The Tempest: Patriarchy, Gender, and Power in Shakespeare’s Play
Release Date: 08/13/2025
Shakespeare Anyone?
Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we use Freyja Cox Jensen's Reading the Roman Republic in Early Modern England to explore how early modern readers encountered, studied, and understood ancient Rome, and what that means for how we read Shakespeare's Julius Caesar. First, we ask whether early modern people were truly obsessed with Julius Caesar and ancient Rome, and how Rome became so omnipresent in the early modern imagination. We then trace the roots of that obsession: how Roman history was...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In anticipation of Earth Day and Shakespeare's birthday later this month, in this episode, we are joined by Katherine (Katie) Steele Brokaw to discuss how Shakespeare can be used as a tool to create conversations around ecological issues that impact our communities. We discuss how Shakespeare is already well-positioned to be used as an eco-playwright, why it is important to utilize his plays to speak to our current moment, and how theatremakers and educators can incorporate...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we bring together Michael Parenti's The Assassination of Julius Caesar: A People's History of Ancient Rome and Shakespeare's Julius Caesar to explore the real historical event at the heart of the play. Parenti reframes the traditional "tyrannicide" narrative and argues that Caesar's murder was a calculated act by Rome's ruling oligarchs to stop a popular reformer who had become a threat to their wealth and power. Using this people's history perspective, we...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we dig into one of the most dramatic scandals of Shakespeare's time: the rise and catastrophic fall of Robert Devereaux, the Earl of Essex. Court favorite, military hero, and ultimately, traitor, Essex had everything and managed to lose it spectacularly. We break down who Essex was, his relationship with Elizabeth, and what finally led him to march on London with a small bnad of followers and an extremely bad plan. And of course, we're a Shakespeare...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In today's episode, we are exploring how Shakespeare depicts Julius Caesar's "falling sickness," commonly believed by historians and scholars to be epilepsy. First, we'll discuss how the play Julius Caesar can be read as a disability narrative and how it reflects early modern anxieties around invisible disabilities like epilepsy. Then, we will look at how Shakespeare depicts falling sickness or epilepsy across the canon and determine whether or not the depictions are as...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In Shakespeare's Julius Caesar, Cassius argues that "Men at some time are masters of their fates: The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings." In this week's episode, we are exploring early modern ideas of fate and the stars and the practices and beliefs of astrology in Shakespeare's time. We'll discuss the difference between the early modern concepts of natural and judicial astrology, the popularity and influence of...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In Julius Caesar, Shakespeare repeatedly reminds us that Brutus is an honorable man. In this episode we will explore if this is true, how Shakespeare depicts both masculine honor and its early modern counterpart, feminine virtue, in the characters of Brutus and Portia, and how Portia's characterization by editors and theatremakers has changed over time. First, we unpack how honor was defined for Shakespeare's audiences and how the play incorporates Early Modern anxieties...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. As we start off another one of Shakespeare's plays, we will first take a look at the themes, motifs, and production history of Julius Caesar in this Stuff to Chew On episode. This will provide a basis for future conversations as we dive deeper in later episodes. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Follow us on Instagram at Visit our website at Support the...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. It's time for our eleventh play! Today we are starting our series on Shakespeare's Julius Caesar with a synopsis episode. In this episode, we will provide a detailed summary of the plot, breaking down the action of the play scene by scene. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Special thanks to Nat Yonce for editing this episode. For updates: Follow us on Instagram at Visit our...
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Want to support the podcast? or As an independent podcast, Shakespeare Anyone? is supported by listeners like you. Back in 2021, we recorded our second ever wrap-up episode for our second play series: Twelfth Night. We both watched two versions of Twelfth Night: Trevor Nunn's 1996 film and She's the Man, then we also each watched an additional version. Kourtney watched the The Globe's 2012 production starring Mark Rylance, and Elyse watched National Theatre's 2017 production featuring Tamsin Greig. But then, tragedy struck when Kourtney went to edit the episode! The audio...
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In this episode, we explore how The Tempest reflects—and at times challenges—patriarchal power structures in Shakespeare’s world and in its performance history. First, we examine how Prospero’s control over Miranda, Ariel, and Caliban reflects early modern ideas and debates about gender, political authority, and service. Then, we look at how changing the gender of Prospero reshapes the play’s dynamics, how productions across stage and screen have used gender to reimagine magic, hierarchy, and power, and what the critical response to these productions reveals about modern gender politics.
Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.
Music is "Neverending Minute" by Sounds Like Sander.
For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com
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Works referenced:
Goodland, Katharine. “From Prospero to Prospera: Transforming Gender and Magic on Stage and Screen.” Shakespeare and the Supernatural, edited by Victoria Bladen and Yan Brailowsky, Manchester University Press, 2020, pp. 218–42. JSTOR, http://www.jstor.org/stable/jj.21996273.16. Accessed 7 Aug. 2025.