Second Breakfast with Cam & Maggie
Rewatching House of Cards in 2025 is a fascinating and uneven experience — because the titular house never seems to fall. This episode traces the Watergate-like ‘Underwood Exposé’ that simmers just below the surface for seventy-three episodes, but never arrives. It’s a reflection on implicit promises to the audience, shifting focus, and botched endings (with some Richard III sprinkled on top). LINKS: , , , Feedback & Theories:
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Despite their wildly different tones, House of Cards and The West Wing are shockingly similar. We run through ten eerie similarities between the two shows before opening up the discussion to figure out when and why House of Cards became an accidental remake of The West Wing. We then analyze the attitudes and eras that shaped each show and consider them as deeply intertwined, transitional period pieces. LINKS: , , , Feedback & Theories:
info_outlineSecond Breakfast with Cam & Maggie
This grand finale of our chapter-by-chapter coverage of the first A Song of Ice and Fire novel is a deep-dive retrospective of all the major thoughts, theories, and literary analysis we’ve brought to the world of Westeros. We work together to cover each and every POV character and our most fruitful overarching umbrella theories. Grab a crust of bread and horn of ale – and dig in – there’s a lot to get to! LINKS: , , , Feedback & Theories:
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Sinners is a fantastic drama, a killer horror movie, and a great vampire story - but it's something else too. Cam argues that the film feels almost like a blues biopic, going beyond Sammie's story to chart the story of the genre itself. Using plot analysis and personal anecdotes, we investigate the magic and myth of Ryan Coogler's latest masterpiece. LINKS: , , , Feedback & Theories:
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A Game of Thrones ends with a massive curveball that threatens to totally upend the philosophy of life and death we’ve been tracking for 73 chapters. We work together to unravel these cycles of life, death, and rebirth and ultimately recalibrate the binary conflict at the center of this series. LINKS: , , , Feedback & Theories:
info_outlineSecond Breakfast with Cam & Maggie
After hundreds of hours, ups, downs, delights, and disappointments, The Light & Darkness saga of Destiny 2 is finally done. Cam is happy to report that The Final Shape is not only a great expansion, but also a great ending to this epic, sweeping, and messy story. Join us for a discussion of character-focused gameplay, staggering art direction, and the overwhelming, emotional, 12-player finale mission, ‘Excision’. LINKS: , , , Feedback & Theories:
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So many chapters of this book have felt like ghost stories, but this is something else entirely. Cam argues that Catelyn’s final chapter brutally resolves the central conflict between the living and the dead. Maggie questions Catelyn’s capacity to adapt in a rapidly changing world. Littlefinger’s tongue makes an unwelcome appearance. LINKS: , , , Feedback & Theories:
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The Woman in the Yard is the best Blumhouse movie since Insidious. Why? Its relentless and bold family drama, unflinching negotiation of tough topics, and scrappy, indie spirit that only ever makes it feel more creative and inspired. LINKS: , , , Feedback & Theories:
info_outlineSecond Breakfast with Cam & Maggie
The final Jon chapter poses a challenging question about his direwolf, Ghost: is he a loyal dog, an attentive wolf, or a superior reasoning intellect on the level of Tolkien’s dragons? Cam chases down these provocations while Maggie considers Jon’s larger breaking point as he considers desertion. LINKS: , , , Feedback & Theories:
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Does a book have to be “necessary” to be worth reading? Maggie explores this idea in our spoiler-free discussion of the latest installment in the Hunger Games series, Sunrise on the Reaping. Topics include fan service, recurring narrative structures, the age of legacy prequels, and the trappings of continuity. LINKS: , , , Feedback & Theories:
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Happy Valentine’s Day, it’s time to discuss the messiest love triangle of the decade! Cam argues that Challengers is an intricate restaging of Shakespeare’s Macbeth — where no one is allowed to die. This wrinkle presents fresh insights about both works of art, and some creative character mapping reveals an unexpected, revelatory Lady Macbeth hiding in plain sight. Maggie analyzes the strategic deployment of color through the film, as it both clarifies and complicates the relationships between our three characters. She also takes a close look at the film’s music and sound design, arguing that they act as a stand-in for absent characters and unrequited passions.
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