Spoilerpiece Theatre
This week Evan and Dave buckled in for the new Glen Powell thriller-comedy (1:50). While Evan largely enjoyed it, he agreed with Dave that it had a boatload of problems. , we watched the 1986 slasher flick .
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Dave and Evan were looking forward to Gore Verbinski's (3:22). And then they saw the bloody thing. We'll let you listen and hear our thoughts rather than spill them here. But if you'd like a preview, here's . , we talk about the 2024 thriller , by the director of .
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Evan and Dave settle in to talk about the horror film (1:30), whose marketing tagline is "Don't Blow It." Well, one of us thinks this derivative, bloody as hell, tonally confused schlockfest, which has countless references to other horror movies, blew it, and the other doesn't. Which co-host is which, you wonder? (Take a wild guess.) Over on Patreon, we talk about the wacko 1989 action comedy
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It's Megan's final episode on Spoilerpiece, and we're very happy to send her off with lively conversations. First up is (5:41), a slow burn thriller about a tennis instructor (Sam Riley) at an island resort who falls in with an unhappy English couple (Stacy Martin and Jack Farthing) and their young son. We all really dug this picture, and think Riley is great in the lead role. Then it's on to (30:11), a sort-of comedy, sort-of thriller set in Paris, with Jodie Foster as a psychotherapist who's convinced that one of her patients was murdered. But how is she going to prove it? By making lots...
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This week, Megan tells Dave and Evan about (2:48), based on Helen MacDonald's memoir about losing their beloved father and, while grieving, adopting a stubborn hawk. Then all three of them talk about (11:31). This found footage horror film rubbed them all the wrong way. Some of them really wrong. Finally, Megan and Evan discuss (36:46). Both Evan and Megan were moved by this movie's embrace of queer joy while it's simultaneously an AIDS allegory. , we watch the Safdie Brothers' 2017 film
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Before we start talking movies, Megan has some news. Then: We often say on Spoilerpiece that movies we select to review end up being thematically related, even when we don't intend them to be. Well, not today, gang! (5:50) and (24:12) could not be less alike if they're directors ( and , respectively) made conscious decisions to make them live on opposite ends of the movie spectrum. Evan and Dave take on THE CHORAL (Megan had screener problems), an all-over-the-place drama about a chorus putting together a performance under the heavy cloud of World War I. Ralph Fieness is great. Everything...
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This week we get down to the wire - the (2:56), that is! (Hey-o!). This drama about a well-known-to-Hoosiers (like Dave) historical incident didn't really work for us. Which incident, you ask? Why, a very public kidnapping! Bill Skarsgård plays a disgruntled Indianapolis resident who holds a mortgage executive hostage over a loan dispute. Featuring an unrecognizable Cary Elwes and Kelly Lynch in small roles (and a recognizable over-the-top - natch - Al Pacino in another), we kind of rip DMW a new one. Following that, we tackle Albert Birney's (25:57), which is more of a split decision....
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Welcome to 2026! We start out the year by doing what we do best: Not enjoying a movie that is otherwise being heaped with critical praise! That's right, folks, Evan and Megan didn't really get the critical brouhaha behind (2:42). This story about extreme bullying at a water polo camp left them a little cold, and not because the water temperature is a chilly 65 degrees. Dave joins them for (21:45), and unconventional the-dead-are-coming-back-to-life tale. This one left Dave cold, but not just because he has a frigid critics' heart. Evan and Megan liked it, and its take on zombieism is...
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Welcome to the final Spoilerpiece of 2025! We take turns talking about our favorite films of the year. Dave (3:02), Megan (19:35), and Evan (39:30) each have a couple surprising choices sprinkled in. We hope you had a great year, and we'll see you in 2026. ! This week we talk about the 1979 Robert Altman sci-fi flick , starring Paul Newman.
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This week everyone saw everything, so we start off with Park Chan-Wook's latest, the darkly comic thriller (2:51), in which a 25-year veteran of a paper company is laid off and after a series of poor interviews, can't find another job. So he does the next logical thing: He decides to murder everyone in his field who may be more qualified than he is. Yikes! We all had our problems with this (it ain't ), but we did find things to like. But it seems we're outliers; NO OTHER CHOICE is getting critical raves but we all found it lukewarm for one reason or another. We follw up with Bradley Cooper's...
info_outlineDave and Megan are a duo again this week, and they get down to it on PREDATOR: BADLANDS (3:29), the latest, and, in their estimation, largely successful attempt to prolong the life of the PREDATOR franchise. P:B is kind of silly and even cute in places, but the dynamic duo are largely here for it. (Megan is super here for it!) Then they get into DIE, MY LOVE (28:34), director and co-writer Lynne Ramsay's latest. Featuring strong performances from Jennifer Lawrence and Robert Pattinson, Megan and Dave dive deep to dissect just what's going on in this movie. And they also try to figure out just what's going on in this movie, in which Lawrence plays a young mother seemingly falling apart at the seams - but there's a lot of imagery in here that's dreamlike, and...eh, you tell us: What happened? (Dave here: Pretty sure Megan followed this picture better than I did.) Over on Patreon, we talk about Clint Eastwood's 1973 revenge western HIGH PLAINS DRIFTER.