Vampire Hunter D (1985)
Shat the Movies: 80's & 90's Best Film Review
Just when you thought our annual Shat The Movies Halloween Spooktacular was over, we've back with one more mystical mission into the macabre. Commissioner Rob is raising "Vampire Hunter D" from the '80s crypt and bracing for our darkest takes. In this episode, voiced by Dick Ebert, Gene and Big D clash on whether the animation is delightfully nostalgic or criminally cheap. Gene asks why there's an 8-year-old wandering the post-apocalyptic countryside with a rifle; and Dick dives into the infamous shower scene. The Shat Crew also discusses why Left Hand eats dirt, what Time-Bewitching...
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Young Frankenstein (1974)
Shat the Movies: 80's & 90's Best Film Review
This week on Shat the Movies, it’s alive! We’re dusting off Young Frankenstein (1974), Mel Brooks’ black-and-white masterpiece that parodies horror classics with heart, brains, and a healthy dose of innuendo. Gene Wilder leads a pitch-perfect cast including Teri Garr, Peter Boyle, Marty Feldman, and Cloris Leachman in one of the most quotable comedies of all time. Gene and Big D dive into the film’s legacy, brilliant performances, and whether this monster still has life in 2024. Movie Summary:Respected medical lecturer Dr. Frederick Frankenstein (Gene Wilder) learns that he has...
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Ed Wood (1994)
Shat the Movies: 80's & 90's Best Film Review
In this special Spooktacular commission from Emmett, the guys dive deep into Tim Burton's 1994 biopic, Ed Wood. Starring Johnny Depp in one of his most beloved roles and Martin Landau in an Oscar-winning turn as Bela Lugosi, the film explores the life of the eccentric B-movie director often labeled the "worst" filmmaker in history. Does Burton's loving tribute to cinematic failure still hold up, or is it merely high-quality camp? Gene and Big D discuss: The genius of Martin Landau's portrayal of a faded horror icon. The film's beautiful black-and-white aesthetic. Whether Ed Wood was...
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The Texas Chain Saw Massacre (1974)
Shat the Movies: 80's & 90's Best Film Review
This week on Shat the Movies, we’re slicing into The Texas Chain Saw Massacre (1974), the gritty, low-budget horror that redefined the genre. Gene and Big D brave the sweltering heat, meat hooks, and chainsaws to figure out how this disturbing, relentless nightmare became a cultural landmark. With Leatherface, Grandpa, and a whole lot of screaming, is it still terrifying in 2025 or just a grimy relic of its time? Tune in as we tackle the madness behind the mask. Movie Plot:When Sally (Marilyn Burns) hears that her grandfather’s grave may have been vandalized, she and her paraplegic...
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Idle Hands (1999)
Shat the Movies: 80's & 90's Best Film Review
This week, Shat The Movies kicks off our annual Spooktacular with a bloody, bong-ripped bang as we revisit 1999’s Idle Hands — the stoner-horror-comedy hybrid where Devon Sawa’s right hand goes full demonic and Seth Green proves that death can’t stop a good hang. Commissioned by listener Christopher, this Halloween starter brings everything you’d expect from the late ’90s: MTV aesthetics, a killer soundtrack, Jessica Alba’s scooter, and enough weed jokes to make even Scary Movie blush. But does Idle Hands still hit, or is it just a high school fever dream of Doritos dust and Hot...
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The Beach (2000)
Shat the Movies: 80's & 90's Best Film Review
This week on Shat the Movies, we’re diving into The Beach (2000), where Leonardo DiCaprio ditches civilization for a secret island paradise, and things go off the rails fast. Directed by Danny Boyle and loaded with Y2K angst, hallucinatory madness, and a killer soundtrack, this film tries to mix Lord of the Flies, Apocalypse Now, and a Gap commercial. Gene and Big D unpack the wild tone shifts, moral chaos, and whether Leo’s backpacker nightmare still holds up today. Movie Plot:The desire to find something real -- to connect with something or someone -- is what drives Richard...
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Airheads (1994)
Shat the Movies: 80's & 90's Best Film Review
This week, Shat The Movies cranks the amps, loads the water guns and storms the radio station for 1994’s Airheads. Commissioned by listener John W., this forgotten rock comedy captures a moment when being a long-haired metalhead still meant something—and when you had to physically take hostages just to get your demo played. Gene and Big D relive the glory days of Blockbuster soundtracks and flannel rebellion while asking: was Airheads secretly a Gen X prophecy about streaming, soulless algorithms and the death of radio or just a juvenile comedy where Brendan Fraser, Steve Buscemi, and Adam...
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Dungeons & Dragons (2000)
Shat the Movies: 80's & 90's Best Film Review
This week on Shat the Movies, we roll for initiative with Dungeons & Dragons (2000), a fantasy flop packed with rubbery dragons, chaotic CGI, and Jeremy Irons chewing every piece of scenery in sight. Gene and Big D brave the nonsensical plot, baffling performances, and a magic system that makes zero sense, even for D&D fans. Is it so bad it’s fun, or just a critical failure? Grab your spellbook and join the campaign! Subscribe Now Android: Apple/iTunes: Help Support the Podcast Contact Us: Commission Movie: Support with Paypal: Support With Venmo: Shop Merchandise: Theme...
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The Last Dragon (1985)
Shat the Movies: 80's & 90's Best Film Review
This week, Shat The Movies enters the world of Harlem kung fu, Motown soundtracks, and glowing fists with 1985’s The Last Dragon. Commissioned by listener Daylen, this mashup of martial arts flicks and music videos introduced audiences to Bruce Leroy, the Shogun of Harlem and one of the wildest cult classics of the ’80s. But does its mix of camp and kung fu still shine today, or is it just a guilty pleasure best left in the VHS era? Gene and Big D debate whether Taimak was an underrated action star or just a wooden lead propped up by Vanity’s charisma. The Shat Crew relives...
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Dead Poets Society (1989)
Shat the Movies: 80's & 90's Best Film Review
This week, the Shat The Movies boys dust off their prep school blazers and follow Robin Williams into Welton Academy for 1989’s Dead Poets Society. Commissioned by listener Rob F., this Oscar-winning coming-of-age drama gave the world “Carpe Diem,” a standing-on-desks finale, and enough inspiration to launch a thousand “cool teacher” clichés. But does it still move us 35 years later, or has it become too earnest for its own good? Gene and Big D wrestle with their own school baggage while debating whether John Keating is a saintly mentor or a reckless enabler who lit fires in his...
info_outlineThis week on Shat The Movies, Gene and Big D rope in a modern Western classic with City Slickers (1991), a film that’s equal parts midlife meltdown, male bonding, and calf-birthing madness. Commissioned as a birthday gift from Ken to Eileen, Shat The Movies Episode 450 explores the heartfelt—and sometimes hilarious—journey of three friends finding purpose on a New Mexico cattle drive.
Gene shares personal reflections on Americana cosplay, toxic corporate life, and the ever-elusive “one thing,” while Big D opens up about aging, friendship, and why his idea of bliss is scrubbing solar panels at 6 a.m. They dive into masculinity, mental health, Billy Crystal’s Mets cap, and the emotional weight behind Jack Palance’s Oscar-winning performance.
Oh, and yes—there’s an in-depth discussion about cow afterbirth, horse anatomy, and “horse beans.” You're welcome.
Plot Summary:
City Slickers is a 1991 Western comedy directed by Ron Underwood and starring Billy Crystal, Daniel Stern, and Bruno Kirby. It follows Mitch Robbins, a disillusioned 39-year-old New Yorker stuck in a midlife crisis, who embarks on a two-week cattle drive through the Southwest with his best friends Phil and Ed.
Expecting a macho escape from their mundane lives, the trio instead face emotional reckoning, cowboy philosophy, and unexpected tenderness—including the birth of a calf Mitch names Norman. Along the way, they’re guided by the grizzled trail boss Curly (Jack Palance in an Oscar-winning role), whose “one thing” lesson helps Mitch discover what really matters. Both funny and surprisingly poignant, City Slickers blends comedy with heartfelt introspection about friendship, adulthood, and the pursuit of meaning in middle age.
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