwriter Diane Warren On Her Superpower

SAG-AFTRA

Diane Warren is one of the most successful and prolific songwriters in music history — and a proud SAG-AFTRA member. Her catalog includes many of the biggest pop songs of the past several decades. In this episode, she talks about the relentless drive behind her career, her new documentary and the early challenges that shaped her voice as a writer. Diane shares how she “casts” artists to bring her songs to life and why no form of A.I. can match the soul behind a truly human song. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or...

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What SAG-AFTRA Learned at the International Federation of Actors Congress show art What SAG-AFTRA Learned at the International Federation of Actors Congress

SAG-AFTRA

SAG-AFTRA’s top three national officers — President Sean Astin, Executive Vice President Linda Powell and Secretary-Treasurer Michelle Hurd — sit down together with National Executive Director & Chief Negotiator Duncan Crabtree-Ireland during the 23rd International Federation of Actors (FIA) Congress in Birmingham, England last month. They discuss the power of global solidarity, the challenges facing performers across borders, and how issues like A.I., self-tapes, DEI, and workplace safety are shaping the next era of the industry. They also reflect on their paths to leadership and...

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James Cameron Wants to Protect Actors in the Age of A.I. Part 2 show art James Cameron Wants to Protect Actors in the Age of A.I. Part 2

SAG-AFTRA

In the first part of our interview with legendary director James Cameron, he explained his actor-driven approach to performance capture and why human nuance is still at the core of great storytelling. In this second half, Cameron goes deeper into the promises and risks of A.I., where he believes the line sits between helpful innovation and harmful replacement. He talks about what Hollywood must stand guard over as these tools accelerate. And yes, he talks about Skynet and why The Terminator feels a lot less hypothetical today than it did in 1984. *The views expressed by guests are their own...

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More Episodes

Auditions are part of every performer’s journey, but that doesn’t mean they come naturally. The process can feel overwhelming, especially with the rise of self-taping. How can performers approach auditions with less stress and more confidence? SAG-AFTRA members Nikki Dixon and Wes Jetton join the podcast to share their best advice for staying grounded and enjoying the process. They talk about how to prepare without over-rehearsing, the importance of letting go after you hit send and why mindset and flexibility matter more than perfection. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.