Shat the Movies: 80's & 90's Best Film Review
This week, Shat The Movies goes back to school—literally—as we revisit Adam Sandler’s breakout man-child classic, Billy Madison. Commissioned by Hot Sauce Steve, this 1995 comedy asks the eternal question: what if the heir to a hotel empire had to redo grades 1 through 12 because he’s too dumb to inherit a business? Gene and Big D break down Sandler’s early “shouting gibberish at adults” era, debate whether Billy is secretly sweet or just deeply concerning, and marvel at how many jokes in this movie would definitely not get greenlit today. The guys revisit iconic bits like the...
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This week on Shat the Movies, we roundhouse-kick our way into Best of the Best 3: No Turning Back (1995), where Phillip Rhee takes on a small-town gang of neo-Nazis with nothing but martial arts, a leather vest, and a serious sense of justice. Forget international tournaments, this one’s all shotgun blasts, burning churches, and heartfelt speeches. Gene and Big D break down the film’s bizarre tone, over-the-top villains, and whether Tommy Lee is the most polite action hero of the ’90s. Subscribe Now Android: Apple/iTunes: Help Support the Podcast Contact Us: Commission Movie: ...
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Just when you thought our annual Shat The Movies Halloween Spooktacular was over, we've back with one more mystical mission into the macabre. Commissioner Rob is raising "Vampire Hunter D" from the '80s crypt and bracing for our darkest takes. In this episode, voiced by Dick Ebert, Gene and Big D clash on whether the animation is delightfully nostalgic or criminally cheap. Gene asks why there's an 8-year-old wandering the post-apocalyptic countryside with a rifle; and Dick dives into the infamous shower scene. The Shat Crew also discusses why Left Hand eats dirt, what Time-Bewitching...
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This week on Shat the Movies, it’s alive! We’re dusting off Young Frankenstein (1974), Mel Brooks’ black-and-white masterpiece that parodies horror classics with heart, brains, and a healthy dose of innuendo. Gene Wilder leads a pitch-perfect cast including Teri Garr, Peter Boyle, Marty Feldman, and Cloris Leachman in one of the most quotable comedies of all time. Gene and Big D dive into the film’s legacy, brilliant performances, and whether this monster still has life in 2024. Movie Summary:Respected medical lecturer Dr. Frederick Frankenstein (Gene Wilder) learns that he has...
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In this special Spooktacular commission from Emmett, the guys dive deep into Tim Burton's 1994 biopic, Ed Wood. Starring Johnny Depp in one of his most beloved roles and Martin Landau in an Oscar-winning turn as Bela Lugosi, the film explores the life of the eccentric B-movie director often labeled the "worst" filmmaker in history. Does Burton's loving tribute to cinematic failure still hold up, or is it merely high-quality camp? Gene and Big D discuss: The genius of Martin Landau's portrayal of a faded horror icon. The film's beautiful black-and-white aesthetic. Whether Ed Wood was...
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This week on Shat the Movies, we’re slicing into The Texas Chain Saw Massacre (1974), the gritty, low-budget horror that redefined the genre. Gene and Big D brave the sweltering heat, meat hooks, and chainsaws to figure out how this disturbing, relentless nightmare became a cultural landmark. With Leatherface, Grandpa, and a whole lot of screaming, is it still terrifying in 2025 or just a grimy relic of its time? Tune in as we tackle the madness behind the mask. Movie Plot:When Sally (Marilyn Burns) hears that her grandfather’s grave may have been vandalized, she and her paraplegic...
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This week, Shat The Movies kicks off our annual Spooktacular with a bloody, bong-ripped bang as we revisit 1999’s Idle Hands — the stoner-horror-comedy hybrid where Devon Sawa’s right hand goes full demonic and Seth Green proves that death can’t stop a good hang. Commissioned by listener Christopher, this Halloween starter brings everything you’d expect from the late ’90s: MTV aesthetics, a killer soundtrack, Jessica Alba’s scooter, and enough weed jokes to make even Scary Movie blush. But does Idle Hands still hit, or is it just a high school fever dream of Doritos dust and Hot...
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This week on Shat the Movies, we’re diving into The Beach (2000), where Leonardo DiCaprio ditches civilization for a secret island paradise, and things go off the rails fast. Directed by Danny Boyle and loaded with Y2K angst, hallucinatory madness, and a killer soundtrack, this film tries to mix Lord of the Flies, Apocalypse Now, and a Gap commercial. Gene and Big D unpack the wild tone shifts, moral chaos, and whether Leo’s backpacker nightmare still holds up today. Movie Plot:The desire to find something real -- to connect with something or someone -- is what drives Richard...
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This week, Shat The Movies cranks the amps, loads the water guns and storms the radio station for 1994’s Airheads. Commissioned by listener John W., this forgotten rock comedy captures a moment when being a long-haired metalhead still meant something—and when you had to physically take hostages just to get your demo played. Gene and Big D relive the glory days of Blockbuster soundtracks and flannel rebellion while asking: was Airheads secretly a Gen X prophecy about streaming, soulless algorithms and the death of radio or just a juvenile comedy where Brendan Fraser, Steve Buscemi, and Adam...
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This week on Shat the Movies, we roll for initiative with Dungeons & Dragons (2000), a fantasy flop packed with rubbery dragons, chaotic CGI, and Jeremy Irons chewing every piece of scenery in sight. Gene and Big D brave the nonsensical plot, baffling performances, and a magic system that makes zero sense, even for D&D fans. Is it so bad it’s fun, or just a critical failure? Grab your spellbook and join the campaign! Subscribe Now Android: Apple/iTunes: Help Support the Podcast Contact Us: Commission Movie: Support with Paypal: Support With Venmo: Shop Merchandise: Theme...
info_outlineIn this episode of Shat the Movies, we tackle Less Than Zero (1987), where college freshman Clay (Andrew McCarthy) comes back to LA to find his ex, Blair (Jami Gertz), and his childhood buddy, Julian (Robert Downey Jr.), deep into cocaine addiction With Julian owing money to the ruthless dealer Rip (James Spader), Clay's mission to help them clean up reveals the wild side of '80s excess. Join us as we dig into the intense story, killer performances, and the movie's spot in the Brat Pack era, all set to an unforgettable soundtrack.
Plot Summary:
In the 1987 drama Less Than Zero, directed by Marek Kanievska and based on Bret Easton Ellis's controversial novel, Andrew McCarthy stars as Clay, a clean-cut college freshman who returns home to Los Angeles for Christmas break. He is immediately pulled back into the troubled world he left behind, filled with the excesses and temptations of the wealthy, decadent 1980s elite. At the center of this world are his two close friends: Julian (Robert Downey Jr.), a charming but self-destructive young man battling a severe drug addiction, and Blair (Jami Gertz), Clay's former girlfriend who is now romantically involved with Julian.
Clay is quickly confronted with the devastating consequences of his friends' choices. Julian, once a promising entrepreneur, is now deeply in debt to a ruthless drug dealer named Rip (James Spader). As Julian spirals further into his addiction, Clay is torn between his desire to help his friend and his growing frustration with the hedonistic lifestyle that seems to be consuming everyone around him. Blair, caught in her own struggles, pleads with Clay to stay and help save Julian, forcing Clay to face the harsh realities of addiction and the consequences of unchecked privilege.
As the trio navigates a world filled with drugs, parties, and moral decay, Clay must decide how far he's willing to go to save his friends from themselves. The film offers a stark look at the hollow core of a generation lost in the pursuit of pleasure and materialism, set against the backdrop of a glittering but soulless Los Angeles.
Less Than Zero is a haunting exploration of friendship, loss, and the dark side of 1980s excess. Join our podcast review as we examine this gritty drama and discuss whether its portrayal of youthful disillusionment and moral ambiguity still resonates with audiences today.
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