Scriptnotes Podcast
John welcomes back Aline Brosh McKenna to help figure out how to say goodbye… in your story. Using examples from some of their favorite movies, they explore how farewell scenes work, what sets them apart from the average see-you-later, and leaving a lasting effect on your characters and the audience. We also look at the summer box office, George Gallo’s Bad Boys lawsuit, Sony’s purchase of Alamo Drafthouse, and answer listener questions on bad ex-managers, second steps, NDA’s, fairies, and how to take advantage of downtime in LA. In our bonus segment for premium members, John and Aline...
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In this compendium episode, John and Craig fast-forward to the third act to talk about endings. How do they work? What makes them great? And how do you fix them when they’re not working? They look at how to connect your ending to your characters, crafting a twist that surprises (but doesn’t confuse), the function of the climax, the importance of the denouement, and how to make it all satisfying for your audience. In our bonus segment for premium members, John and Drew welcome back Megana Rao to ask: do we still need reunions in the age of social media? Links: by Andrew Van Dam...
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John and Craig decode the current state of software in the film and television industry. With dozens of programs needed for every project, they look at why bad and outdated programs continue to have a hold on the industry, why it’s so hard to build something better, and how these programs find financial success in such a small and specialized market. Then it’s another round of the Three Page Challenge, where they give their honest feedback on three listener-submitted scripts. They offer insights into quickly establishing information, those scenes that can be written but not filmed, the...
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John welcomes Meredith Scardino (Girls5eva) and Jen Statsky (Hacks) to discuss the highs and lows of writing the third season of a hit comedy. But how do you push a series forward without violating the premise or retreading familiar terrain? Are the shows still the shows they pitched? How has streaming changed since their shows first went on the air? And how do you plan for your series’ future? They also answer listener questions on non-binary characters, past tense emotions in action lines, and how to make the most of a mentorship. In our bonus segment for premium members: Two years ago...
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John and Craig explore one of the most powerful and versatile tools in episodic television: the cold open. But how does it work? What kind of scenes does it showcase best? How can it play with point of view, perspective and time? What makes it memorable? And how do you make it work for your story? We also discuss new requirements for loan-out corporations, follow up on streaming ads and AI-generated coverage, and answer listener questions on titles, exposition and disabled representation. In our bonus segment for premium members, John and Craig check out OpenAI’s flirty new chat capabilities...
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on Netflix or Craig Mazin on and John August on , and Working It Out is produced by Mike Birbiglia, Peter Salomone, Joseph Birbiglia and Mabel Lewis. Associate producer: Gary Simons. Consulting producer: Seth Barrish. Video consultant: Graham Willoughby. Special Thanks to Marissa Hurwitz, Josh Upfal, David Raphael, Nina Cwik, J. Hope Stein, and Oona. Music by Jack Antonoff and Bleachers Scriptnotes is produced by Drew Marquardt and edited by . Email us at [email protected] You can download the episode .
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In this compendium episode, John and Craig demystify the the relationship between writers and the people who represent them, looking at how to acquire, work with and (if necessary) fire your agents and managers. How do you get an agent or a manager? What are they looking for in a potential client? What frustrates them? How do you position yourself for success? And what should you be looking for in an agent? How should they treat their clients? What is in their job description? How do you navigate disagreements, and what are best practices for when you have to part ways? In our bonus segment...
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Why are things so rough in Hollywood right now? John and Craig look at the industry’s current contraction, its historical analogues, and offer suggestions for what might fix it. We also follow up on streaming ad breaks and New York accents, before answering listener questions on being paralyzed, whether it’s by your second draft or writing professional emails. In our bonus segment for premium members, John and Craig wonder what to do with their digital lives once they’ve shuffled off this mortal coil, and how do you keep it from getting creepy? Links: by Daniel Bessner for Harpers...
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on Prime Video or Craig Mazin on and John August on , and by Nica Brooke () Scriptnotes is produced by Drew Marquardt and edited by . Email us at [email protected] You can download the episode .
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John welcomes writer and comedian Alex Edelman to look at how he wrote his solo show Just For Us, and dig into the meaning of “write what you know.” They discuss finding your voice as a writer, developing your story with an audience, why Alex doesn’t write his shows down, and the sample that first got him staffed. We also answer listener questions on what to do when your manager doesn’t understand your comedy, and the value of characters speaking to themselves. In our bonus segment for premium members, John asks Alex, how do you set boundaries on material when you’re dating another...
info_outlineJohn welcomes back Aline Brosh McKenna to help figure out how to say goodbye… in your story. Using examples from some of their favorite movies, they explore how farewell scenes work, what sets them apart from the average see-you-later, and leaving a lasting effect on your characters and the audience.
We also look at the summer box office, George Gallo’s Bad Boys lawsuit, Sony’s purchase of Alamo Drafthouse, and answer listener questions on bad ex-managers, second steps, NDA’s, fairies, and how to take advantage of downtime in LA.
In our bonus segment for premium members, John and Aline discuss journaling. Should we be keeping track of what we’ve been doing all day?
Links:
- ‘Bad Boys’ Settlement by Dominic Patten for Deadline
- Why did Sony buy Alamo Drafthouse — and is it actually a good thing? by Ryan Faughnder for LA Times
- The Nine Enneagram Type Descriptions
- Farewell – Casablanca
- Farewell – Past Lives
- Farewell – Lost in Translation
- Farewell – Weekend
- Farewell – Philadelphia
- Farewell – The Shawshank Redemption
- Farewell – Harold and Maude
- Farewell – Terminator 2
- Farewell – The Way We Were
- Farewell – The Wizard of Oz
- Farewell – E.T.
- Farewell – Toy Story 3
- Farewell – Dead Poets Society
- Revival Hub LA
- Visit Malta
- Peel off lip stain
- Dirt Man by Carter Vail, and some of Aline’s favorite remixes, via TikTok
- Phil Collins’ Houdini
- Get a Scriptnotes T-shirt!
- Check out the Inneresting Newsletter
- Gift a Scriptnotes Subscription or treat yourself to a premium subscription!
- Craig Mazin on Threads and Instagram
- John August on Threads, Instagram and Twitter
- John on Mastodon
- Outro by Eric Pearson (send us yours!)
- Scriptnotes is produced by Drew Marquardt with help from Jonathan Wigdortz. It is edited by Matthew Chilelli.
Email us at [email protected]
You can download the episode here.