Sodajerker On Songwriting
On Friday 4 September 2026 we're running the first Sodajerker Songwriting Lab at the Royal Birmingham Conservatoire, with acclaimed songwriters Sacha Skarbek and Ben Parker of the Skarbek Songwriting Academy. The workshop will feature a live Sodajerker interview with our guests, then a day of writing in small groups with guidance and feedback from Sacha and Ben. Places are limited, so have a listen to the announcement and decide whether you'd like to join us! To enrol for the Sodajerker Songwriting Lab visit
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On this very special episode, the legendary joins Sodajerker to mark the 45th anniversary of his solo debut Face Value, which arrives as a deluxe reissue in September. Phil explains how songs like 'In the Air Tonight' grew out of "mucking about" in his home studio, and why intuition counts for more in his writing than formal technique. He also discusses writing with Genesis, working with Brian Eno, Lamont Dozier, and the Earth, Wind & Fire horns, and creating the Oscar-winning 'You'll Be in My Heart' for Disney's Tarzan.
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Singer-songwriter and producer joins Simon and Brian for a conversation about the writing of her latest record The Ground Above. Beth shares how she turns instinctive first ideas into finished songs, the independence that came with producing her own records, and the influence of two formative relationships: her early collaborations with William Orbit and her guitar lessons with Bert Jansch.
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Songwriter and producer discusses Let It Die Here, her first solo album in over 25 years, and its accompanying documentary, which offers a candid look at her life and creative process. Linda explains the ways that grief and the loss of her mother are bound up in the work, the role of vulnerability in songwriting, and what she's looking for when she collaborates with an artist in the studio.
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joins Sodajerker to discuss The Great Parrot Ox and the Golden Egg of Empathy, the new sci-fi concept album from the Claypool Lennon Delirium. Sean talks about collaborating with Les Claypool, creating characters and mythology for the record, and exploring the dangers of artificial intelligence. We also examine the duo's use of wordplay, Sean's eclectic musical influences, and the lessons he absorbed from his parents.
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Matt Johnson joins Simon and Brian to discuss his new book Cognitive Dissident, the idea of “method songwriting”, and the way grief and personal loss have shaped his music. Along the way, this candid conversation touches on topics like memory, identity, authenticity and new frontiers of technology.
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Acclaimed Irish singer-songwriter joins Simon and Brian to discuss his new live retrospective Don’t Settle (Vol. 1 - Transmissions East) and his creative life. The Oscar-winning artist talks about writing songs that have a beating heart, why music should be both messy and true, but never clever, and the liberating experience of burning his notebooks.
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Marcus Mumford and Ben Lovett talk about the writing of the band's latest record, Prizefighter. The pair reflect on working with producer Aaron Dessner, the trust required to take creative risks as a band, and how collaborations with the likes of Hozier, Gracie Abrams, Chris Stapleton and Justin Vernon shaped the final record.
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Glenn Tilbrook and Chris Difford of join us for a special episode to discuss Trixies, a remarkable concept album centred on a fictional London nightclub and built from songs the pair first wrote as teenagers. During the conversation, Chris and Glenn reflect on the experience of revisiting the work of their younger selves, and how their celebrated songwriting partnership has continued to evolve.
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Guitar maestro and Vulfpeck collaborator chats about his new solo album Lost In The Wonder. The virtuoso musician, songwriter, and producer explains his approach to collaboration, how voice memos help him capture fleeting musical ideas, and why he believes in sharing more of the creative process with fans.
info_outlineAustralian music legend Paul Kelly talks to Simon and Brian about his latest record, Seventy, and his creative process. The decorated singer-songwriter discusses the role of boredom in songwriting, the interplay of joy and sorrow in his lyrics, and how he sets poetry to music.