417 - Idea Management (Encore)
Scriptnotes Podcast
John and Craig welcome back Aline Brosh McKenna to tackle the issue of idea management. What do you do with all those half-formed ideas and how do you decide which ones to pursue? They share best practices and their approach to middle-of-the-night inspiration. We also discuss how screenwriters’ quotes are determined and answer some listener questions on alternatives to D&D, crediting improv and rain in the second act. In our bonus segment for premium members, DVDs hang in the balance as John and Drew sit down back in 2025 to ask, should Drew get rid of his physical media? Links: ...
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683 - Our Take on Long Takes
Scriptnotes Podcast
John and Craig break out of coverage to look at oners and long shots, cutting through any directorial showboating to compare the pros and cons and cons and cons of those unbroken takes, offering ways to decide when they are necessary or purposeful, and how to recognize when it’s better to cut. We also look at changes to Sundance and the Nicholl Fellowship, answer listener questions on house lights in movie theaters, Oscar voting, improv movies, and share a few horror stories from John and Craig’s early career. In our bonus segment for premium members, John and Craig look at their...
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68 - Talking Austen in Austin (Encore)
Scriptnotes Podcast
In this episode from 2012, John and Craig sit down with producer and former studio executive Lindsay Doran (Sense and Sensibility, Stranger than Fiction) at the Austin Film Festival to explore the producer’s relationship with the screenplay. The look at how the role of producer has changed, the ideal development process, how she developed Sense and Sensibility with Emma Thompson, and staying true to your values in a fickle business. In our bonus segment for premium members, Drew joins John back in 2025 to consider the value of a good alumni program, and how an alma mater that under-delivers...
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682 - The Second Season with Tony Gilroy
Scriptnotes Podcast
John and Craig welcome writer and showrunner Tony Gilroy (Andor, Michael Clayton) for an in-depth look at crafting a second season of a hit TV show. They look at ways to find your season’s structure, setting your production up for success, controlling the energy your audience spends on information, and how to wrap up your story before the show eats you alive. They also answer listener questions on what to do when a movie that’s similar to yours is wildly successful, and whether being a movie critic could hurt your writing career. In our bonus segment for premium members, Tony sticks around...
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681 - The Waiting Game
Scriptnotes Podcast
John and Craig sit in project purgatory and ask, what do you do when the only answer you’re getting is “maybe”? They share advice on how to gently check in without annoying people, recognizing the soft pass, the unexpected benefits of patience, and what to do when you’re the person holding up the gears. Then it’s another round of the Three Page Challenge, where John and Craig give their honest feedback on three listener-submitted scripts. We also follow up on script supervisors and the encroaching perils of AI production. In our bonus segment for premium members, John and Craig spill...
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680 - Writing Action Set Pieces
Scriptnotes Podcast
John welcomes back Christina Hodson (The Flash, Bumblebee) to ask, how do you to construct a great action sequence? Using examples from three different movies, they discuss what good action looks like on the page, how to keep your reader from getting bored or confused, and why production can sometimes blow your plans to smithereens. Then it’s a round of How Would This be a Movie?, where we take four stories from the news and pitch how we might adapt them for the screen. Stories include a mysterious painting, a train trapped in a blizzard, a teen who sued his parents, and zombie colleges. We...
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679 - The Driver’s Seat
Scriptnotes Podcast
John welcomes back Liz Hannah (The Girl From Plainville, The Post) to ask, how do you know if a character can carry a story? They look at ways of identifying your protagonist, defining privileged storytelling power, and the choices to make when figuring out which characters can hold narrative point of view. We also look a the phenomenon of the “Stranger in the Room,” follow up on writing during crazy times, brain trusts, plays vs movies, the phrase “begs the question,” and the usefulness of sharing your pronouns. In our bonus segment for premium members, John and Liz explain the...
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678 - The On-Set Producer
Scriptnotes Podcast
John and Craig welcome producer Dan Etheridge (iZombie, High Potential, Party Down) to look at how non-writing producers develop projects, coordinate across departments, and maintain the tone of the show as directors come and go. We offer practical tips for making the most of video village, regardless of your role, and solutions for the scourge of directors chairs. Highland Pro, John’s next generation screenwriting app is now available now for Mac, iPad and iPhone! We discuss what’s new and what’s coming next. We also answer listener questions pitching multiple projects, writing on...
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677 - Puzzle Box Storytelling
Scriptnotes Podcast
on Steam and on Playbill.com or Craig Mazin on and John August on , , and by Spencer Lackey () Scriptnotes is produced by and edited by . Email us at [email protected] You can download the episode .
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676 - Writing while the World is on Fire
Scriptnotes Podcast
How do you keep doing creative work when the world is falling apart around you? To sift through the despair and doubt, John welcomes back legendary Scriptnotes guest, writer-turned-psychotherapist Dennis Palumbo. They discuss the many feelings that catastrophic events can bring up in artists, the personal narratives that often inform those feelings, and how to keep moving forward when you feel like the band on the Titanic. We also follow up on AI, and answer listener questions on competing with brain trusts and how to support a friend embroiled in controversy. In our bonus segment for premium...
info_outlineIn this episode from 2012, John and Craig sit down with producer and former studio executive Lindsay Doran (Sense and Sensibility, Stranger than Fiction) at the Austin Film Festival to explore the producer’s relationship with the screenplay.
The look at how the role of producer has changed, the ideal development process, how she developed Sense and Sensibility with Emma Thompson, and staying true to your values in a fickle business.
In our bonus segment for premium members, Drew joins John back in 2025 to consider the value of a good alumni program, and how an alma mater that under-delivers can be the pits.
Links:
- Lindsay Doran on IMDb
- The original episode transcript
- Perfectly Happy, Even Without Happy Endings by Carrie Rickey for the New York Times (including a great photo of Lindsay’s hair)
- Lindsay’s TEDx presentation: Saving the World vs Kissing the Girl
- Scriptnotes, Episode 17: What do producers do?
- Get a Scriptnotes T-shirt!
- Check out the Inneresting Newsletter
- Gift a Scriptnotes Subscription or treat yourself to a premium subscription!
- Craig Mazin on Instagram
- John August on Bluesky, Threads, and Instagram
- Outro by Matthew Chilelli (send us yours!)
- This episode was originally produced by Stuart Friedel. Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli.
Email us at [email protected]
You can download the episode here.