Storied: San Francisco
Check out my conversation with previous guest as we chat about Lincoln’s new book, Three Years Our Mayor: George Moscone and the Making of Modern San Francisco. Look for Lincoln at the following events for his new book: April 29: He will be in conversation with Bill Issel discussing the book and what it can teach us about San Francisco today. Hosted by the at the Roar Shack, 34 7th Street, from 6–8 p.m. May 1: He will be in conversation at the University Club with Corey Busch, who served on Moscone’s senate staff, was a senior member of Moscone’s mayoral campaign staff, press...
info_outlineStoried: San Francisco
In Part 2, Kundan tell us about her decision to move to San Diego for college, where she would join her older sister, who’d been there for several years. But before that move south, she joined her sister and her sister’s friends on a backpacking adventure in Europe. After some time there, Kundan and her sister went to India to visit family there. Then she came back to go to school. What began as the study of psychology gradually gave way for Kundan to take more and more art and film classes. Eventually, she re-declared as an art major. She graduated in five years, and among the friends she...
info_outlineStoried: San Francisco
Listen in as SFFILM Director of Programming Jessie Fairbanks and I discuss this year’s San Francisco International Film Festival. Topics include: SFFILM’s festival spotlight The film Please visit for more info, including where to RSVP for free events and where to get tickets for ticketed events. We recorded this episode over Zoom in April 2025.
info_outlineStoried: San Francisco
It’s not often that I feature someone for the first time who’s already been on the podcast … not once, but twice. Such is the case for my friend, artist/bartender/nonprofit arts organizer Kundan Baidwan. Before we dig into this one, please go back and check out Kundan’s previous appearances on the show: (2018) (2024) Those podcasts were about important things in Kundan’s life—the legendary SF bar where she’s bartended for more than a decade, and the Indian arts nonprofit she started with friends just within the last year or so. This episode is all about Kundan herself. We...
info_outlineStoried: San Francisco
The Tenderloin Museum turns 10 years old this summer, and I for one am here to celebrate that. We first visited early last year, when we talked with museum Executive Director Katie Conry. This bonus episode is all about the many, many programs going on as they approach a milestone anniversary. To start us off, we hear from Program Director Alex Spotto. Alex shares many (but not all) of the upcoming events Tenderloin Museum is either producing or affiliated with. They include: a new production of the (opens tomorrow, April 11!) an art show by (up through May) (film screening and...
info_outlineStoried: San Francisco
In Part 2, we pick up where we left off in Part 1, with Woody's brief time at UC Berkeley across The Bay. During that one year of college, he lived at his grandmother's house in the Outer Richmond. His parents had recently split up, and both his parents moved, separately, to Marin. In fact, Woody says, his parents' moves north forced him to think about and start to consider that San Francisco was and would perhaps always be his home. Time has proven that to be true, of course. But to his young-adult mind, it just felt right for that moment. He'd spent a little time in Marin, and it...
info_outlineStoried: San Francisco
Ava Roy grew up in rural Western Massachusetts, in an area rich in literature and theater. Ava met Ann Podlozny back east before Ava came to California to attend Stanford, which is where she created a theater production group. Today, Ava is the founding artistic director of , a 25-year-old theater company based in San Francisco. Ann, who’ll play Lady Macbeth in an upcoming, all-woman production of Macbeth, is based in London and came back to be in the play and to support her friend Ava in whatever way she can. While at Stanford, Ava let her art play, in the sense of public displays such as...
info_outlineStoried: San Francisco
On his mom’s side, Woody LaBounty’s San Francisco roots go back to 1850. In Part 1, get to know Woody, who, today, is the president and CEO of . But he’s so, so much more than that. He begins by tracing his lineage back to the early days of the Gold Rush. His maternal great-great-great-grandfather arrived here mid-Nineteenth Century. Woody even knows what ship he was on and the exact day that it arrived in the recently christened city of San Francisco. On Woody’s dad’s side, the roots are about 100 years younger than that. His father grew up in Fort Worth, Texas (like I did). His...
info_outlineStoried: San Francisco
In Part 2, we start off talking about the significance of opening a Latinx-owned bookstore in the heart of the Mission, on 24th Street. The folks who run Medicine for Nightmares call the entire space at 3036 24th Street—the bookstore in front and gallery in back—"The Portal." Josiah talks about the intention to utilize that gallery space to highlight art and artists in the Mission. The gallery is also often home to community group meetings, further solidifying its importance. That's my kind of mixed-use. In the three years that MfN has been open, they've hosted more than 800 events...
info_outlineStoried: San Francisco
This episode is a sequel podcast nearly five years in the making. We last talked with poet back in 2020, over Zoom, in the early COVID days. In this podcast, we pick up, more or less, with where we left off that summer. Back in those days, Josiah Luis still worked at in North Beach. He walks us through that store’s process of rearranging around social-distancing protocols that were new at the time. He says that the early days of the pandemic meant hunkering down at home and reading-reading-reading. But once it was deemed safe to reopen City Lights, Josiah was really happy to be back. One...
info_outlineAllegra Madsen has a Polaroid photo of her birth.
In this episode, meet and get to know Allegra. Today, she's the executive director of Frameline film fest, the biggest LGBTQIA+ movie event in the world. She might disagree, but Allegra is a big deal.
(Quick side note: As we kicked off our recording, Allegra expertly solved a Rubik's Cube. No bigs.)
We begin with the story of how her parents met. Allegra's dad is from Chicago originally. He taught transcendental meditation (TM) and moved all over the world. Eventually, he landed in Virginia, where he met Allegra's mom, who is from there and was just beginning to practice TM. The two met and settled down, and soon enough, they had a baby—Allegra. She was born in Virginia Beach, VA, to, as she puts it, "two hippies who were trying to change the world by sitting quietly."
A lot of Allegra's family is still in Virginia, from which, as she points out, the Supreme Court's Loving case originated. That was when the high court ruled unanimously that interracial marriages are, in fact, protected under the Constitution. Her parents are of different races, and not everyone in the family looked on approvingly.
Her parents never did get married. But they raised their biracial kid together. She was a fairly typical latch-key kid growing up in the Eighties, though she split her time between her parents' families. Schools were mostly segregated, too. By the time Allegra got to high school, though, local governments and school boards did what they could to integrate, at that level at least. But, she says, that meant that the students themselves segregated within the schools.
Going between the worlds of her mom's family and her dad's, Allegra says she felt at home in both, however differently. She was the only mixed-race kid though, and so, as much as she strived to fit in with any one group, it was difficult.
Allegra has been tall for a while, and she was urged to play basketball, which she did. She says she liked it, but her passion for the game outweighed her skill. As a teenager, she read a lot. She says that it was probably the main way that she discovered a broader world beyond her hometown. Books gave way to movies, and they all helped form in Allegra a curiosity about how people relate to one another and share space in the world.
This was around the time that VCRs really took off. In addition to local video rental shops, the expansion of Blockbuster stores nationwide made it easier to rent movies. Her mom had a job at a cable company, and when young Allegra would visit her at work, she had access to cable movies that many of her friends went without.
At this point in the recording, Allegra and I go on a sidebar about movies we used to love that don't hold up well nowadays. But at the time, movies and books were ways for her to escape The South.
Soon enough, something started calling Allegra to leave where she's from. She graduated high school after only three years and got a job in the office of the construction company her dad worked for, helping her earn a little money. She saved and funded a fledgeling scuba career. Yes, scuba diving. Her dream was to move to the Florida Keys to work as a dive instructor.
But that dream never came true. Instead, she spent the year that would've been her senior year in high school working at a music store. Her work provided Allegra with easy access to so much music. There was also a Ticketmaster counter inside the store. Being an employee, she and her coworkers were able to pull tickets for themselves before they went on sale to the public. I go on a tangent here about what a pain it used to be to buy concert tickets over landline phones. Allegra rattles off an impressive list of bands she saw back then—one that includes Missy Elliott and Bob Dylan.
When she figured out that the diving dream was dead, Allegra moved to Chicago to go to college. She had family there—aunts, uncles, grandparents. But they weren't especially close. It's not that her extended family wasn't accepting of her parents' interracial relationship, but more that they weren't prepared for it.
And so Allegra turned to her peers. She found two people in her first week of college who turned out to be lifelong friends. She says her college experience was mostly a good one, but that, in hindsight, she still hadn't come into her own, per se. She studied film photography and design. Although she wasn't enrolled in the motion pictures program, Columbia College Chicago was and is known as a film school. And Allegra says that those friends she made early on helped her dive more deeply into the world of movies—it made her more of an active moviegoer.
Allegra says she always knew she was queer. She dated girls in high school, but never really talked with her parents about her budding sexuality. She never really talked with anyone about it, in fact. Instead, she simply dated women and that was that.
Check back next week for Part 2 and Allegra's eventual move to the Bay Area.
We recorded this podcast at Frameline Film Fest's offices in South of Market in November 2024.
Photography by Dan Hernandez