Bernstein: Symphonic Dances from Westside Story
Sticky Notes: The Classical Music Podcast
Release Date: 10/24/2024
Franck Symphony in D Minor
Sticky Notes: The Classical Music Podcast
In the 1960s, Leonard Bernstein famously helped to popularize the music of a then relatively obscure composer, Gustav Mahler. His work, as well as the work of other conductors, made Mahler into a classical-music household name. Mahler’s symphonies are played every year all over the world, and he is firmly ensconced in the so-called canon of standard orchestral repertoire. Would it surprise you to know that Franck’s D Minor Symphony once had the same reputation? It was played almost every year by most major orchestras, it was recorded by all the great conductors, and it was a fixture of the...
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Ravel and Falla: Echoes of Spain
Sticky Notes: The Classical Music Podcast
Nowadays it’s hard to imagine Maurice Ravel as a “bad-boy” revolutionary, a member of a group whose name can be loosely translated as The Hooligans. To most listeners today, Ravel’s music is the very picture of sumptuous beauty. But the group he belonged to, Les Apaches (“The Hooligans”), earned its name because of its members’ uncompromising attitudes about music; attitudes that clashed sharply with the conservative tastes of the establishment. Another composer who belonged to Les Apaches was the Spanish composer Manuel de Falla. Falla is certainly not as well known as Ravel,...
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Shostakovich Symphony No. 10 LIVE w/ The Aalborg Symphony
Sticky Notes: The Classical Music Podcast
Longtime listeners of Sticky Notes know that Shostakovich's 10 symphony was the inaugural piece covered on the show. It's been 8 years(!) since that show, so I've totally re-written the episode and had the privilege of presenting this new version live with the Aalborg Symphony Orchestra last week in Aalborg. Shostakovich, like so many composers before him, was obsessed with musical codes and messages, with songs that expressed two or more meanings, with ideas that were at once black and white and profoundly complex. This also describes Shostakovich himself, a man who was incredibly guarded...
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Barber Violin Concerto
Sticky Notes: The Classical Music Podcast
There are so many great apocryphal stories in the long history of classical music, from the reason Tchaikovsky wrote his Sixth Symphony to what famous composers supposedly said on their deathbeds, to my favorite story: how Joseph Haydn’s Symphony No. 96, The Miracle, got its name. Apparently, during the premiere of the symphony, a chandelier fell, but miraculously didn’t hit anyone. Hence, The Miracle Symphony. The chandelier did, in fact, fall, but we now know it happened during the premiere of Haydn’s Symphony No. 102, which has no nickname. Coincidentally, or perhaps not so...
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100 Years of Beethoven's Eroica (recordings)
Sticky Notes: The Classical Music Podcast
One of my favorite things about having Patreon sponsors is that they often suggest the most fascinating pieces and topics for shows. Adrian, who sponsored a show last year, gave me one of my favorite prompts when he suggested looking at works based on literature. Now he’s sponsored another episode, this time with an equally compelling idea that I was eager to explore right away. His prompt was: “The evolution of conducting techniques throughout recorded history. How have innovations from great conductors changed how music is performed and understood?” As a conductor, the thought of...
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The Life and Music of Grazyna Bacewicz
Sticky Notes: The Classical Music Podcast
The great Polish composer Witold Lutoslawski said this after the premature death of his contemporary Grazyna Bacewicz: “She was born with an incredible wealth of musical talent, which she succeeded to bring to full flourish through an almost fanatical zeal and unwavering faith in her mission. The intensity of her activities was so great that she managed, in a cruelly-shortened life, to give birth to such treasures that any composer of her stature with a considerably longer life span could only envy.” Bacewicz is a name that is probably not that familiar to you, but during her lifetime she...
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Sticky Notes meets You'll Hear It
Sticky Notes: The Classical Music Podcast
I had such a wonderful time joining the jazz podcast You'll Hear It! We talked about the meeting of jazz and classical music, a topic I've explored before, but never in this much depth and never with so much input from jazz musicians and experts like Peter Martin and Adam Maness. We talk about great jazz and classical composers, but we also talk about the strange divide between jazz musicians and classical musicians, trying to break down the barriers that exist between purveyors of these wonderful genres of music. I hope you enjoyed this one as much as I did!
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Impressions in Blue: Ravel & Gershwin
Sticky Notes: The Classical Music Podcast
In the mid-1920s, Maurice Ravel wrote a letter to the legendary composition teacher Nadia Boulanger. Boulanger’s class was a mecca for composers, both young and old, and musicians from all over the world vied to study with her. But Ravel’s letter wasn’t on his own behalf. Instead, he urged Boulanger to take on a young student whom Ravel himself had declined to teach. He wrote: "There is a musician here endowed with the most brilliant, most enchanting, and perhaps the most profound talent: George Gershwin. His worldwide success no longer satisfies him, for he is aiming higher. He knows...
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Beethoven Piano Sonata in B Flat Major, Op. 106, "Hammerklavier" - Part 2
Sticky Notes: The Classical Music Podcast
There is a special category when it comes to Beethoven; a catalogue that doesn’t include complete symphonies, sonatas, concerti, string quartets, etc., but just single movements. This is the catalogue of great Beethoven slow movements. Beethoven’s slow movements are like a great Tolstoy novel. They span the gamut of human experience and also reach beyond it, into something we cannot understand but all somehow perceive. Simply put, Beethoven often seems to know us better than we know ourselves. This brings me to the slow movement of Beethoven’s Hammerklavier Sonata. Unlike those late...
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Beethoven Piano Sonata in B♭ major, Op. 106, "Hammerklavier" - Part 1
Sticky Notes: The Classical Music Podcast
Beethoven once wrote to his publisher: “What is difficult, is also beautiful, good, great, and so forth. Hence everyone will realize that this is the most lavish praise that can be bestowed, since what is difficult makes one sweat.” If this credo manifests itself most powerfully in any one of Beethoven’s works, it might be the piece we’ll talk about today, the piano Sonata Op. 106, nicknamed, “Hammerklavier.” It is the longest Sonata Beethoven ever wrote, which essentially means that it was the longest sonata anyone had written up to that point. It marks one of the pivot...
info_outlineThe original production of Westside Story ran for 732 performances, spawned a movie that won 11 Academy Awards, and is still a go to on every list of the greatest Broadway Musicals ever written. The collaboration between Leonard Bernstein, Stephen Sondheim, and Jerome Robbins was a revolution on par with the collaborations of Stravinsky, Diaghilev, and Nijinsky on the Rite of Spring. No Broadway show had ever been so gritty, so tragic, and so raw. The first performances of Westside Story were done against the backdrop of a rise in gang violence in New York City. The socio-economic aspects of the show were evident to everyone who watched it, and I always like to remind people that the location where Bernstein, Arthur Laurents, who adapted Shakespeare’s Romeo and Juliet for this show, and Sondheim imagined the story taking place is where Lincoln Center now sits, a seat of opulence and extravagance. Simply put, this was a musical, a comedy, a tragedy, a political statement, and most importantly, a stunningly revolutionary work of art by these collaborators. Today, I want to tell you about the music, and more specifically, the Symphonic Dances from Westside Story, an arrangement that Bernstein made with his colleague Sid Ramin 3 years after the show’s premiere. The Symphonic Dances brought Bernstein’s electric music from the theatre to the concert stage, and it’s stayed there ever since. So today, we’ll go through each number, talking about just what makes this music so great, and also about the show itself - its background, its production, and the issues that Bernstein, Laurents, Sondheim, and Robbins were trying to tackle, all through the eyes of a tale of woe about Juliet and her Romeo, or of course, Maria and Tony. Join us!