Scriptnotes Podcast
John welcomes Lucia Aniello and Paul W. Downs to talk about the emotional and logistical process of closing out their five-season series, Hacks. Paul and Lucia also step up as guest readers for the Three Page Challenge, a segment where we look at the first three pages of a listener-submitted script and give honest feedback. In our bonus segment for premium subscribers, John, Lucia and Paul talk about cameos. How do they happen? What’s the real deal behind the scenes? Scripts: Links: by Cate Hall Gelato Get your copy of and become a today! For more...
info_outlineScriptnotes Podcast
In today’s edition of “How Would This Be a Movie?” John and Craig convert felonies into films. Together, they take a few crime-related news stories and decide how they might be adapted for the screen. They also discuss paracosms and the importance of daydreaming for budding screenwriters. In our bonus segment for premium subscribers, John and Craig discuss prediction markets. Bet you can guess how that goes. Episode Links: Freud’s 1908 essay “” Michele Root-Bernstein’s by Megan Garber Get your copy of and become a today! For more content...
info_outlineScriptnotes Podcast
Buckle up! John and Craig discuss the elements that make up a classic road movie. They cover the quintessential scenes, common pitfalls, and the economic quandaries you’ll find in the genre. They also answer listener questions about editing novels (versus screenplays) and the aesthetics of outlines and breakdowns. In our bonus segment for premium subscribers, John and Craig talk about their own memorable road trips. Links: John’s Wondery Podcast, “” Get your copy of and become a today! For more content on the craft of...
info_outlineScriptnotes Podcast
John and Craig invite over Rashida Jones and Will McCormack to chat about their new film The Invite, out in theaters now. Rashida and Will divulge the origin story and dynamics of their own writing partnership, as well as discuss the process of adapting an adaptation and writing to the truth of relationships. In our bonus segment for premium subscribers, the four swap stories about saying goodbye to creative projects that never came to pass. Links: by Cesc Gay (Original Spanish version) by Griffin Dunne or Craig Mazin on and John August...
info_outlineScriptnotes Podcast
How do you keep doing creative work when the world is falling apart around you? To sift through the despair and doubt, John welcomes back legendary Scriptnotes guest, writer-turned-psychotherapist Dennis Palumbo. They discuss the many feelings that catastrophic events can bring up in artists, the personal narratives that often inform those feelings, and how to keep moving forward when you feel like the band on the Titanic. We also follow up on AI, and answer listener questions on competing with brain trusts and how to support a friend embroiled in controversy. In our bonus segment for premium...
info_outlineScriptnotes Podcast
John and Craig sit down with Ryan Condal, showrunner of House of the Dragon, just as its third season airs. They dive into Ryan’s late start in Hollywood, spec scripts, the anatomy of a writers room, and thinking as a product of movement. They also answer a listener question about the mechanics of writing a sequel. In our bonus segment for premium subscribers, John, Craig and Ryan discuss perhaps the most popular fictional creatures ever: dragons! Links: by Amy Deng by Cyan, Rand Miller & Robyn Miller by Zadbox Entertainment – Title sequence...
info_outlineScriptnotes Podcast
John and Craig welcome Curry Barker, the writer-director behind this summer’s surprise blockbuster, Obsession. It’s a rom-com, a horror film and a great example of trusting your audience. We discuss Curry’s roots, his writing process, learning from YouTube, as well as the pressure to follow up a hit. In our bonus segment for premium subscribers, John and Craig pose the #1 most important question for all filmmakers to consider: What will the popcorn bucket be? Links: by Curry Barker by Curry Barker by Rachel Nuwer (NY Times) , or Subscribe to Scriptnotes...
info_outlineScriptnotes Podcast
This week, Craig answers listener questions about rewriting on set, AI coverage, when and how to kill off characters, sizing up producers, and more. There’s also an extra-special guest appearance for this week’s One Cool Thing. In the bonus segment for premium subscribers, Craig discusses how to be wrong—something he feels he knows all too well. Links: “Widow’s Bay” Games: “L.A. Law” , or Subscribe to Scriptnotes on Follow Scriptnotes on and John August on and Outro by Matthew Chilelli () Scriptnotes is produced by...
info_outlineScriptnotes Podcast
Why is it so satisfying to watch a highly-skilled character complete their goals? And why can it be equally hilarious to watch an incompetent character bumble through a slew of screw-ups? In this episode, John and Craig discuss how to play with competence in your characters. We also say goodbye to our producer Drew Marquardt with a thoroughly embarrassing exit interview, and reveal our new producer. However, it’s not really goodbye, because Drew will be staying on to work with John on an upcoming project (TBA). In our bonus segment for premium members, John and Craig deliberate on the...
info_outlineScriptnotes Podcast
John and Craig welcome writer and showrunner David E. Kelley (Big Little Lies, Ally McBeal) to look at his process for adapting books to TV, particularly with his latest series Margo’s Got Money Troubles. They explore where to find your act breaks, crafting complicated tones, and when to trust the writer of the book. We also look at how TV has changed over David’s storied career, how he runs a writers room, creating story engines, the difference between writing for broadcast TV and streaming, and the one thing a TV show should never be. In our bonus segment for premium members, David...
info_outlineJohn and Craig welcome back Katie Dippold (Widow’s Bay, Ghostbusters) to ask, what advice would you give to your younger self? They revisit the writers they used to be, offer specific guidance to each one, and demystify everything from “Why isn’t a producer calling me back?” to “Should I join that sorority?”
Most importantly, we look at how Katie turned her former writing sample into the hilarious and spooky new show, Widow’s Bay. We also answer listener questions on calling out stolen ideas and how to pitch yourself when your past work doesn’t line up with your voice.
In our bonus segment for premium members, with the rise of AI, will there still be be movies and TV shows in ten or twenty years? Our best guesses lie just behind the paywall.
Links:
- Widow’s Bay on AppleTV
- Katie Dippold on Instagram and IMDb
- Scriptnotes listener survey
- Katie as the Babadook
- The last time Katie was on Scriptnotes, Episode 272
- The Sheep Detectives
- Wolf’s Belly Publisher’s Weekly starred review (preorder the book here!)
- Oscar Rule Changes by Clayton Davis for Variety
- Weekend Read 2
- Watch Haley Z. Boston read her script for Something Very Bad is Going to Happen
- Captain Disillusion
- Homemade Heating Pad
- This Treatment Could Reverse Osteoarthritis Joint Damage With a Single Injection by Javier Carbajal for Wired
- Get your copy of the Scriptnotes book!
- Get a Scriptnotes T-shirt!
- Check out the Inneresting Newsletter
- Become a Scriptnotes Premium member, or gift a subscription
- Subscribe to Scriptnotes on YouTube
- Follow Scriptnotes on Instagram and TikTok
- John August on Bluesky and Instagram
- Outro by Eric Pearson (send us yours!)
- Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli.
Email us at ask@johnaugust.com
You can download the episode here.